Museum 2.0

FEBRUARY 9, 2010

Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? Aren't art museums less open to participation than other kinds of museums?" I was surprised by her question.

Museum 29

Museum Difference Participatory History 29

Museum 2.0

AUGUST 19, 2015

One of my favorite comments on the first post in this series came from Lyndall Linaker, an Australian museum worker, who asked: " Who decides what is relevant? Community First Program Design At the Santa Cruz Museum of Art & History , we've gravitated towards a "community first" program planning model. My answer: neither.

Teen 20

Teen Museum Voice Collaboration 20

Museum 2.0

SEPTEMBER 2, 2008

This summer, I worked with the Chabot Space & Science Center on a design institute in which eleven teens from their Galaxy Explorers program designed media pieces for an upcoming Smithsonian exhibition on black holes. There was no initial design, no graphics, and no idea of where the teen' work would fit into an overall structure.

Teen 20

Teen Volunteer Create Design 20

Tech Soup

JUNE 21, 2012

Here in TechSoup’s San Francisco office, we use audio and video conferencing every day to talk with people working remotely in the Bay Area, New York, or Seattle, as well as with our partner nonprofits around the world. Teen Outreach Pregnancy Services. " —Laura Pedersen. Executive Director.

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Foundation San Francisco Donation Los Angeles 63

Museum 2.0

JANUARY 24, 2011

This post features an interview with Sarah Schultz, a museum staffer at one of the institutions Light profiled in the book (the Walker Art Center). Sarah has worked at the Walker since 1992 and is currently the Director of Education and Community Programs. How does the process of getting an innovation off the ground work at the Walker?

Arts 46

Arts Interview Teen Artist 46

Museum 2.0

JULY 26, 2010

From a museum perspective, I think there's a lot to learn from these venues' business models, approach to collecting and exhibiting work, and connection with their audiences. You feel like you could be a part of something awesome there (check out their FAQ for copious examples of this). Waffle Shop (Pittsburgh, PA).

Culture 49

Culture Alternative St. Louis Los Angeles 49

Museum 2.0

MARCH 27, 2009

This week, the Denver Art Museum (DAM) opened a new temporary exhibition called The Psychedelic Experience , featuring rock posters from San Francisco in the heyday of Bill Graham and electric kool-aid. I happened to be at DAM for work and got to experience this amazing exhibit. It is an incredible museum experience.

Denver 21

Denver Museum Arts Remix 21

Museum 2.0

AUGUST 18, 2008

I've long believed that museums have a special opportunity to support the community spirit of Web 2.0 This month brings three examples of museums hosting meetups for online communities: On 8.6.08, the Computer History Museum (Silicon Valley, CA) hosted a Yelp! Me: Have you ever been to this museum? several years.

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Museum Hosting Model Community 22

NTEN

JUNE 21, 2011

The speakers for this panel include: Tracy Fullerton - Electronics Arts Game Innovation Lab Ruth Cohen - American Museum of natural History Elaine Charnov - The NY Public Library Jason Eppink - Museum of the Moving Image Syed Salahuddin - Babycastles Elaine Cohen: The New York Public Library 100 Years of the flagship library in New York.

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Game Culture Change Museum 52

Museum 2.0

NOVEMBER 7, 2010

Last week marked four years for the Museum 2.0 People--especially young folks looking to break into the museum business--often ask me how I got here. Ed Rodley recently wrote a blog post about museum jobs entitled "Getting Hired: It's Who You Know and Who Knows You." This seems like an appropriate time to share the story.

Museum 52

Museum Boston Participatory Job 52

Museum 2.0

DECEMBER 14, 2009

The end of a conference is often a time of great enthusiasm quickly followed by a gaping maw of inability to act on that enthusiasm back at work. I used the example of the Yerba Buena Center for the Arts, which has a mission statement that includes unusual words like “bold” and “fearless.” It’s nice to have both. That’s fine.

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Project Museum Teen North Carolina 22

Museum 2.0

MARCH 18, 2015

The people were of all ages--moms with babies strapped to their fronts, six year-olds using skillsaws, pre-teens building robots, teenagers doing homework. There are lots of great science museum resources, but not where these kids can walk after school. Where it didn''t work, no local support stepped up. That taught us a lot.

