Beth's Blog: How Nonprofits Can Use Social Media

SEPTEMBER 8, 2016

Last week I was honored to be a counselor at Museum Camp , an annual professional development event hosted by the Santa Cruz Museum of Art & History (MAH). Nina Simon, the executive director of the museum, is an expert in participatory design and fantastic facilitator. Teams worked on their zines until the end of the camp.

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Causes Change Museum Social 50

Museum 2.0

APRIL 20, 2009

I’d never attended before and was impressed by many very smart, international people doing radical projects to make museum collections and experiences accessible and participatory online. Are participatory activities happening on the web because that is the best place for them? Instead, I found a standard art museum.

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Participatory Museum Web Indianapolis 35

Beth's Blog: How Nonprofits Can Use Social Media

SEPTEMBER 10, 2019

My style of teaching is participatory; I don’t lecture with PPT endlessly and involve the audience. Last year, I did a workshop at a conference for professionals who do audio description, a service that makes visual images of theatre, television, movies, and other art forms accessible to people are who blind or have low vision.

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Detroit Instruction Instructional PPT 77

Museum 2.0

AUGUST 16, 2010

I spent last week in the glorious country of Taiwan, hiking, eating, and working with museum professionals and graduate students at a conference hosted at the Taiwan National Museum of Fine Arts. It's not topic-specific; I've done these exercises with art, history, science, and children's museums to useful effect.

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Museum Technique Taiwan Social 41

NTEN

NOVEMBER 4, 2014

Today, we want to introduce you to Leah Horn , Director of Marketing and Communications at the Western States Arts Federation (WESTAF). WESTAF''s mission is to strengthen the financial, organizational, and policy infrastructure of the arts in the West. What is your organization''s mission? Plus, my track facilitators were great!)

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Donation Impact Share NTEN 64

Museum 2.0

APRIL 15, 2015

"The arts are future-making." I wrote this down when Deborah Cullinan said it at a meeting of arts leaders about a year ago. We were discussing the potential for cultural organizations to have significant impact across communities: on planning, health, education, and quality of life. The arts ARE future-making.

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San Francisco Arts Design Marketing 20

Museum 2.0

JUNE 1, 2010

This is the first installment of a book discussion about Ray Oldenburg’s book The Great Good Place. Facebook discussion board here. Like many museum and library professionals, I am enamored of the idea of cultural institutions as “third places” – public venues for informal, peaceable, social engagement outside of home or work.

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Place Discussion Culture Museum 41

Museum 2.0

JULY 20, 2010

Last week, I gave a talk about participatory museum practice for a group of university students at UCSC. During the ensuing discussion, one woman asked, "Which audiences are least interested in social participation in museums?" But when it comes to socializing with strangers, their interest is incredibly low.

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Teen Social Museum Participatory 49

Museum 2.0

SEPTEMBER 18, 2013

Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. I like to use half of any allotted time slot to talk and half for Q&A, so we usually have time to get into meaty discussions. Feel free to add your own questions and answers in the comments!

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Beth's Blog: How Nonprofits Can Use Social Media

NOVEMBER 3, 2015

It is always challenge to use participatory techniques when your participants are not native English speakers and you don’t speak the language. I thought I’d share a few quick insights and tips that I learned for others who may be preparing for doing tech training internationally and want to use participatory techniques.

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Beth's Blog: How Nonprofits Can Use Social Media

JANUARY 18, 2011

Last week, I participated in three very intense days of project, curriculum, and online community planning for a new project, E-Mediat , a multi-stakeholder capacity building project for NGOS and Social Media in the Middle East. Deliver targeted, cutting-edge social media training and coaching to 150 – 250 NGOs and CSOs in 15+ communities.

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Beth's Blog: How Nonprofits Can Use Social Media

AUGUST 20, 2009

There are many adhoc Twitter hashtags where nonprofits, foundations, social entrepeneurs, and others are sharing resources or having conversations. For example, Socialedge compiled a list of Twitter users in the social entrepreneurship sector that included a list of hashtags. I think it takes more a unique tag.

