Museum 2.0

OCTOBER 10, 2016

Museum technology nerds: this post is for you. I've been thinking recently about distributed content experiences--ways for people to interact with museum content (art, history, science, etc.) as they make their way through the world outside the museum. At the museum? but none of them are great.

Museum 20

Museum Experiment Digital Podcast 20

Amy Sample Ward

JUNE 21, 2011

Ruth Cohen – American Museum of natural History. Jason Eppink – Museum of the Moving Image. People are now coming to the library to see it as it includes content by all the 500 participants from that night. Ruth Cohen – American Museum of natural History. Learning Science by Design.

Game 140

Game Culture Museum Change 140

Museum 2.0

MARCH 20, 2009

In my continuing quest to find elegant ways to integrate technology into the museum experience, we come to interpretative material and the simple question, "How can you create natural ways for visitors to retrieve the information of most interest to them relative to an artifact or exhibit?" Here's one lovely answer: Meta.L.Hyttan.

Environment 20

Environment Content Model Sweden 20

Forum One

FEBRUARY 7, 2023

Understanding the history of Google’s analytics suite is useful in better understanding GA4. It might record that the user clicked play and then clicked pause after 16 seconds, or that they searched for the hours of a museum, clicked through to the information page, and stayed for 40 seconds. What is Google Analytics 4?

FAQ 58

FAQ Organization Analytics Google 58

Museum 2.0

OCTOBER 2, 2013

George Scheer is the director and co-founder of Elsewhere Collective, a fascinating "living museum" in a former thrift store in Greensboro, NC. In this post, George grapples with the challenges of balancing the care for a museum collection with that of contemporary artists-in-residence who are constantly reinterpreting it.

Artist 49

Artist Museum Proposal Participatory 49

Beth's Blog: How Nonprofits Can Use Social Media

MAY 7, 2010

Nina has written a fantastic book engagement called The Participatory Museum. Imagine sitting around a conference table planning an upcoming project that involves user-generated content. Another thinks that users should not only contribute content but also have a hand in determining how it is used.

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Model Activities Active Activism 98

Museum 2.0

SEPTEMBER 18, 2012

I feel strongly that there are huge issues with racial and ethnic diversity in museums and arts organizations that deserve a million more posts. One was a conference on pushing our practice in art museums. In library- and museum-land, the participants were 80-90% women. I don't know if gender diversity deserves more posts.

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Arts Problem Open Museum 54

Museum 2.0

APRIL 1, 2009

On Monday, I gave the keynote at the Museums in Conversation conference in Tarrytown, NY. I learned to cultivate creative greed while working on Operation Spy at the International Spy Museum, where I was lucky to be working on a project that was so new to us that we didn't have any pre-established models or structures for doing it.

Museum 20

Museum Conversation Columbus Local 20

Museum 2.0

JANUARY 10, 2008

In the final installment of Museum 2.0’s s four part series on comfort in museums, we get down to the basics: creature comfort. When it comes to content , programs , and interactives (parts 1-3 of the series), the challenge is to push the barrier towards less comfort, not more. Why are museums so darn uncomfortable?

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Museum Denver Arts Design 30

Museum 2.0

MARCH 27, 2009

This week, the Denver Art Museum (DAM) opened a new temporary exhibition called The Psychedelic Experience , featuring rock posters from San Francisco in the heyday of Bill Graham and electric kool-aid. It is an incredible museum experience. First, the environment. Probably.

Denver 21

Denver Museum Arts Remix 21

NTEN

JUNE 21, 2011

The speakers for this panel include: Tracy Fullerton - Electronics Arts Game Innovation Lab Ruth Cohen - American Museum of natural History Elaine Charnov - The NY Public Library Jason Eppink - Museum of the Moving Image Syed Salahuddin - Babycastles Elaine Cohen: The New York Public Library 100 Years of the flagship library in New York.

Game 52

Game Culture Change Museum 52

Museum 2.0

JANUARY 15, 2008

The presumed answer is "yes" your museum needs a blog, a pony, or a set of comfy couches. Does your museum need a custom online social network? Most social networking sites give each user a unique user profile, along with a personal "home base" where you can always find your content, your contacts, and your interests.

Museum 20

Museum Social Network Case Study Discussion 20

Museum 2.0

JULY 26, 2010

From a museum perspective, I think there's a lot to learn from these venues' business models, approach to collecting and exhibiting work, and connection with their audiences. They have an open collections policy, and they see media artifacts as objects that connect people--to art, to history, to politics, and to each other.

Culture 49

Culture Alternative St. Louis Los Angeles 49

Museum 2.0

AUGUST 25, 2009

Answers will differ depending on who's asking, but they are also influenced by the designed environment in which questions are asked. The outcome of our conversations is dependent on the diversity of designed environments in which they occur. I'm not talking about guiding content; I'm talking about guiding form.

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Design Goal Difference Platform 31

Museum 2.0

FEBRUARY 11, 2007

This week, I heard about a neat renegade art/museum awakening project in Providence, RI: Urban Curators. By utilizing frames that one might expect to find in an art museum or gallery, viewers are forced to make connections between the urban landscape and the museum environment. Tags: Museums Engaging in 2.0

Rhode Island 20

Rhode Island Museum Mashup Boston 20

Museum 2.0

APRIL 23, 2009

Like many people who've worked in science centers and interactive experience museums, I've always been perplexed by the fact that hands-on workshop audiences top out around age 14. They are more than just workshop spaces--they are member institutions, like museums. Isn't this one of our dreams for museums?

