Museum 2.0

APRIL 26, 2018

The Washington Post covered the MAH's transformation as part of an article about museums engaging new audiences. The whole second half of the article was dedicated to our work: Smaller museums can be especially scrappy in finding ways to connect with the community. It’s something that any museum, of any size, can work toward.

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Audience Washington Museum Intergenerational 49

Museum 2.0

APRIL 18, 2011

I asked Wendy Pollock and Kathleen McLean, authors of the new book The Convivial Museum , to share a guest post about the book. They collaborated on this photo essay that demonstrates the simplicity and power of their vision. At first glance, our new book, The Convivial Museum , is about the most simple ideas. Nothing new here!"

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Museum Photo Minneapolis California 50

Connection Cafe

SEPTEMBER 18, 2018

Arts and Cultural organizations are capitalizing on this giving movement by creating a clear call-to-action attached to customized campaigns. Website : Your website should reflect your #GivingTuesday campaign, and your donation button should be highly visible. Collaborating, for good, is an impactful way to further your reach.

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Arts Culture Florida Maryland 22

Museum 2.0

SEPTEMBER 18, 2013

This August/September, I am "rerunning" popular Museum 2.0 Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. I''ve spent much of the past three years on the road giving workshops and talks about audience participation in museums.

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Museum Question Participatory Evaluation 45

Beth's Blog: How Nonprofits Can Use Social Media

SEPTEMBER 8, 2016

Last week I was honored to be a counselor at Museum Camp , an annual professional development event hosted by the Santa Cruz Museum of Art & History (MAH). Nina Simon, the executive director of the museum, is an expert in participatory design and fantastic facilitator. Being Intentional About Your To Do List.

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Causes Change Museum Social 50

Beth's Blog: How Nonprofits Can Use Social Media

FEBRUARY 23, 2016

The book looks at how individuals can avoid burnout through self-care and how nonprofits can support it – through activities that promote well-being, cultural cues, or an overall strategy. How cultural norms influence participation. Our values reflect this commitment. 5 floating holidays and 7 fixed holidays per year.

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Product Time Create Museum 50

Museum 2.0

OCTOBER 2, 2013

George Scheer is the director and co-founder of Elsewhere Collective, a fascinating "living museum" in a former thrift store in Greensboro, NC. In this post, George grapples with the challenges of balancing the care for a museum collection with that of contemporary artists-in-residence who are constantly reinterpreting it.

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Artist Museum Proposal Participatory 49

Museum 2.0

SEPTEMBER 3, 2014

This person is writing about a participatory element (the "pastport") that we included in the exhibition Crossing Cultures. Crossing Cultures features paintings by Belle Yang that relate to her family''s immigration experiences. Collaboration in the months before the show. The clotheslines were always full.

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Participatory Museum History Arts 45

Beth's Blog: How Nonprofits Can Use Social Media

MAY 7, 2010

I'm a huge fan of work and the way she thinks - especially after she road the Scare House ride on the Santa Cruz boardwalk with me and did a brilliant reflection on its design. Nina has written a fantastic book engagement called The Participatory Museum. Wiki users are often collaborators.

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Model Activities Active Activism 98

Museum 2.0

JULY 17, 2012

But we've just compiled all our attendance data for the past year at the Santa Cruz Museum of Art & History (our fiscal year ends on June 30), and several people have written to me asking for the numbers behind our turnaround. Now Friday nights at the museum have become something people can count on, and they keep growing.

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Museum 2.0

JANUARY 11, 2012

For years, I'd give talks about community participation in museums and cultural institutions, and I'd always get the inevitable question: "but what value does this really have when it comes to dollars and cents?" I'm incredibly proud of all the staff, trustees, volunteers, collaborators, visitors, and members who have made this happen.

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Audience Museum Participatory History 47

Museum 2.0

FEBRUARY 9, 2010

Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? Aren't art museums less open to participation than other kinds of museums?" I was surprised by her question.

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Museum Difference Participatory History 29

Museum 2.0

JULY 2, 2014

I''ve been reflecting a lot recently on our museum''s work on " social bridging "--bringing people together across cultural, ethnic, geographic, generational, and socio-economic differences--and how to take it outside. Not that bonding with people we already know is bad, nor that we don''t want to support it at the museum.

