Museum 2.0

MAY 5, 2009

The more you give people clear information about what is needed and positive response when they provide it, the happier and more creative everyone feels. Some of the most interesting questions included: how do you verify the accuracy and authenticity of visitor-contributed content? This spanned all the projects.

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Slides Participatory Museum Children 20

Media Cause

JUNE 16, 2022

Working with land, they bring people together to design and practice strategies for healing, health and reparative economics. ?. They help people respond effectively to injustice in the world around us. . Black Youth Project — BYP has various local chapters. Find yours here. Young, Black, & Lit. Attend Events .

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Resource United States Movie Louisville 52

Museum 2.0

NOVEMBER 6, 2007

Last week, we looked at the first section of Visitor Voices , on Talk-backs, and came to the conclusion that comment boards and the like are functionally conversations, and that their design, therefore, should focus on encouraging positive, lively, thoughtful, engaged discussion. People aren't responding to each other.

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Voice Museum Vietnam Music 20

Beth's Blog: How Nonprofits Can Use Social Media

MARCH 24, 2014

The infographic also summarizes some best practices for nonprofits for crowd funding platforms: Tell engaging and personal stories to connect people to their fundraiser in an authentic way. Stand out by making the fundraiser unique and fun to get people’s attention. Here’s an example ). Set realistic fundraising goals.

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Practice Data Statistics Meme 129

Museum 2.0

OCTOBER 8, 2008

I have a lot of conversations with people that go like this: Other person: "So, you think that museums should let visitors control the museum experience?" For hundreds of years, we've owned the content and the message. In these conversations, people often say, "don't expert voices matter?" Content expertise matters.

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Authoring Platform Museum YouTube 42

Museum 2.0

AUGUST 14, 2008

This is true whether you are talking about marketing text or exhibit content. Many museums have jumped into the middle level—producing their own content—without starting with commenting. talkers do most of their talking on other peoples’ sites--check out this post from a blogger explaining why he comments on 36 blogs each morning.

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Museum San Francisco Myspace Comment 20

Museum 2.0

DECEMBER 19, 2008

It's very simple to calculate: you take the total operating expenses for your public-facing efforts and divide by the number of people who walk through the door. Or is it worth more because the museum content is reaching people in distant lands who would otherwise never have engaged with the institution?

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Virtual Museum North Carolina Evaluation 20

Everyaction

AUGUST 20, 2018

We recently sat down with Becka Wall, a Social Media Strategist at Individual Project and former Assistant Director of Digital Content Strategy at NARAL Pro-Choice America, to talk about the basics of running social media for an organization or campaign. How do you define that voice differently across different platforms?

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Social Media Lesson Media Social 58

Museum 2.0

MARCH 6, 2019

This week, I've had multiple conversations with colleagues in the arts, symphonies, and urban planning about the fear professionals have about "losing control" when opening up new opportunities for people to participate. welcoming people with more diverse perspectives and backgrounds to participate meaningfully).

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Authoring Share Museum YouTube 44

Museum 2.0

FEBRUARY 27, 2013

It does everything a great documentary story can do: it takes you into another world, introduces you to unforgettable people, defies expectations, and delivers tough realities instead of fairy tales. When we experience intense depth, as in the Minnesota History Center's Open House , which explores the stories of residents of one St.

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Museum Story Captivate Artist 53

Museum 2.0

JULY 17, 2008

But there are other times when the message isn't simple, and in those cases, visitor voices can help strategically shape multi-dimensional exhibitions. It can be uncomfortable or downright limiting to declare yourself and your single voice the authority on a complex or multi-faceted topic. How did this project get started?

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Interview Minnesota Museum History 21