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Twitter Foundation Effective San Diego 95

Museum 2.0

APRIL 25, 2011

I like to use half of any allotted time slot to talk and half for Q&A, so we usually have time to get into meaty discussions. In 2008 and 2009, there were many conference sessions and and documents presenting participatory case studies, most notably Wendy Pollock and Kathy McLean's book Visitor Voices in Museum Exhibitions.

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Question Participatory Museum Evaluation 49

Beth's Blog: How Nonprofits Can Use Social Media

SEPTEMBER 8, 2014

The Leading Change Summit was more intimate (several hundred people), participatory and interactive, intense, and stimulating. Who is the lead singer, guitarist, bass, and drums. Here’s how that translates to team facilitation: Facilitator Lead: The person who is facilitating the discussion or exercise. Orienting the Group.

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Reflection NTEN Change Facilitation 124

Museum 2.0

DECEMBER 15, 2014

Schools and other arts organizations are rising to the challenge. Artists and arts organizations are contributing their spaces and their creative energies. Yet our posts contain similar phrases such as “21st century museums,” “changing museum paradigms,” “inclusiveness,” “co-curation,” “participatory” and “the museum as forum.”

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Museum 2.0

FEBRUARY 29, 2012

Here's the short version (read the whole thing here ): The Museum of Art & History is committed to creating exhibitions that inspire our diverse audiences to engage deeply with contemporary art and Santa Cruz County history. We discussed research about how visitors experience museums.

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Museum Artist Participatory History 38

Museum 2.0

MAY 9, 2012

Our curator writes labels about licking the art. It was terrific to have a packed room and a long, open conversation (we split the session into half presenting, half audience discussion) about these issues. Merilee Mostov and the Columbus Museum of Art. Participatory art and co-creation on the rise.

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Reflection Columbus Museum Participatory 43

Beth's Blog: How Nonprofits Can Use Social Media

AUGUST 29, 2006

I met Janet Salmons many years ago while I working on various arts and technology projects in New York State for the New York Foundation for the Arts. I started in the Cornell University Center for Theatre Arts , where I founded and directed two programs: Cornell Theatre Outreach and the Community-Based Arts Project.

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Tech Soup

JANUARY 31, 2012

We learn to use mobile production tools, cooperative social sites for group curation and unique filesharing services like Dropbox , Skype along with new tools like Instagram, WeVideo , Stroome and many new apps to edit our captured video and photos for story creation. of art, activism, and academic inquiry on the politically charged.

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Storytelling Collaboration Video Thailand 67

Museum 2.0

AUGUST 9, 2011

It's a little living room in a lobby area that invites people to lounge on comfortable chairs, leaf through magazines and books related to art and Santa Cruz history, and generally hang out. The area that houses the Creativity Lounge also shows art. Lisa was thrilled that her work was on display at the museum.

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Museum Arts History Columbus 51

Museum 2.0

DECEMBER 23, 2014

They were “preaching the museum gospel” in NYC via alternative tours at The Metropolitan Museum of Art. We interacted with the art and with each other through dynamic photo challenges, kinesthetic activities, and conversations. We discussed impressionism from Manet to Monet, and delved deeper in pointillism and Greek sculpture.

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Museum 2.0

JANUARY 15, 2008

Does your museum need a custom online social network? Let's discuss what it means, how it works, where it can go. A social networking site is one in which users connect with one another. Some of the most popular are LinkedIn (a professional network), Facebook (social and professional), and MySpace (anything goes).

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Museum Social Network Case Study Discussion 20

Museum 2.0

NOVEMBER 27, 2012

Do you consider yourself an "activist" for your organization, avocation, or art form? Sure, I admire cultural organizations that have a strong mission to change education or diversify access or transform the role of art in everyday life, but I'm an insider. A national election is the ultimate participatory project.

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Product Build Museum Arts 51

Museum 2.0

MARCH 13, 2013

Visitor-contributed photos surround a collection piece in Carnegie Museum of Art's Oh Snap! It can be incredibly difficult to design a participatory project that involves online and onsite visitor engagement. Social integrations are important so we infused easy sharing via Facebook and Twitter wherever possible.

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Authoring Open Experiment Museum 53

Care2

FEBRUARY 7, 2009

frogloop Home frogloop Home Receive monthly updates Subscribe to our RSS feed Follow frogloop on Twitter Most Popular Posts Social Network ROI Calculator Social Networking for Nonprofits: ROI, Tracking Tools and More "While Theyre Hot!" Resolution Two: "I resolve to use social and participatory media to expand my reach and brand."

