Forum One

MAY 27, 2021

Organized by the Academy of Interactive & Visual Arts (AIVA) , this year’s 27th annual awards includes over 6,000 entries from companies and agencies of all sizes, making it one of the largest awards of its kind in the world. Excellence – Website for Art. The Frist Art Museum. Without further ado: the winners!

Award 74

Award Communication Colorado Museum 74

Forum One

SEPTEMBER 17, 2021

The digital storytelling approach powerfully illustrates all that NRDC has accomplished—from landmark legislation to practical changes that benefit the environment and local communities every day—to inspire audiences to support its work into the future and continue to grow its impact. The Frist Art Museum. Outstanding Website.

Colorado 60

Colorado Nashville Museum Award 60

Connection Cafe

SEPTEMBER 29, 2020

Though we’re disappointed to not be exploring Seattle with all of our awesome Arts and Cultural friends, we are super excited for our first-ever virtual bbcon 2020 ! Next week’s content will bring up new ideas, new faces, and fresh inspiration to take back to your organization. bbcon 2020 Virtual Schedule at a Glance.

Arts 28

Arts Culture Guide Organization 28

Connection Cafe

JANUARY 7, 2020

To help, here are some thought-starters from the Blackbaud Arts & Cultural team – along with a sneak-peek at what we have planned for 2020 so far. . . For more inspiration, hear from the Autry Museum on how it attract s more visitors and turn s them into members and lifelong donors. . . Practice Self -c are.

Culture 27

Culture Arts Organization Pledge 27

Museum 2.0

DECEMBER 18, 2013

These are the questions that underpin Museum Camp 2014 , a professional development experience in which diverse people from the arts, community activism, and social services will measure the immeasurable together. This is the second year that the Santa Cruz Museum of Art & History (MAH) is hosting Museum Camp.

Museum 46

Museum Impact Social Evaluation 46

Museum 2.0

SEPTEMBER 18, 2012

I feel strongly that there are huge issues with racial and ethnic diversity in museums and arts organizations that deserve a million more posts. One was a conference on pushing our practice in art museums. In library- and museum-land, the participants were 80-90% women. That's why I wrote this.

Arts 54

Arts Problem Open Museum 54

Beth's Blog: How Nonprofits Can Use Social Media

AUGUST 11, 2009

Photo by American Art Museum Note from Beth: This week I'm trying to understand crowdsourcing and nonprofits, hopefully with a crowd of other folks. How do you truly involve the general public and ask them to engage , online with art? In essence, it is visible storage for the museum.

Museum 92

Museum Campaign Flickr Arts 92

Forum One

NOVEMBER 3, 2022

The Davey Awards are sanctioned and judged by the Academy of Interactive and Visual Arts , a top-tier body of select professionals from the “Who’s Who” of acclaimed media, advertising, and marketing firms. SILVER – Virtual & Remote Experiences-Arts & Culture for Virtual & Remote. Pacific Science Center.

Award 77

Award Washington National Drupal 77

Museum 2.0

OCTOBER 10, 2016

Museum technology nerds: this post is for you. I've been thinking recently about distributed content experiences--ways for people to interact with museum content (art, history, science, etc.) as they make their way through the world outside the museum. At the museum? but none of them are great.

Museum 20

Museum Experiment Digital Podcast 20

Museum 2.0

OCTOBER 17, 2012

When I started this blog in 2006, I made a multi-media introduction to the concept of "museum 2.0" Venue as content platform instead of content provider: the museum becomes a stage on which professionals and amateurs can curate, interpret, and remix artifacts and information. The museum gets better the more people use it.

Museum 47

Museum Artist Remix Professional 47

Forum One

NOVEMBER 21, 2022

The W³ Awards are sanctioned and judged by the Academy of Interactive and Visual Arts (AIVA) , an assembly of leading professionals from various disciplines of the visual arts dedicated to embracing progress and the evolving nature of traditional and interactive media. Pacific Science Center. Silver – Science Website.

Award 46

Award Colorado Washington Children 46

Forum One

NOVEMBER 18, 2022

The W³ Awards are sanctioned and judged by the Academy of Interactive and Visual Arts (AIVA) , an assembly of leading professionals from various disciplines of the visual arts dedicated to embracing progress and the evolving nature of traditional and interactive media. Pacific Science Center. Silver – Science Website.

