Museum 2.0

JULY 11, 2007

Originally uploaded by Jennifer Esperanza Do you like the content here but hate having to come to the site to get it? Don't want to deal with RSS readers or feed aggregators? Well, now, thanks to Feedblitz, Museum 2.0 is getting the content where you want it, when you want it. comes right to your (email) door.

Museum 20

Museum email Aggregator RSS 20

Museum 2.0

SEPTEMBER 22, 2008

Imagine that your museum is ready to start creating content on a small-scale in Web 2.0. You're ready to write commentary about content related to your institutional goals. efforts than you can if you focus on creating your own little world of content. You're ready to make a few videos to post on YouTube.

Museum 22

Museum Technorati Boston YouTube 22

Museum 2.0

APRIL 18, 2008

Thanks to Bryan Kennedy from the Science Museum of Minnesota for providing this overview/reflection on the Museums and the Web conference that recently concluded in Montreal. Museums and the Web 2008 guest blogger Bryan Kennedy here. This multi-museum collaborative is undertaking a thoughtful process to tackle these issues.

Museum 20

Museum Web Teen Flickr 20

Museum 2.0

APRIL 1, 2009

On Monday, I gave the keynote at the Museums in Conversation conference in Tarrytown, NY. I learned to cultivate creative greed while working on Operation Spy at the International Spy Museum, where I was lucky to be working on a project that was so new to us that we didn't have any pre-established models or structures for doing it.

Museum 20

Museum Conversation Columbus Local 20

Museum 2.0

MAY 26, 2009

On a recent trip to DC, an old friend showed me around a new exhibit at the US Holocaust Memorial Museum (USHMM), From Memory to Action: Meeting the Challenge of Genocide. The paper is perforated with one section for the promise, which visitors keep, and another section for a signature, which visitors leave at the museum.

Pledge 23

Pledge Museum Digital Indianapolis 23

Beth's Blog: How Nonprofits Can Use Social Media

JULY 1, 2009

Submitted by Nina Simon, publisher of Museum 2.0. I’ve had it with museums’ obsession with open-ended self-expression. There are so many more people who join social networks, who collect and aggregate favored content, and critique and rate books and movies. And yet many museums are fixated on creators.

Participatory 50

Participatory Experiment Museum Teen 50

Museum 2.0

MARCH 6, 2008

Which museums have experience creating collection tagging systems? The Museum Computer Network and Museum Software Foundation have teamed up to bring you MuseTech Central , a site where you can share your own technical projects and search through a growing resource list of others. Who's doing audio tours on iPods?

Museum 20

Museum Project Resource Technology 20

Tech Soup

JULY 25, 2012

These virtual libraries are meant to support different aspects of student learning, making the aggregate and perhaps distributed content of a physical library more accessible. " Research on virtual worlds used for education, libraries, and museums continues to expand.

Second Life 48

Second Life Library Virtual Life 48

Museum 2.0

MARCH 16, 2009

I’ve had it with museums’ obsession with open-ended self-expression. There are so many more people who join social networks, who collect and aggregate favored content, and critique and rate books and movies. And yet many museums are fixated on creators. This is a problem for two reasons. This is a problem for two reasons.

Participatory 44

Participatory Experiment Museum Teen 44

Museum 2.0

MARCH 7, 2007

Nik inquired as to how I feel about museum blogs. what's your take on museums that keep blogs? In general, yes, I think that museums maintaining blogs is an effective, cheap way to get changing content out to the public frequently. version of the news clippings tackboard on “Current Events” in hallways of some museums.

Voice 36

Voice Difference Museum Aggregator 36

Beth's Blog: How Nonprofits Can Use Social Media

APRIL 11, 2008

Digital Curators are the future of online content. Further, they don't even need to create their own content, just as a museum curator rarely hangs his/her own work next to a Da Vinci. Packrat: I think of digital pack rats as using tags and rss to aggregate information - the huge, unfiltered tag stream. The other terms.

Digital 50

Digital Aggregator Listserv Stream 50

NonProfit Hub

APRIL 8, 2014

It’s a social bookmarking tool that comes with annotated notes, tags and links so you can save, organize and discover new content. How it works for nonprofits: This makes your content gathering easy. Find sites that provide information directly related to your nonprofit’s cause and then use Delicious to quickly find content to post.