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Museum North Carolina San Francisco Structure 24

Nonprofit Tech for Good

APRIL 5, 2021

If you are a location-based nonprofit, such as a museum or zoo, then also add your address. The research is based on brands with a large following, a vast array of visual content, and a significant budget for advertising. That’s good news for nonprofits that don’t have a lot of visual content. Verified Badges.

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Practice Nonprofit Avatar Social Media 363

Forum One

OCTOBER 4, 2023

Not only did we make the list one time – we made it eight times with two gold wins for non-profit and cultural institution websites and six silver wins for apps and websites in non-profits, health, families and kids, the environment and sustainability, science, and education.

Award 87

Award Museum Kansas City Drupal 87

Museum 2.0

MAY 4, 2007

If anyone out there is considering creating an industry catch-all site for museum-related content, I highly recommend Gamasutra as a model. Can museums afford to indulge in this kind of fantasy? Carson argues that environments have to answer two user questions immediately: “Where am I?” Where am I?

Game 20

Game Storytelling Lesson Museum 20

Museum 2.0

OCTOBER 21, 2007

No one would contest the idea that most museum exhibitions, art shows, films, books, in short, most content experiences, have value both for the new and return user. There’s no expectation that the content will have evolved in your absence; instead, the user evolves, and brings new meaning-making to the content experience.

Experiment 20

Experiment Create Museum Amazon 20

Museum 2.0

MAY 5, 2009

I just returned from the American Association of Museums (AAM) annual meeting in Philadelphia. I led two sessions, one on visitor co-created museum experiences, and the other on design inspirations from outside museums. what is the value of the exhibition experience to non-participants, that is, regular museum visitors?

Slides 20

Slides Participatory Museum Children 20

Museum 2.0

DECEMBER 8, 2006

Elisa’s focus is interactive arts, media design, and cultural management, and she has been involved in many pertinent projects, such as MUVI (the Virtual Museum of the Collective Memory of Lombardia). Environmentalists, the Museum of Natural History at CU, they all responded very enthusiastically to this.

Interview 20

Interview Museum Culture Sound 20

Museum 2.0

NOVEMBER 25, 2009

The interpretation was frequent, clear, and adult in tone and content. Some of the signage pointed out “firsts” happening at the preserve—new techniques for introducing species into new habitats, creating a completely mammal pest-free environment, and inviting people to visit the project while underway.

Action 20

Action New Zealand Hints Project 20

Museum 2.0

MAY 14, 2009

I've become convinced that successful paths to participation in museums start with self-identification. The easiest way to do that is to acknowledge their uniqueness and validate their ability to connect with the museum on their own terms. Who is the "me" in the museum experience? Not so at museums.

Museum 20

Museum Personal Experiment Profile 20

Museum 2.0

OCTOBER 26, 2009

Here's the basic idea: while you are at the museum, you save digitizable content--either content you make (photos of yourself) or content you collect (museum-supplied text or media of interest). It's an outpost for some cheap content, and that's immediately obvious to me when I get there.

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Personal Museum Pledge San Jose 34

Museum 2.0

JANUARY 8, 2008

When museum professionals talk about extending the museum experience, they’re usually talking about post-visit experiences. Emails home with links to content related to exhibits of interest. But for most contemporary museum-goers, the pre-visit happens on the web. What’s the most used portion of your museum website?

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Museum Websites Content Design 23

Beth's Blog: How Nonprofits Can Use Social Media

AUGUST 24, 2016

We learned about the country’s history, political complexity, religions, people, and ancient and contemporary life. exploration of the issue, environment, local population, culture, political and religious context and additional relevant content that provides an authentic narrative to follow. Exercise #1: Herding Sheep.

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Leadership Develop Exercise 50

Museum 2.0

JANUARY 9, 2013

A cult of linearity has dominated content on the web, with implications about how we think about effective storytelling both online and in museums. There are real positives to linearity in storytelling, even in an online environment freed from the page. Fifteen years later, the web has evolved tremendously.

Museum 52

Museum Environment Storytelling Portland 52

Have Fun - Do Good

JANUARY 16, 2009

In my content, I really like talking about the fact that I'm a woman of color, and how it is that through that perspective I grapple with many things, whether it's being in the business world, or being in the art world. Yet, the art world does not reflect that. I think that is really important. What kind of messages do you get? We said, "OK.

Artist 40

Artist Digital Arts San Francisco 40

Museum 2.0

NOVEMBER 25, 2008

Why do you care about and or work in museums? I don't work in museums because I love them. I didn't grow up staring open-mouthed at natural history dioramas or wandering through art galleries. When I visit a new city, I don't clamor to visit museums. I don't work in museums because I love them. I go on hikes.

Museum 29

Museum Alternative Education University 29

Museum 2.0

FEBRUARY 27, 2013

It has introduced me to corrupt university fundraisers , the true history of Tom Dooley , and the world's oldest marathon runner. All this delightful non-fiction makes me wonder: why aren't museums great at telling these same kinds of deep, intense stories? This seems strange given that museums are organized around objects.

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Museum Story Captivate Artist 53