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Green Interview Share Community 20

Museum 2.0

APRIL 7, 2009

Which of these descriptions exemplifies participatory museum practice? Museum invites community members to participate in the development and creation of an exhibit. Museum staff create an exhibit by a traditional internal design process, but the exhibit, once open, invites visitors to contribute their own stories and participation.

Participatory 27

Participatory Design Difference Museum 27

Museum 2.0

MAY 5, 2009

I just returned from the American Association of Museums (AAM) annual meeting in Philadelphia. I led two sessions, one on visitor co-created museum experiences, and the other on design inspirations from outside museums. what is the value of the exhibition experience to non-participants, that is, regular museum visitors?

Slides 20

Slides Participatory Museum Children 20

Beth's Blog: How Nonprofits Can Use Social Media

JUNE 3, 2005

Some of the entries of what you can read on the Walker Blog, may appear at first glance to be mundane details of cube life , but then you remember that it is a museum blog and it makes the institution seem more human. This Walker Blog let's us peer into the inner workings of the art institution.

Artist 50

Artist Arts Process Remix 50

Museum 2.0

AUGUST 20, 2019

I tell the story of the one-man band because I think many museum professionals feel like him. But, most importantly, few museum professionals have a free hand or moment. We will always find it hard to implement equity and access, metaphorically throwing open the doors, if our leaders don’t spend time thinking about how we do our work.

Museum 29

Museum Accessibility Articulate Teen 29

Museum 2.0

MARCH 28, 2008

Museums (and libraries) are trusted sources of information. In February 2001, AAM commissioned a study about the trustworthiness of museums and found that "Almost 9 out of 10 Americans (87%) find museums to be one of the most trustworthy or a trustworthy source of information among a wide range of choices.

Participatory 20

Participatory Museum Teen Voice 20

Museum 2.0

AUGUST 25, 2009

Rabinowitz commented that "as a 40-year veteran of history museum interpretation, I can say that I never learned so much from and about visitors." This is the opposite situation of the previous design goal, one typical in science and children's museums.

Design 31

Design Goal Difference Platform 31

Museum 2.0

JULY 9, 2007

Last week, Elaine Gurian and I talked about radical change in museums. Former museum start-up queen, Jen is taking a small organization whose goal is to promote girls’ involvement in math and science through research and programming to new, innovative, exciting places. Gender equity work in math and science isn’t exactly woo-worthy.

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Interview Museum Teen Myspace 20

Museum 2.0

SEPTEMBER 21, 2016

It opens up new conversations about the work of art in our communities. They live their mission, working in questions and projects rather than exhibitions and programs. For example, right now, Temple Contemporary's offices are packed floor to ceiling with broken musical instruments from classrooms across the city of Philadelphia.

Process 20

Process Share Philadelphia Arts 20

Museum 2.0

NOVEMBER 13, 2007

The essays in this section, on “Expressing and Co-Creating,” present projects in which visitors create exhibition content, contribute to its creation, or get a heavy done of meaning-making in their experience of museum content. Who controls the content in the museum? Who controls the museum experience? First, museum content.

Voice 20

Voice Create Museum Arts 20

Museum 2.0

JULY 4, 2007

On Tuesday, I reviewed Elaine Gurian’s essay, Choosing Among the Options , on museum archetypes and self-definition. Today, discussion with Elaine about ways museums choose their direction, how change is possible, and new museum types to be added to the list. What if you don’t want to be identified as one type of museum?

Museum 20

Museum Puerto Rico Change Boston 20

Museum 2.0

MAY 16, 2007

The recent flurry of restrictions that has sent teens fleeing? into the museum is the potential to encourage more positive in-museum interactions among strangers. I want in-person museum experiences to be more like experiences on social sites like Flickr, where strangers connect and form relationships around content.