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Design Community Museum Hype 47

Museum 2.0

MARCH 28, 2012

At the Santa Cruz Museum of Art & History (MAH), we've started experimenting with a "community first" approach to program development. We asked the whole group to brainstorm communities/constituencies who they thought could make a stronger connection with art, history, and culture. We made people write things down constantly.

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Program Community Design Museum 49

Museum 2.0

NOVEMBER 10, 2009

Exhibit labels in science centers ask more questions than any other kinds of museums, and yet the questions are often awful--teacherly, overly rhetorical, and totally meaningless. asked by a cop or mother, garners the full attention of asker and askee alike, museum questions like "what is nanotechnology?,"

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Reflection Research Question Museum 20

Museum 2.0

JUNE 12, 2013

TCG is the industry association for non-profit theaters, the way AAM is for museums. Given TCG''s multi-year Audience (R)evolution initiative, I took the opportunity to write a new talk about what revolution has looked like at our small museum in Santa Cruz. We heard again and again that the museum was cold and uncomfortable.

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Museum Learning History Arts 55

Museum 2.0

MARCH 27, 2013

I've written about different structures for participatory processes (especially in museums), and recently, I've been interested in how we can apply these structures to the design of public space. A key aspect of this rung is the degree to which children are engaged in critical reflection. Kids frequently suffer from tokenism.

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Design Participatory Children Museum 49

Museum 2.0

DECEMBER 21, 2011

to reflect some of the new activities at the museum. It's that time of year when inboxes fill up with digital thank you's, happy holidays, and end-of-year solicitations. At the MAH, we had an intern who worked this summer and fall to create a video (her first!) Enjoy our video and share your own via the comments.

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Detroit Denver Open Museum 33

Museum 2.0

APRIL 15, 2015

We were discussing the potential for cultural organizations to have significant impact across communities: on planning, health, education, and quality of life. But I couldn''t fully imagine how a museum or an arts center could embody it. It takes leaders like Deborah to claim those seats and launch successful collaborations.

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San Francisco Arts Design Marketing 20

Museum 2.0

APRIL 29, 2015

These are the slides and notes for the talk I gave at the American Alliance of Museums conference on Monday, April 27 about the Santa Cruz Museum of Art & History. When I became the director of the Santa Cruz Museum of Art & History four years ago, I took this work with me. They talked about community building.

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Build Community Museum Artist 20

Beth's Blog: How Nonprofits Can Use Social Media

MAY 20, 2010

This post summarizes the content I shared in my presentation and offers some reflection on the conversational keynote. I started my talk with a story about why I liked Twitter: It allows me to connect with people in my professional field and have a great conversations or ad hoc collaborations that improve practice.

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Social Media Media Social San Jose 115

Museum 2.0

APRIL 25, 2011

I've spent much of the past three years on the road giving workshops and talks about audience participation in museums. The Museum 2.0 In 2008 and 2009, there were many conference sessions and and documents presenting participatory case studies, most notably Wendy Pollock and Kathy McLean's book Visitor Voices in Museum Exhibitions.

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Question Participatory Museum Evaluation 49

Museum 2.0

FEBRUARY 5, 2008

I was fascinated by our discussion, and Bob came to mind last month, when I was asked to write an article for the Association of Children's Museums quarterly journal, Hand to Hand , about children's museums and Web 2.0. To understand more, I turned to Elaine Gurian's article The Molting of Children's Museums? Why the uniformity?

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Classroom Children Museum Model 22

Museum 2.0

JANUARY 4, 2010

It's rare that a participatory museum project is more than a one-shot affair. But next month, Britain Loves Wikipedia will commence--the third instance of a strange and fascinating collaborative project between museums and the Wikipedia community (Wikimedians). Some of these challenges were about mission fit.

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Wikipedia Arts Museum Images 40

NonProfit Hub

DECEMBER 13, 2017

Vu is a writer, speaker, vegan, Pisces, and the Executive Director of Rainier Valley Corps, a nonprofit in Seattle that promotes social justice by developing leaders of color, strengthening organizations led by communities of color,= and fostering collaboration between diverse communities. Kristen Hadeed. kristenhadeed.com. Julie Hirshey.