Award 46

Award Colorado Washington Children 46

Museum 2.0

DECEMBER 30, 2008

Dear Museums on Twitter, Thanks for experimenting in a new and largely uncharted online environment. So here is a list of suggestions that hopefully will improve the way your museum thinks about using Twitter. Or it's rainy so you suggest I visit the museum? But not enough of you. It's warm out so I should go to the zoo?

Museum 46

Museum Twitter Open San Francisco 46

Museum 2.0

OCTOBER 2, 2013

George Scheer is the director and co-founder of Elsewhere Collective, a fascinating "living museum" in a former thrift store in Greensboro, NC. In this post, George grapples with the challenges of balancing the care for a museum collection with that of contemporary artists-in-residence who are constantly reinterpreting it.

Artist 49

Artist Museum Proposal Participatory 49

Amy Sample Ward

JUNE 21, 2011

The speakers for this panel include: Tracy Fullerton – Electronics Arts Game Innovation Lab. Ruth Cohen – American Museum of natural History. Jason Eppink – Museum of the Moving Image. People are now coming to the library to see it as it includes content by all the 500 participants from that night.

Game 140

Game Culture Museum Change 140

Museum 2.0

MARCH 25, 2008

Which has more social impact: the place frequented by educated art lovers or the one populated by blue collar joes? Over the last several weekends, my husband and I have been visiting a different kind of art institution: a tattoo parlor. I love having a permanent piece of symbolic art on my arm. People ask questions.

Museum 23

Museum Arts Artist Culture 23

Museum 2.0

MARCH 27, 2009

This week, the Denver Art Museum (DAM) opened a new temporary exhibition called The Psychedelic Experience , featuring rock posters from San Francisco in the heyday of Bill Graham and electric kool-aid. It is an incredible museum experience. First, the environment. We’re all together, man.

Denver 21

Denver Museum Arts Remix 21

Museum 2.0

FEBRUARY 18, 2015

Every few months, a major news outlet does an "expose" about data collection on museum visitors. These articles tend to portray museums as Big Brother, aggressively tracking visitors'' actions and interests across their visit. Facebook is a completely socially-engineered environment. We''re trying to personalize.

Museum 20

Museum Experiment People Data 20

Beth's Blog: How Nonprofits Can Use Social Media

MAY 7, 2010

Nina has written a fantastic book engagement called The Participatory Museum. Imagine sitting around a conference table planning an upcoming project that involves user-generated content. Another thinks that users should not only contribute content but also have a hand in determining how it is used.

Model 98

Model Activities Active Activism 98

Museum 2.0

NOVEMBER 16, 2015

OdysseyWorks is a collective that makes immersive art experiences for one person at a time. And then, based on their research, they remake the world for a weekend, twisting the person's environment with sensory experiences that explore and challenge their deepest inclinations. You have to generalize. They spend time with them.

Arts 20

Arts Artist Audience Project 20

Museum 2.0

JANUARY 10, 2008

In the final installment of Museum 2.0’s s four part series on comfort in museums, we get down to the basics: creature comfort. When it comes to content , programs , and interactives (parts 1-3 of the series), the challenge is to push the barrier towards less comfort, not more. Why are museums so darn uncomfortable?

Museum 30

Museum Denver Arts Design 30

Museum 2.0

SEPTEMBER 29, 2009

When you find a bar with your favorite song on the jukebox, or a museum room that feels like your grandmother's living room, you suddenly feel a strong affinity and are able to see yourself reflected in the space. Taking pleasure in hidden things increases when you live in an environment where everything is available and highly documented.

Museum 34

Museum Los Angeles San Francisco Model 34

Museum 2.0

JULY 26, 2010

Art spaces masquerading as laundromats and letterpresses. From a museum perspective, I think there's a lot to learn from these venues' business models, approach to collecting and exhibiting work, and connection with their audiences. Want some waffles with your art? Skill-sharing free schools. Community science workshops.

Culture 49

Culture Alternative St. Louis Los Angeles 49

Museum 2.0

AUGUST 29, 2007

Thanks to Kyle Evans, who forwarded me the fascinating, lengthy master’s dissertation.art: Situating Internet Art in the Modern Museum by Karen Verschooren at the MIT Comparative Media Studies program. In it, Karen provides a survey of the evolving relationship of Internet art to art museums. On the website?

Museum 20

Museum Web Arts Internet 20

Museum 2.0

OCTOBER 6, 2008

A few weeks ago, I learned about Scholastic Books' new series, The 39 Clues , which ties together a ten-book mystery with an online gaming environment. The point of these endeavors is that video games and books provide different kinds of experiences, and by putting them together, audiences can experience more varied, layered overall content.