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Museum Myspace Facilitation Social Network 20

Museum 2.0

JUNE 13, 2007

A museum experience I’ll always remember: In 2002, I worked at the Boston Museum of Science with a program in which high school students from a nearby charter school spent half their school time at the museum. They took regular classes, museum-specific classes, and had internship-style museum jobs.

Lesson 20

Lesson Museum Music Classes 20

Beth's Blog: How Nonprofits Can Use Social Media

NOVEMBER 10, 2006

It will be interesting to see if this advice holds true for the voters of the future based on Dannah Boyd's post " What i mean when i say "email is dead" in reference to teens. " These are examples of vlog or blog raising - raising money from people via your blog. "Do young people have email accounts?

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Wiki Vlog Machinima Bookmarking 50

Beth's Blog: How Nonprofits Can Use Social Media

OCTOBER 19, 2006

This morning I attended the MacArthur Foundation Digital Learning briefing that was taking place at the Natural History Museum in NYC. "We are in a moment of time where 57% of teens produce and share media. How does media creation and social networking skills change the way we work in nonprofits? local time).

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Digital Learning Media Avatar 50

Museum 2.0

APRIL 18, 2012

Last Friday, I witnessed something beautiful at my museum. A group in their late teens/early 20s were wandering through the museumwide exhibition on love. When I walked by the first time, the teens were collaging and Kyle and Stacey were talking. We bond with the friends we grew up with, the people we work and play with.

Community 42

Community Teen Build Social 42

Museum 2.0

APRIL 6, 2011

Let's say you spend a year working with a group of teens to co-create an exhibition, or you invite members and local artists to help redesign the lobby. How do you acknowledge their participation in a way that helps subsequent visitors connect with the passion and hard work that went into the process?

Participatory 48

Participatory Process Museum Children 48

Museum 2.0

JUNE 3, 2015

Last month at the AAM conference, a speaker said, "we should all be using measures of quality of life to measure success at our museums." Many museums (mine included) are fairly new to collecting visitor data. Want to know how many kids ate fruits and vegetables, or how many teens graduated high school, or how many people are homeless?

Local 20

Local Data Learning Childhood 20

Museum 2.0

APRIL 30, 2007

James Yasko is writing an article for an upcoming issue of Museum News on museums and Web 2.0. Here's the question: What advice do you have, as one who keeps up with technology as it relates to museums, to a group looking to incorporate Web 2.0 Start working the social network sites. into their repertoire?

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Museum Advice Interview Web 20

Beth's Blog: How Nonprofits Can Use Social Media

MAY 20, 2015

Later, when were chatting with a small group of people in the lobby, we noticed a group of teens walking by looking a little sad. Then once they visit have such a great experience that they want to stay connected with the museum through social channels. @rauldemolina : These kids didn’t make @labanda ! Informative. Practical.

Digital 50

Digital Learning Artist Miami 50

Museum 2.0

NOVEMBER 18, 2008

In many museums, comment cards are currently the most "participatory" part of the visitor experience. These services could be a powerful, cheap alternative to comment cards--especially those that are focused towards making suggestions about the museum.

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Comment Tools Museum Conversation 20

Museum 2.0

DECEMBER 19, 2008

Every museum has a number for its operating cost per visitor. Most museums don't strategically set this number--too many operating costs are fixed by building needs--but they can use it to assess how expensive each visitor interaction is and evaluate the efficacy of programs. So where do online initiatives fit in?

Virtual 20

Virtual Museum North Carolina Evaluation 20

Museum 2.0

FEBRUARY 24, 2011

For example, consider two independent arts organizations in Los Angeles -- Machine Project and The Public School. A museum can be friendly, or serious, or funny, while maintaining a traditional relationship with visitors as consumers of experiences. An institution might have a formal framework and an informal sensibility or vice versa.

Voice 42

Voice Los Angeles Denver Museum 42

Bloomerang

APRIL 2, 2021

Steven: see if it works. But the way I like to work is just put your stuff in the chat, put your questions in there or the Q&A, that’s even better, because it doesn’t get kind of lost and then everyone can vote things up. .” So some examples are like Audubon Bird Songs. Julia: Let’s share my screen.

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Social Media Trend Video Marketing 77