NPO 57

NPO Social Media Site Social 57

Museum 2.0

MAY 23, 2008

People who create content for the public try to appeal to a wide range of people, both in terms of demographics and usage styles. I've written before about three types of museum users: contributors, lurkers, and judges. Where do visitors get to vote on their favorite content? There are different learning styles.

Profile 26

Profile Audience Participatory Tools 26

Museum 2.0

DECEMBER 5, 2006

From the technology blogosphere: Tim O'Reilly wrote an excellent commentary on the "economics of disaggregation"--basically, the idea that new technologies (digital cameras, iTunes store) are allowing users to unbundle content (like an image or song) from traditional packaging (roll of film, album) so that they get just the content they want.

Aggregator 20

Aggregator Museum Structure Music 20

Beth's Blog: How Nonprofits Can Use Social Media

OCTOBER 26, 2007

I'll be doing a presentation on a panel at the Museum Computer Network Conference in two weeks on this topic and in early 2008 for the Legal Services Corporation. You talk about aggregating content, but what about comments/conversation on the blog? | View | Upload your own. This is work in progress. What data matters most?

Guinea 50

Guinea Measure Social Media Wikispaces 50

Museum 2.0

NOVEMBER 2, 2006

But the aspect that most excited me were the discussions about active participation in museums. From closed content to open-source forums. But the concepts behind them are powerful and useful in the discussion about the future of museums. No museum is as flexible or participatory as the Web has become. Should they be?

Wikipedia 20

Wikipedia Museum Participatory Aggregator 20

Museum 2.0

MARCH 4, 2009

Unlike Superstruct , which employed a very open-ended collaborative framework to invite people to imagine their circumstances in 2019 relative to several provocative scenarios, Signtific is a more focused, tight experience, both in content and format. In other words, it's way better. If Signtific just asked the "What if?"

Game 24

Game Experiment Participatory Museum 24

Museum 2.0

NOVEMBER 2, 2008

Today, Museum 2.0 I started the Museum 2.0 blog in 2006 as a personal learning exercise about "the ways that museums do and can evolve from 1.0 static content delivery machines) to 2.0 dynamic content aggregation and network machines)." I started the Museum 2.0 static content delivery machines) to 2.0

Museum 20

Museum Voice Minnesota Participatory 20

Museum 2.0

JULY 2, 2009

How would you design a recommendation system for a museum? When it comes to museums, recommendation systems are a natural solution for the problem of the customized tour. When it comes to museums, recommendation systems are a natural solution for the problem of the customized tour.

System 22

System Design Movie Museum 22

Museum 2.0

JUNE 4, 2007

Many in-museum 2.0-style If you want people to be able to tag artifacts with keywords, comments, or ratings, you need a unique identifier for each artifact, a way for visitor submissions to populate a database, and automated programs for aggregation and display of visitor data. Creating the backbone for a robust 2.0

Generation 20

Generation Tools Museum Wiki 20

Museum 2.0

APRIL 16, 2008

I've written before about the inspiring work that the Brooklyn Museum of Art is doing with their community-focused efforts. Click is an exhibition process in three parts: The Museum solicited photographs from artists via an open call on their website, Facebook group, Flickr groups, and outreach to Brooklyn-based arts organizations.

Museum 24

Museum Participatory Artist Arts 24

Museum 2.0

MARCH 30, 2007

Tagging,” or assigning descriptors to pictures, websites, and other content on the internet, is a huge trend in 2.0. Most of the incentives on sites for tagging are related to increased functionality (better organization of my sites on del.icio.us) or increased visibility (more searchable content). You look at this picture.

Game 20

Game Tag Fun NSF 20

Museum 2.0

MARCH 12, 2009

I believe that focusing specifically on the social capacity of an object, rather than its content or interpretation, yields new design techniques for museum exhibits and other participatory spaces. I want to aggregate all the data, synthesize it and share it. I’ll produce a report that will be shared here on the Museum 2.0

Design 20

Design Experiment Seattle Social 20

Museum 2.0

DECEMBER 8, 2006

Elisa’s focus is interactive arts, media design, and cultural management, and she has been involved in many pertinent projects, such as MUVI (the Virtual Museum of the Collective Memory of Lombardia). Environmentalists, the Museum of Natural History at CU, they all responded very enthusiastically to this. There are two strategies.

Interview 20

Interview Museum Culture Sound 20

Museum 2.0

MARCH 22, 2007

For example, in Bloom’s taxonomy of Educational Objectives, knowledge and comprehension of content comes before application. I talked about leveling up, and indeed I do believe that museums should consider engaging more in levels 3 and 4—whether their goal is making it to level 5 or not. Narratively, this makes sense. What do they do?)

