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An Evolution of Evaluation in Grantmaking With a Participatory Lens

sgEngage

On its face, evaluation seems like a neutral activity, designed to help us understand what’s happened, and to change course where needed. And, the focus of MEL is generally on evaluating grantee projects or organizations, rather than on the grantmaker and its practices. It promotes mutuality instead of extraction.

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Adventures in Evaluating Participatory Exhibits: An In-Depth Look at the Memory Jar Project

Museum 2.0

Two years ago, we mounted one of our most successful participatory exhibits ever at the Santa Cruz Museum of Art & History: Memory Jars. Over three months, about 600 people filled mason jars with personal memories and put them on display. This post shares some of the highlights from the project and from Anna''s research.

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The Johnny Cash Project: A Participatory Music Video That Sings

Museum 2.0

This question is a byproduct of the reality that most participatory projects have poorly articulated value. When a participatory activity is designed without a goal in mind, you end up with a bunch of undervalued stuff and nowhere to put it. The project is designed to scale. What's the "use" of visitors' comments?

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A look back at Issue Lab’s top philanthropic resources in 2022

Candid

With all these options, we wanted to look back and highlight some of the Issue Lab community’s most popular publications in 2022, featuring a wide array of topics ranging from education to participatory grantmaking and beyond. Expanding Equity: Inclusion & Belonging Guidebook , by the W.K.

Issue 98
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Trainer’s Notebook: Using Dot Voting Online

Beth's Blog: How Nonprofits Can Use Social Media

When I facilitate meetings or workshops for nonprofits, not matter the topic, I incorporate many participatory approaches and design thinking methods. The technique helps you need to evaluate the ideas. Diminish pet projects. Have people share why they chose or rejected certain items. Build consensus.

Online 113
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Great Participatory Processes are Open, Discoverable, and Unequal

Museum 2.0

The whole experience welcomed newcomers while helping them understand what "value" constituted in that community. When I think about what makes for great participatory experiences in both poetry open mics and jazz jams, it comes down to three basic things: The process is open. Opaque funding decisions don''t help anyone.

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Museum 2.0 Rerun: Inside the Design of an Amazing Museum Project to Capture People's Stories

Museum 2.0

It made me dig up this 2011 interview with Tina Olsen (then at the Portland Art Museum) about their extraordinary Object Stories project. They designed a participatory project that delivers a compelling end product for onsite and online visitors… and they learned some unexpected lessons along the way.

Museum 43