Museum 2.0

JANUARY 11, 2012

I'd say that these techniques support audience development, repeat visitation, membership, maybe could even attract new kinds of donors. Our team focused this year on just three things: making the museum more comfortable, hosting new participatory events, and partnering wherever possible. but I didn't have numbers to back it up.

Audience 47

Audience Museum Participatory History 47

Museum 2.0

AUGUST 16, 2010

I spent last week in the glorious country of Taiwan, hiking, eating, and working with museum professionals and graduate students at a conference hosted at the Taiwan National Museum of Fine Arts. It's not topic-specific; I've done these exercises with art, history, science, and children's museums to useful effect.

Museum 41

Museum Technique Taiwan Social 41

Museum 2.0

APRIL 25, 2011

Granted, I live in an increasingly narrow world of people who are exploring these topics and want me to work with them, but I still learn a lot from the questions and struggles I hear from colleagues and people who comment on the blog. Are there certain kinds of institutions that are more well-suited for participatory techniques than others?

Question 49

Question Participatory Museum Evaluation 49

Beth's Blog: How Nonprofits Can Use Social Media

MAY 26, 2015

I also wanted to experiment with translating some facilitation techniques I use for face-to-face meetings (like sticky note facilitation ) to virtual meetings. Then you are ready to tackle confirming the topic before combustion, which is the discussion and work around meaning-making and decisions. Design must comes first.

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Facilitation Virtual Arts Participatory 50

Museum 2.0

FEBRUARY 9, 2010

Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? History Museums OPPORTUNITIES - History museums are in many ways the best-suited for visitor participation.

Museum 29

Museum Difference Participatory History 29

Museum 2.0

OCTOBER 30, 2013

I am just starting to dive into the science of intergroup relations (psychology-speak for social bridging), and I greatly appreciate these individuals who are working to popularize and open up what could otherwise be esoteric research. My biggest question for these social psychologists is this: how do we apply their lessons to our work?

Measure 47

Measure Arts People Museum 47

Museum 2.0

MAY 2, 2012

Today is my one-year anniversary as the executive director of the Santa Cruz Museum of Art & History. We went through a dramatic financial turnaround and redefined our relationship with our community through a series of experimental participatory projects and new programmatic approaches. It is incredibly rewarding work.

Museum 55

Museum Director Participatory Culture 55

Museum 2.0

OCTOBER 12, 2017

A cheerful curly-haired deli owner stands in front of 30 of us and shares a quote he loves: "Artists live in the present and write detailed histories of the future." It was even more useful to learn how participatory writing visions can be. A vision is a detailed history of the future. This is a detailed history from the future.

History 26

History Pennsylvania Michigan Indiana 26

Museum 2.0

JUNE 12, 2012

--Helene Moglen, professor of literature, UCSC After a year of tinkering, the Santa Cruz Museum of Art & History is now showing an exhibition, All You Need is Love , that embodies our new direction as an institution. This post focuses on one aspect of the exhibition: its participatory and interactive elements.

Participatory 51

Participatory Museum Blackboard Game 51

Museum 2.0

JULY 20, 2016

I never felt like I stumbled into the gallery where no one else dares to tread (as I often feel when I enter the dioramas in many natural history museums, or the period rooms of art institutions). That work showed in the human voices and stories throughout the museum. All were given value.

Museum 20

Museum Audience Music Arts 20

Museum 2.0

FEBRUARY 20, 2013

The majority of our public programs at the Santa Cruz Museum of Art & History are created and produced through community collaborations. Each month we work with 50-100 individuals to co-produce our community programs. Experience working with a wide variety of age groups or teaching in general. Who are they?

Collaboration 55

Collaboration Community Tools Museum 55

Museum 2.0

AUGUST 25, 2009

This technique was used in the Slavery in New York exhibition at the New-York Historical Society and continues in the popular StoryCorps project. Rabinowitz commented that "as a 40-year veteran of history museum interpretation, I can say that I never learned so much from and about visitors." A lone "What do you think?"

Design 31

Design Goal Difference Platform 31

Museum 2.0

MAY 5, 2009

Visitor Co-Created Museum Experiences This session was a dream for me, one that brought together instigators of three participatory exhibit projects: MN150 (Kate Roberts), Click! Some of the key lessons we discussed were: providing crystal-clear criteria and constraints to help participants focus their work.

Slides 20

Slides Participatory Museum Children 20

Everyaction

OCTOBER 5, 2016

Your great work will be validated, and you will be energized to move beyond current paradigms and find innovative ways to increase your impact. Affect is a new community event highlighting the diversity of work and design behind social change. General / #WHATIFConference / @ImpactFoundary. Marketing & Communications. 10/24/2016.

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Conference Calendar DC Washington 111

Beth's Blog: How Nonprofits Can Use Social Media

APRIL 18, 2007

I'm having to quiet some inner Gollums while working on the presentation materials. An excellent first small step is to just identify the blogs that are hosting those conversations on the topics that interest you or inform your work. Professional development - reflect and learn about your work. I'm nervous.

Remix 50

Remix Professional Technorati Wiki 50

Museum 2.0

MARCH 5, 2014

This is especially useful in exhibitions or areas with multiple different talkbacks; it allows us to do A/B comparisons across talkbacks and learn which of our designs worked best (presumably, for the same group of visitors). What simple number has changed your work? Also, a sidenote. Total number across all three talkbacks: 0.

Test 43

Test Museum Participatory Measure 43

Connection Cafe

NOVEMBER 8, 2017

Growth hacking is more of a mindset of experimentation than tactics and techniques. What worked a few years ago, may not today. Old power works like a currency. It is made by many; it is open, participatory and peer-driven.” They view growing the chorus to be an important part of their work. Technology.

People 25

People Structure Influence Voice 25

Museum 2.0

FEBRUARY 23, 2009

As many of you know, I’m writing a book about participatory design for museums. The book is intended to be a practical guide to participatory museum experiences focused on design strategies, case studies, and activities. The WHY of participatory design is really important.

Participatory 26

Participatory Design Museum Wiki 26

Museum 2.0

NOVEMBER 25, 2008

Why do you care about and or work in museums? I don't work in museums because I love them. I didn't grow up staring open-mouthed at natural history dioramas or wandering through art galleries. I don't work in museums because I love them. I work in museums because I hate schools and see museums as a viable alternative.

Museum 29

Museum Alternative Education University 29