Taxonomy 20

Taxonomy Museum Social Wikipedia 20

Museum 2.0

MAY 29, 2007

One of the most popular posts on Museum 2.0 The fourth kind I talked about is the "personal voice blog," in which museum staff write honestly and openly about their institution and experiences. At the time, I referenced a blog from the top: the Walters Art Museum Director's blog. is about different kinds of institutional blogs.

Museum 20

Museum Voice Aggregator Arts 20

Museum 2.0

NOVEMBER 20, 2008

The hierarchy comprises five levels, shown above, from passive consumption of content (level one) to collective social engagement (level five). When I talk about the hierarchy, I use the theoretical construct of an issue-based museum exhibit. At level one, the museum preaches to visitors about the issue. with the issue.

Poll 22

Poll Interaction Museum Social 22

Museum 2.0

MAY 4, 2007

If anyone out there is considering creating an industry catch-all site for museum-related content, I highly recommend Gamasutra as a model. Can museums afford to indulge in this kind of fantasy? It drives me nuts when I’m in a museum that has made a half-hearted attempt to thematically connected galleries or exhibits.

Game 20

Game Storytelling Lesson Museum 20

Beth's Blog: How Nonprofits Can Use Social Media

MARCH 23, 2007

context: How are museums encouraging stickiness and user investment in their proposed and in some cases, already developed, post 2.0 situation unless museums can get the ???stickiness??? Seb Chan, of the Fresh + New Blog, raises an interesting question about web site stickness in a web2.0 era websites. I expect it isn???t stickiness???

Social Network 50

Social Network Nptech Tag Summary 50

Museum 2.0

JULY 29, 2008

How can you make your museum website more effective in driving traffic and raising awareness of your institution? Most people think this requires designing more sophisticated content (and it can). But there is a simpler, more impactful way for museum websites to become more visible, cited, and visited in the online landscape.

Museum 20

Museum Websites Flash Images 20

Museum 2.0

MAY 14, 2009

I've become convinced that successful paths to participation in museums start with self-identification. The easiest way to do that is to acknowledge their uniqueness and validate their ability to connect with the museum on their own terms. Who is the "me" in the museum experience? Not so at museums.

Museum 20

Museum Personal Experiment Profile 20

Museum 2.0

JUNE 10, 2010

I spent last week working with staff at the Minneapolis Institute of Art (MIA) on ways to make this encyclopedic art museum more open to visitor participation across programs, exhibitions, and events. All artworks delivered to the museum during the submission period will be accepted and presented; no one is turned away.

Participatory 46

Participatory Museum Arts Artist 46

Museum 2.0

MARCH 11, 2007

On Musematic , Holly Witchey has rigorously recorded her recent experience at WebWise, a " IMLS/RLG/OCLC/Getty sponsored conference" on Libraries and Museums in the Digital World that was held March 1-2. To museum ears, this is fairly blasphemous--the idea that people want to use our content, not our exhibits. content providers.

Library 20

Library Museum Arts Aggregator 20

Museum 2.0

OCTOBER 30, 2008

Yes, it is possible for someone to reveal private information on a public comment board, but the number of community eyes on each board means that that kind of content can be seen publicly and addressed quickly. Inappropriate Content: Debatable. Let's look at #3--the promotion and featuring of content.

Education 20

Education Generation Remix Community 20

Museum 2.0

JUNE 15, 2009

You can explore the project wiki where we coordinated the exhibit, including the project overview , our six-week plan to get it all done, and individual sections for development of concept , content , interaction , graphics , marketing , fabrication , installation , and evaluation. It's like following blog comments.

Advice 31

Advice Museum Facilitation Student 31

Museum 2.0

MAY 27, 2008

How is a museum like a radio station? Both are collections of discreet, loosely organized content pieces that are both familiar and new. Your overall enjoyment of the content experience is determined to a large extent by the balance of items you like and those you don’t, those you know and those that are new.

Collaboration 20

Collaboration Music Museum Articulate 20

Beth's Blog: How Nonprofits Can Use Social Media

JANUARY 23, 2009

You may also want to improve your organization's reputation as an expert by being consistently involved in discussions on topics or aggregating information that are relevant to your organization. Will your content updates depend on any other resource or person? Do you have the most efficient work flow and tasks in place?

Social Media 106

Social Media Map Strategy Media 106