Museum 2.0

DECEMBER 18, 2013

These are the questions that underpin Museum Camp 2014 , a professional development experience in which diverse people from the arts, community activism, and social services will measure the immeasurable together. This is the second year that the Santa Cruz Museum of Art & History (MAH) is hosting Museum Camp.

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Museum Impact Social Evaluation 46

Forum One

MAY 27, 2021

The digital storytelling approach powerfully illustrates all that NRDC has accomplished—from landmark legislation to practical changes that benefit the environment and local communities every day—to inspire audiences to support its work into the future and continue to grow its impact. The Frist Art Museum. The Vilcek Foundation.

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Award Communication Colorado Museum 74

Forum One

NOVEMBER 3, 2022

and presents detailed data from more than 50 sources on 61 key factors that most affect their residents’ lives, including housing, neighborhood amenities and conveniences, transportation, environment, health, opportunities for civic engagement, and inclusiveness. The Livability Index scores neighborhoods and communities across the U.S.

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Award Washington National Drupal 77

Forum One

NOVEMBER 21, 2022

and presents detailed data from more than 50 sources on 61 key factors that most affect their residents’ lives, including housing, neighborhood amenities and conveniences, transportation, environment, health, opportunities for civic engagement, and inclusiveness. The Livability Index scores neighborhoods and communities across the U.S.

Award 46

Award Colorado Washington Children 46

Forum One

NOVEMBER 18, 2022

and presents detailed data from more than 50 sources on 61 key factors that most affect their residents’ lives, including housing, neighborhood amenities and conveniences, transportation, environment, health, opportunities for civic engagement, and inclusiveness. The Livability Index scores neighborhoods and communities across the U.S.

Award 46

Award Colorado Washington Children 46

Beth's Blog: How Nonprofits Can Use Social Media

MAY 7, 2010

Nina has written a fantastic book engagement called The Participatory Museum. Imagine sitting around a conference table planning an upcoming project that involves user-generated content. Another thinks that users should not only contribute content but also have a hand in determining how it is used.

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Model Activities Active Activism 98

Museum 2.0

OCTOBER 2, 2013

George Scheer is the director and co-founder of Elsewhere Collective, a fascinating "living museum" in a former thrift store in Greensboro, NC. In this post, George grapples with the challenges of balancing the care for a museum collection with that of contemporary artists-in-residence who are constantly reinterpreting it.

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Artist Museum Proposal Participatory 49

Museum 2.0

MARCH 12, 2014

I recently read the BERI report on bilingual labels in museums and was blown away by its findings. in Applied Social Psychology and has evaluated and researched informal learning experiences in museums and other visitor institutions for over 20 years. is a controversial topic, and the same is true in museums.

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Intergenerational Museum NSF Facilitation 53

Museum 2.0

FEBRUARY 5, 2008

I was fascinated by our discussion, and Bob came to mind last month, when I was asked to write an article for the Association of Children's Museums quarterly journal, Hand to Hand , about children's museums and Web 2.0. To understand more, I turned to Elaine Gurian's article The Molting of Children's Museums? Why the uniformity?

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Classroom Children Museum Model 22

Museum 2.0

APRIL 1, 2009

On Monday, I gave the keynote at the Museums in Conversation conference in Tarrytown, NY. I learned to cultivate creative greed while working on Operation Spy at the International Spy Museum, where I was lucky to be working on a project that was so new to us that we didn't have any pre-established models or structures for doing it.

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Museum Conversation Columbus Local 20

Museum 2.0

MAY 9, 2007

In January, I interviewed Sibley about the potential use of virtual worlds and Second Life by museums, but in the four months since then, the virtual world platform--and the hype around it--has exploded. It seems that Second Life is both the closest and farthest thing from many museum professionals' minds. Collaborative Experience.

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Second Life Museum Life Virtual 20

Museum 2.0

AUGUST 29, 2007

Thanks to Kyle Evans, who forwarded me the fascinating, lengthy master’s dissertation.art: Situating Internet Art in the Modern Museum by Karen Verschooren at the MIT Comparative Media Studies program. In it, Karen provides a survey of the evolving relationship of Internet art to art museums. Citizen science programs. On the website?

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Museum Web Arts Internet 20

Connection Cafe

SEPTEMBER 29, 2020

Next week’s content will bring up new ideas, new faces, and fresh inspiration to take back to your organization. Arts and Cultural will have thousands of professionals represented from organizations ranging from zoos to museums, performing arts organizations to libraries, and beyond!

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Arts Culture Guide Organization 28

Museum 2.0

JANUARY 18, 2008

This week marks one month of live activity for the Tech Virtual Museum Workshop , a collaborative, online platform for exhibit development. But museum folks, no matter how much we want to collaborate, don't move quickly. I went into this project skeptical about the use of Second Life as a collaborative design platform.

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Museum Virtual Tech Second Life 20

Museum 2.0

OCTOBER 15, 2009

Over the past year, I've noticed a strange trend in the calls I receive about upcoming participatory museum projects: the majority of them are being planned for teen audiences. Teens more commonly use the Web to stay in touch with their pre-existing social groups than to join new communities based on content affinities or interests.

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Teen Participatory Experiment Museum 24

Tech Soup

JULY 25, 2012

These virtual libraries are meant to support different aspects of student learning, making the aggregate and perhaps distributed content of a physical library more accessible. "Second Life libraries are examples of immersive learning environments ," explained Dr. Hill. Success in Second Life.

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Second Life Library Virtual Life 48

Museum 2.0

JULY 26, 2010

From a museum perspective, I think there's a lot to learn from these venues' business models, approach to collecting and exhibiting work, and connection with their audiences. Elsewhere Collaborative (Greensboro, NC). It's run by Jon Rubin, an artist and professor of social practice at Carnegie Mellon, and his students.

