Museum 2.0

AUGUST 19, 2015

Here are two examples: Our Youth Programs Manager, Emily Hope Dobkin, wanted to find a way to support teens at the museum. Emily started by honing in on local teens' assets: creativity, activist energy, desire to make a difference, desire to be heard, free time in the afternoon. Not your voice. No money changed hands.

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Teen Museum Voice Collaboration 20

BoardAssist

DECEMBER 30, 2014

Without assessing blame, call out the problem at a board meeting, giving examples of how it is adversely affecting the agency, both internally and externally. He has over 30 years of varied and progressive experience in the insurance industry, rising from claims representative to small business owner to Chief Executive Officer.

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Chicago Government Teen Hunger 65

Tech Soup

MARCH 29, 2015

They also help demonstrate the human impact of nonprofits' and libraries' work. The right of publicity prevents the unauthorized commercial use of an individual's name, likeness, or other recognizable aspects of the individual's persona, including the person's voice. Teen Retreat. You can indeed.

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Photo Websites Library Audio 36

Top Nonprofits

DECEMBER 6, 2021

Not only does she understand social media very well and stays on top of all the changes, but she also has a very deep background in nonprofit work. We can use our voice and our economic power and our political power to actually make changes to the platform. And I also think a good example of this is the organization, DoSomething.org.

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Facebook Report Podcast Platform 52

Beth's Blog: How Nonprofits Can Use Social Media

FEBRUARY 1, 2010

Our partners include GOOD , a leading platform for thought and action revolving around pushing the world forward; Global Giving , an online marketplace that connects people who have community and world-changing ideas with people who can support them; and Do Something , the largest non-profit teen charity.

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Project Contest Award Grant 104

Museum 2.0

NOVEMBER 13, 2007

This week, a look at the third section of Visitor Voices , the excellent book coedited by Kathy McLean and Wendy Pollock. In the above examples visitors were responding to a call by the museum for a specific type of content. What makes these examples special is the fact that these exhibitions supported rather than fought that fact.

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Voice Create Museum Arts 20

Connection Cafe

JULY 8, 2015

I work to do good. Today, we work alongside Boomers and Millennials, many of us united in our desired to make a positive imprint on the world. It’s within nonprofits, working to catch those who are falling through the cracks. It’s in government (yep, I said it), working to serve the public. Seriously.

Help 20

Help Chicago Teen Blackbaud 20

Forum One

NOVEMBER 17, 2009

They had short five minute presentations, which I think worked well. NIH has had some great experience with its " Drug Fact Chat Day " an annual day for teens to chat online with NIH experts. Maxine had some pragmatic suggestions from her work at DOD for agencies wanting to experiment and explore social media. Maxine Teller.

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Government Open Strategy Teen 60

Bloomerang

JULY 17, 2021

Full Transcript: Steven: You’ll hear a robot voice. We are here to talk about how to lead and manage in our new work reality. Let’s see if we can get to work. Hopefully it’ll work. Kishshana: Go ahead. Steven: All right, Kishshana. Kishshana: Yes, we can. Steven: All right. Thanks for being here.

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Management Work Video Slides 91

NTEN

FEBRUARY 10, 2015

Having worked in the technology department for a diverse and rapidly expanding nonprofit focused on the inclusion of people with disabilities, Jeff has been a part of his share of poor decisions and “teaching moments.” American teens still send more SMS than any other type of message, and send more SMS than any other age group.

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NTC Slides Digital Director 36

NTEN

AUGUST 3, 2011

Games for Change spoke with Darren about their work with Channel 4 Education in the UK, how they approach creating innovative and immerse games, and the difference in experience between creating commercial titles and "games for change.". Part of Channel 4's remit is Public Service Broadcasting.

Game 68

Game Change Interview Broadcast 68

Beneblog: Technology Meets Society

AUGUST 6, 2009

As a non-profit organization, our work with the TRC and our statistical report was made possible through the support of United States Department of State Bureau for Democracy, Human Rights and Labor (DRL) and several other donors, which are listed in our report. Head office of the TRC in Monrovia, Liberia. TRC data entry and coding staff.

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Liberia Statistics Analysis United States 100

Museum 2.0

MARCH 26, 2014

In the article, David discussed ways that several large art museums are working to attract major donors and board members in their 30s and 40s. By the time my mom was at the Bay Area Discovery Museum, I was in my late teens/twenties, and I started to know the board socially, including Bob Fisher, who is now very involved with SFMOMA.

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Museum Generation Interview Donor 54

Museum 2.0

MARCH 28, 2008

Whether on blogs or talk-back walls, people are more conscious about their comments when they know their name will be associated with their work. There are two reasons to pursue this: for better accuracy (trusted source of info) and for more diverse inclusion of voices (trusted source of varied social experience). Be personal.

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Participatory Museum Teen Voice 20

Museum 2.0

NOVEMBER 7, 2010

I met lovely people in engineering, but I found the work to be too detail-oriented and microscopic in scope to satisfy me. There's not a lot of work in pinball, and I had a deep secondary interest in unschooling and free-choice learning. I didn't really care what kind of museum I went to as long as I could work for a rock star.