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Social Media Difference Advocacy Case Study 28

Tech Soup

JANUARY 20, 2012

We learn to use mobile production tools, cooperative social sites for group curation and unique filesharing services like Dropbox , Skype along with new tools like Instagram, WeVideo , Stroome and many new apps to edit our captured video and photos for story creation. Get your story ideas ready and RSVP for Nonprofits Live on February 8th.

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Collaboration Storytelling Video Thailand 44

Museum 2.0

MAY 3, 2010

Last week, I attended Structure Lab , a half-day workshop on legal and financial structures for ventures for social good. Like many people in the arts, I'm interested in new models that help people combine mission-driven work with an entrepreneurial spirit. I collected some tools to use in planning and discussing a new business.

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Structure Model Social Profit 31

Museum 2.0

FEBRUARY 20, 2013

The majority of our public programs at the Santa Cruz Museum of Art & History are created and produced through community collaborations. Their enthusiasm and commitment charmed us and aligned with our social bridging goals. We recently had a group of students creating balloon art during our Winterpalooza Family Festival.

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Collaboration Community Tools Museum 55

Beth's Blog: How Nonprofits Can Use Social Media

NOVEMBER 14, 2007

It made me curious about the art of mircoblogging - and how you develop the technique of saying it in 140 characters. We also discussed personal fundraising and another excellent question. I just discovered a new site called " Great Nonprofits " another participatory philanthropy site.

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Museum 2.0

MARCH 28, 2012

At the Santa Cruz Museum of Art & History (MAH), we've started experimenting with a "community first" approach to program development. There are many amazing community representatives from business, arts, education, and social services who connect us to powerful ideas and partners.

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Museum 2.0

APRIL 16, 2008

I've written before about the inspiring work that the Brooklyn Museum of Art is doing with their community-focused efforts. Click is an exhibition process in three parts: The Museum solicited photographs from artists via an open call on their website, Facebook group, Flickr groups, and outreach to Brooklyn-based arts organizations.

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Museum Participatory Artist Arts 24

Museum 2.0

SEPTEMBER 20, 2010

On September 10, the Whitney Museum of American Art started offering a new membership called "Curate Your Own," in which members select one of five specialized "buckets" of benefits in addition to core admission and discount benefits. People want to experience art in quite individual ways. The "insiders" are another example.

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Interview Director Museum Arts 46

Museum 2.0

AUGUST 20, 2009

I'm working on a section of my book about sharing social objects and am writing about the most common way that visitors share their object experiences in museums: through photographs. To me, an open photo policy is a cornerstone of any institution that sees itself as a visitor-centered platform for participatory engagement.

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Museum Photo Policy Open 54

Museum 2.0

APRIL 3, 2009

The experiment is a multi-step activity in which you talk to strangers, get strangers talking to each other, and then build a social object that mediates conversation among strangers (more here ). I will aggregate the results for later discussion on the blog. Free workshop on topic of your choosing—Friday, April 24 in Seattle.

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Experiment Seattle Indianapolis Denver 20

Museum 2.0

NOVEMBER 7, 2010

I also learned that the best money in museums for someone who's starting out is in art modeling. After a long day running around a science center, I would show up at the Worcester Art Museum in the evening and make $20 just to stand around and listen to a painting instructor talk about art. I hope this is helpful for someone.

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Museum Boston Participatory Job 52

Museum 2.0

MAY 5, 2009

Visitor Co-Created Museum Experiences This session was a dream for me, one that brought together instigators of three participatory exhibit projects: MN150 (Kate Roberts), Click! Some of the key lessons we discussed were: providing crystal-clear criteria and constraints to help participants focus their work.

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Slides Participatory Museum Children 20

Museum 2.0

JUNE 10, 2010

I spent last week working with staff at the Minneapolis Institute of Art (MIA) on ways to make this encyclopedic art museum more open to visitor participation across programs, exhibitions, and events. While there, I was lucky to get to experience a highly participatory exhibition that the MIA mounts once a decade: Foot in the Door.

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