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Will They Play in Pyongyang? Culture, Geography, and Participation

Museum 2.0

During a workshop on museum visitor participation, someone spoke up and objected: "this might work in California, but it will never work in Texas." I saw how participatory techniques were working in diverse museums around the world. In this frame, any kind of participatory activity could work, anywhere. Are we ok with that?

Culture 49
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Your Local Tech4Good Club Is Ready to Help

Tech Soup

Boston, Massachusetts: TNB Roundtable: Participatory Analysis with Data Placemats in Nonprofits. San Francisco, California: Code for America Civic Hack Night. Los Angeles, California: Digital Inclusion. Covina, California: Monetization of Content. San Francisco, California: Code for America Civic Hack Night.

Local 48
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A New Year: A New Learning Journey Begins

Beth's Blog: How Nonprofits Can Use Social Media

Writing a book while testing frameworks in a peer group setting was a little like trying to change a tire on a moving car, but it is far more fun to create – and this participatory process – makes the material more customized for the readers.

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Does the Internet Inspire Youth Activism or Slacktivism?

Care2

“We found that being part of online participatory communities tied to youth interests, political or not, exposes youth to a greater degree of diverse viewpoints and issues and is related to higher levels of civic engagement,&# said Joseph Kahne, one of the contributors to the study.

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Case Study: A Participatory Road Trip takes the SJMA on a Wild Ride

Museum 2.0

Reason #258 I'm glad to live in California: Cultural Connections. I was captivated by Chris Alexander 's story about participatory online/onsite efforts at the San Jose Museum of Art (SJMA). After all, as naysayers of participatory design often remind me, the museum is not a popularity contest.

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Networked Nonprofits Deconstruct Social Media Fears

Beth's Blog: How Nonprofits Can Use Social Media

So, what better metaphor for this is to deconstruct the scare house by riding it with an expert in participatory exhibit design as my colleague, Nina Simon, who writes the Museum2.0 Here is an example from Pre-School California. I’m often asked for practical advice on how to move past the fear.

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Four Unusual Professional Development Events in 2013

Museum 2.0

This one was cooked up by Barry Hessenius, former director of the California Arts Council and public art blogger extraordinaire. We're working with participatory online artist Ze Frank on an exhibition at the MAH this winter that features the missions, creations, and explorations of his current web series, A Show.