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Culture Alternative St. Louis Los Angeles 49

Museum 2.0

AUGUST 25, 2009

Answers will differ depending on who's asking, but they are also influenced by the designed environment in which questions are asked. The outcome of our conversations is dependent on the diversity of designed environments in which they occur. I'm not talking about guiding content; I'm talking about guiding form.

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Design Goal Difference Platform 31

Beth's Blog: How Nonprofits Can Use Social Media

SEPTEMBER 8, 2014

Is there a lead facilitator who is responsible for the final decision or is the team to work collaboratively making decisions? Good instructional design to create an environment for peer dialogue begins with good on boarding and for people to connect with something they already know or believe.

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Reflection NTEN Change Facilitation 124

Museum 2.0

MARCH 4, 2009

Jane McGonigal and the folks from IFTF have released a new future-casting game/collaborative experience called Signtific Lab. The thing that excites me about this is not the opportunity to use all the weird-colored cardstock hanging around the supply cabinets of most museums. machines) for informal learning environments?

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Game Experiment Participatory Museum 24

Museum 2.0

APRIL 23, 2009

Like many people who've worked in science centers and interactive experience museums, I've always been perplexed by the fact that hands-on workshop audiences top out around age 14. They are more than just workshop spaces--they are member institutions, like museums. Isn't this one of our dreams for museums?

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Museum North Carolina San Francisco Structure 24

Museum 2.0

JUNE 12, 2009

It is an exhibit of user-generated content? In almost all cases, museums assure me that they want to be in conversation, that they want to be responsive, that they want to “really hear” what people think. Sadly, it was the second story that was about a museum. This afternoon, they issued a lengthy collaborative statement.

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Conversation Museum Artist Minneapolis 21

Museum 2.0

MARCH 12, 2009

On Sunday April 5, I’ll be conducting a collaborative experiment with 15 intrepid University of Washington graduate students, and I’d like to invite you to join in from your own hometown. I want to connect these students to a larger group of people interested in exploring topics around social technology in museums. So how about it?

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Design Experiment Seattle Social 20

Museum 2.0

JUNE 6, 2008

On June 4, we opened The Tech Virtual Test Zone , a new 2000 sq ft gallery at The Tech Museum of Innovation featuring exhibits on the theme of art, film, and music that were originally developed in Second Life by a community of creative amateurs. Some museum pros have been puzzled by this.

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Virtual Tech Lesson Develop 21

Museum 2.0

AUGUST 28, 2008

Why should museums care about customer support? While I’ve never heard of a museum with such a heavy call volume that they’ve outsourced their front desk to Bangalore, many museums, small and large, suffer at the phones. All the content is provided for free, and the result is far fewer frustrated customers sitting on hold.

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Support Museum Chapter Yahoo 20

Museum 2.0

DECEMBER 8, 2006

Elisa’s focus is interactive arts, media design, and cultural management, and she has been involved in many pertinent projects, such as MUVI (the Virtual Museum of the Collective Memory of Lombardia). Environmentalists, the Museum of Natural History at CU, they all responded very enthusiastically to this. There are two strategies.

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Interview Museum Culture Sound 20

Museum 2.0

JUNE 3, 2009

I just returned from the Creativity and Collaboration retreat (C2) , a NAME/AAM program that I've been helping develop for about a year and a half. When we first started planning C2, we were concerned that no one would come or that people would perceive it as frivolous in a time of extreme stress in the economy and museum industry.

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Conference Professional PowerPoint Evaluation 21

Museum 2.0

OCTOBER 21, 2010

The folks at the New Media Consortium have released their annual Horizon Report , a roundup of up-and-coming technologies relevant to museums, archives, and libraries. The Horizon Reports ARE really useful if you need arsenal to explain the relevance, utility, or educational value of new technologies in your museum.

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Museum Report Technology Mashup 35

Museum 2.0

MAY 14, 2009

I've become convinced that successful paths to participation in museums start with self-identification. The easiest way to do that is to acknowledge their uniqueness and validate their ability to connect with the museum on their own terms. Who is the "me" in the museum experience? Not so at museums.

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Museum Personal Experiment Profile 20

Beth's Blog: How Nonprofits Can Use Social Media

AUGUST 24, 2016

collaboration and interaction opportunities between participants, local experts, and others. exploration of the issue, environment, local population, culture, political and religious context and additional relevant content that provides an authentic narrative to follow. Exercise #1: Herding Sheep.

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Leadership Develop Exercise 50

Museum 2.0

SEPTEMBER 11, 2008

s Hawaiian son as applied to museums. While there are some criticisms of its consensus-based model for information-vetting, there's no doubt of its success as a collaborative knowledge-creation project. Consider these two stories of museum-related wikis that struggled. The participatory "ask" is high--to create original content.

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Wiki Wikipedia Museum Doc 23

Have Fun - Do Good

JANUARY 16, 2009

In my content, I really like talking about the fact that I'm a woman of color, and how it is that through that perspective I grapple with many things, whether it's being in the business world, or being in the art world. Around three years ago, my fellow collaborator, Josh MacPhee, reached out to me, and he had this awesome idea.

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Artist Digital Arts San Francisco 40

Museum 2.0

JUNE 29, 2010

We share an abiding interest in exploring the community-enhancing roles of libraries, archives, and museums (LAMs), especially in terms of the practice of hospitality and service within the institution. Nina's research keeps finding that the right kind of constraints work to produce a better participatory museum experience.

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Place Discussion Library Museum 30