Museum 23

Museum Game Platform New York 23

Museum 2.0

MARCH 15, 2010

People often ask me which museums are my favorite. I visit lots of perfectly nice, perfectly forgettable museums. In some cases, that's based on subject matter, as at the Museum of Jurassic Technology or the American Visionary Art Museum. Some are scrappy and iconoclastic, like the City Museum in St.

Support 41

Support Museum St. Louis NSF 41

Museum 2.0

MARCH 9, 2009

I once asked Eric Siegel, the Director of the New York Hall of Science, why museums are rarely innovative shining stars on the cutting edge of culture. He commented that as non-profits, museums are built to survive, not to succeed. Unlike startups and rock stars, museums aren't structured to shoot for the moon and burn up trying.

Model 55

Model Business Los Angeles Museum 55

Beth's Blog: How Nonprofits Can Use Social Media

SEPTEMBER 8, 2014

Good instructional design to create an environment for peer dialogue begins with good on boarding and for people to connect with something they already know or believe. Next, of course, is diving into the design task of identifying goals and framing for the session and specific roles.

Reflection 124

Reflection NTEN Change Facilitation 124

NTEN

JUNE 21, 2011

The speakers for this panel include: Tracy Fullerton - Electronics Arts Game Innovation Lab Ruth Cohen - American Museum of natural History Elaine Charnov - The NY Public Library Jason Eppink - Museum of the Moving Image Syed Salahuddin - Babycastles Elaine Cohen: The New York Public Library 100 Years of the flagship library in New York.

Game 52

Game Culture Change Museum 52

Museum 2.0

JANUARY 15, 2008

The presumed answer is "yes" your museum needs a blog, a pony, or a set of comfy couches. Does your museum need a custom online social network? Most social networking sites give each user a unique user profile, along with a personal "home base" where you can always find your content, your contacts, and your interests.

Museum 20

Museum Social Network Case Study Discussion 20

Museum 2.0

AUGUST 25, 2009

Answers will differ depending on who's asking, but they are also influenced by the designed environment in which questions are asked. The outcome of our conversations is dependent on the diversity of designed environments in which they occur. I'm not talking about guiding content; I'm talking about guiding form.

Design 31

Design Goal Difference Platform 31

Beth's Blog: How Nonprofits Can Use Social Media

APRIL 11, 2008

That's an important distinction because one key to learning how to use technology is constant and dynamic learning learning from doing doing from learning Now some new labels for of us who are working together to create noncommercial public Arts Web spaces in a globally networked digital environment.

Digital 50

Digital Aggregator Listserv Stream 50

Museum 2.0

APRIL 23, 2009

Like many people who've worked in science centers and interactive experience museums, I've always been perplexed by the fact that hands-on workshop audiences top out around age 14. They are more than just workshop spaces--they are member institutions, like museums. Isn't this one of our dreams for museums?

Museum 24

Museum North Carolina San Francisco Structure 24

Museum 2.0

FEBRUARY 11, 2007

This week, I heard about a neat renegade art/museum awakening project in Providence, RI: Urban Curators. The project achieves its goal by elevating common, overlooked objects and spaces within the city of Providence, Rhode Island to the level of high art. Tags: Museums Engaging in 2.0 Projects design usercontent.

Rhode Island 20

Rhode Island Museum Mashup Boston 20

Tech Soup

MAY 21, 2015

The nonprofit creates books, media campaigns, and museum exhibits about preserving North America's wild places. As a reuse organization, its motto is "make art, not waste." Cary Creative Center has an art materials reuse store where people in the community can buy pretty much anything an arts teacher might want.

North Carolina 36

North Carolina Adobe Kentucky Green 36

Museum 2.0

AUGUST 3, 2009

Last month, the Christian Science Monitor published an article entitled, "Museums' new mantra: Connect with community." It took me a couple weeks (and various museum blog responses ) to realize what bugs me about this article--it treats "connecting with community" as a marketing ploy, a "mantra" rather than a mission.

Community 22

Community Museum San Diego San Francisco 22

Museum 2.0

JUNE 12, 2009

It is an exhibit of user-generated content? In almost all cases, museums assure me that they want to be in conversation, that they want to be responsive, that they want to “really hear” what people think. Sadly, it was the second story that was about a museum. Is this a research project? Is it a conversation? Let’s start there.

Conversation 21

Conversation Museum Artist Minneapolis 21