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Causes Ireland Philadelphia Slovakia 40

Museum 2.0

APRIL 18, 2008

Thanks to Bryan Kennedy from the Science Museum of Minnesota for providing this overview/reflection on the Museums and the Web conference that recently concluded in Montreal. Museums and the Web 2008 guest blogger Bryan Kennedy here. Who's sharing authority and how? Their task is both especially important and challenging.

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Museum Web Teen Flickr 20

Forum One

FEBRUARY 19, 2024

This Black History Month, we reflect on the strategy work that our team does through our partnership with the Smithsonian National Museum of African American History and Culture —much of which centers around expanding access. A Seat at the Table It was March 2020. Endowed by Dr. Ruth J.

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History Accessibility Museum Award 73

Museum 2.0

SEPTEMBER 24, 2019

This month we’ve been thinking about “What is a museum?” (I'm I’ve been visiting museums my whole life. Does that make me the best judge of museums? People are the defining characteristics of museums. I’ve worked with and at plenty of museums that can sometimes feel empty. I'm not alone there.

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Museum Place Life Ohio 36

Museum 2.0

DECEMBER 8, 2006

Elisa’s focus is interactive arts, media design, and cultural management, and she has been involved in many pertinent projects, such as MUVI (the Virtual Museum of the Collective Memory of Lombardia). the question of how cultural objects are defined and valued and 2. We are discussing how to do that [with the CU Museum].

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Interview Museum Culture Sound 20

Museum 2.0

JUNE 12, 2009

In almost all cases, museums assure me that they want to be in conversation, that they want to be responsive, that they want to “really hear” what people think. Sadly, it was the second story that was about a museum. This afternoon, they issued a lengthy collaborative statement. Is this a research project? Is it a conversation?

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Conversation Museum Artist Minneapolis 21

Museum 2.0

SEPTEMBER 8, 2008

Today, the Luce Center at the Smithsonian American Art Museum (SAAM) is launching what they claim is the first ever alternate reality game (ARG) in a museum. Why would an art museum create an ARG? To tap into maker culture. And the "stuff" of the game is real stuff, artifacts created by players and sent to the museum.

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Game Museum Arts Alternative 20

Bloomerang

FEBRUARY 1, 2022

I’ve managed campaigns ranging from about $5 million to over a billion dollars in health care, education, arts and culture, and advocacy sectors. So strategy really focuses on organizational direction, establishing values, mission, ensuring the organization embodies its cultural ethos. It builds a culture of trust and respect.

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Leadership Fundraising Gift Slides 60

Beth's Blog: How Nonprofits Can Use Social Media

OCTOBER 19, 2006

This morning I attended the MacArthur Foundation Digital Learning briefing that was taking place at the Natural History Museum in NYC. These are complex learning environments where young people are making decisions, learning and collaborating with peers, etc. Jenkins from MIT described something called "convergence culture."

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Digital Learning Media Avatar 50

Museum 2.0

FEBRUARY 22, 2012

What happens when a formal art museum invites a group of collaborative, participatory artists to be in residence for a year? Will the artists ruin the museum with their plant vacations and coatroom concerts? But for museum and art wonks, it could be. Will the bureaucracy of the institution drown the artists in red tape?

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Artist Museum Project Public 39

Museum 2.0

JUNE 16, 2020

Andrea has been a leader in the museum technology field. At large, I am proud of the countless hours of cross-departmental and community collaborations that will inspire me forever, hand-in-hand with colleagues who have invested their best efforts on behalf of the people we are committed to serving.

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Museum Detroit Arts Leadership 22

Museum 2.0

JULY 23, 2013

But this job is really important to the future of our museum, and I’m hoping that you or someone you know might be a great fit for it. We are hiring for a School Programs Coordinator to wrangle the 3,500+ students and their teachers who come to the museum every year for a tour and hands-on experience in our art and history exhibitions.

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Program Museum Work History 39

Museum 2.0

JUNE 12, 2012

It made me think in ways that I haven't before about the relation of art--as expressive culture--to democracy. Helene Moglen, professor of literature, UCSC After a year of tinkering, the Santa Cruz Museum of Art & History is now showing an exhibition, All You Need is Love , that embodies our new direction as an institution.

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