Museum 52

Museum Boston Participatory Job 52

Volunteer Hub

AUGUST 4, 2023

Donna: To be the premier out-of-school-time provider and leading voice for youth development in Arizona, ensuring youth and teens have the skills and resilience to successfully navigate childhood and prepare for adulthood. Donna: In fiscal year 2021/2022, we served almost 22,000 youth and teens. What has been your impact?

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Arizona Teen Audio Phoenix 52

Museum 2.0

APRIL 7, 2009

But the difference between the two examples teases out a problem in differentiating "participatory design" from "design for participation." I once worked on a project where the main goal behind our community-based participatory model was to make our exhibit process faster and cheaper. The answer (for me) is both. It consumes stuff.

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Participatory Design Difference Museum 27

Museum 2.0

MAY 5, 2009

A Crowd-Curated Exhibition (Shelley Bernstein), the Tech Virtual Test Zone (me), along with a new participatory research project, Children of the Lodz Ghetto (David Klevan), to talk about our lessons and struggles working with the public to create "museum-quality" exhibitions and research projects. This spanned all the projects.

Slides 20

Slides Participatory Museum Children 20

Museum 2.0

MARCH 27, 2009

I happened to be at DAM for work and got to experience this amazing exhibit. There is no dissonance between the museum’s formal voice and laminate and the visitors’ pens and paper. I saw teens and adults who sat and did this activity for 45 minutes and wasn’t surprised to hear that some people spend over an hour on it.

Denver 21

Denver Museum Arts Remix 21

Nonprofit Tech for Good

FEBRUARY 8, 2021

The more work you can do before publicly launching, the more time you’ll have to focus on communicating with your donors and fundraisers. Keep up the great work! your connection to soccer, teens, nonprofits, Classy, etc.). For example: “My old jersey number was 23, so this year I’m asking for $23 to my fundraiser.

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Goal Fundraising Help Africa 306

Museum 2.0

AUGUST 25, 2009

There was a wonderful example at the Ontario Science Center in their Hot Zone area, which features several voting and commenting kiosks popular with teens. By simplifying and personalizing the design technique used for the institutional voice, visitors felt like they were part of a natural conversation with the institution.

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Design Goal Difference Platform 31

Museum 2.0

APRIL 6, 2011

Let's say you spend a year working with a group of teens to co-create an exhibition, or you invite members and local artists to help redesign the lobby. How do you acknowledge their participation in a way that helps subsequent visitors connect with the passion and hard work that went into the process?

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Participatory Process Museum Children 48

Beth's Blog: How Nonprofits Can Use Social Media

SEPTEMBER 10, 2009

A few examples - TwestivalDC , BostonTwestival , SFTwestival , and so many more. Projects working in the U.S. With the onslaught of information and greater complexity in our work, visual diagnostics are more and more important. Global Voices Bloggers Mentor Others. It's open to 501c3's serving U.S. Inspiration.

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Nptech Social Media Ning Media 91

M+R

DECEMBER 23, 2021

For example, Mother Jones ’ investigative story on Kentucky’s drastic reduction of polling places in predominantly Black neighborhoods was shared widely on Facebook (320,000+ shares). More than a quarter of the top 20 stories shared on social media were a result of a high profile or celebrity voice speaking out on voting rights.

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Media Voice Teen Celebrate 88

Museum 2.0

DECEMBER 19, 2008

Consider, for example, the North Carolina Museum of Life and Science's new Flickr Plant Project. Changing lives is expensive whether you do it with at-risk teen staff members or at-risk teen virtual partners. Bringing in Global Voices Does your collection come from far-reaching lands? It's worth a lot to all of us!

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Virtual Museum North Carolina Evaluation 20

Museum 2.0

APRIL 30, 2007

Start working the social network sites. If you had one youth educator, would you expect them to develop and run overnights AND scout programs AND teen programs AND toddler programs AND outreach AND… of course not. At the Spy Museum, for example, we launched podcasting in the fall and committed to monthly half-hour episodes.

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Museum Advice Interview Web 20

Museum 2.0

FEBRUARY 24, 2011

For example, consider two independent arts organizations in Los Angeles -- Machine Project and The Public School. A welcoming and collaborative sensibility is important to attracting and working with participants, but that tone may not carry over to the rest of the institution and its broader audience.

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Voice Los Angeles Denver Museum 42

Connection Cafe

FEBRUARY 27, 2018

When you work in the field of corporate social responsibility (CSR) like I do, there’s a lot to be happy about. 2016 took us into the teens, and 2017 ended with participation just shy of 23% (made even more significant that national median participation rates have not changed much over the past few years). And guess what?

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Puerto Rico Gift Program Houston 31

Bloomerang

APRIL 2, 2021

Steven: see if it works. But the way I like to work is just put your stuff in the chat, put your questions in there or the Q&A, that’s even better, because it doesn’t get kind of lost and then everyone can vote things up. .” So some examples are like Audubon Bird Songs. Julia: Let’s share my screen.

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Social Media Trend Video Marketing 80