Museum 2.0

JULY 10, 2018

Priya Parker's wonderful book The Art of Gathering shares the core principles of how to drive. Whether you dream of better meetings or you're planning a community festival, I urge you to read this book. The book explains how to host events with purpose, drawing lessons from intimate parties, mass happenings, and international summits.

Hosting 31

Hosting Arts Help Museum 31

NTEN

OCTOBER 12, 2011

I may start with numbers, but the process of collecting anecdotal information or stories in a structured way from your audience/stakeholders can help you generate insights about what those numbers actually mean. Some of the techniques include analyzing narrative data in a structured way to test and refine a theory of change.

Story 74

Story Data Analysis Structure 74

Museum 2.0

MAY 3, 2010

Last week, I attended Structure Lab , a half-day workshop on legal and financial structures for ventures for social good. The Structure Lab is set up as a "game" in which you explore cards in various categories (values, assets, financing, etc.) to better articulate what you are really trying to do with your project concept.

Structure 31

Structure Model Social Profit 31

Museum 2.0

SEPTEMBER 18, 2013

I''ve seen this line of questioning almost completely disappear in the past two years due to many research studies and reports on the value and rise of participation, but in 2006-7, social media and participatory culture was still seen as nascent (and possibly a passing fad). Yes and no.

Museum 45

Museum Question Participatory Evaluation 45

Museum 2.0

APRIL 25, 2011

I've seen this line of questioning almost completely disappear in the past two years due to many research studies and reports on the value and rise of participation, but in 2006-7, social media and participatory culture was still seen as nascent (and possibly a passing fad). Yes and no.

Question 49

Question Participatory Museum Evaluation 49

Beth's Blog: How Nonprofits Can Use Social Media

SEPTEMBER 14, 2012

“It depends on whether this is the beginning of a trend or an extremely exceptional response to an extremely exceptional situation,” said Rebecca MacKinnon, co-founder of Global Voices, a network of bloggers worldwide, and author of “Consent of the Networked,” a book that addresses free speech in the digital age.” ” Widad E.

Tunisia 104

Tunisia Reflection NGO Libya 104

Media Cause

AUGUST 9, 2021

Within Media Cause’s Creative, Brand, and Design team, one of our favorite things to do— besides creating incredible work for our clients—is sharing inspirational and educational resources with each other: articles, POVs, webinars, classes, books, case studies, blogs, tutorials, cheese. What would the structure be like?

Design 52

Design Experiment Nonprofit Collaboration 52

Museum 2.0

SEPTEMBER 9, 2010

The Uitmarkt is an annual festival that opens the new cultural year. I thought it was a perfect chance to put one of the ideas in Nina Simon’s book The Participatory Museum to the test. This structures dialogue and makes it more productive.We Last weekend my museum presented itself at the Uitmarkt in Amsterdam.

Museum 34

Museum Comment Experiment Participatory 34

Beth's Blog: How Nonprofits Can Use Social Media

JULY 28, 2009

Creating open communities with old siloed corporate structures. And yes nonprofits mimic their corporate brethren with siloed structures. Yet, our executives and managers, our internal stakeholders cannot understand the open culture. Ironically, if we have time, the last matter is the least difficult. And that is the crossroads.

Create 94

Create Green Social Media Structure 94

Connection Cafe

MARCH 11, 2010

It's a discussion of bike and pop culture and socializing the good with these Interweb tools” 10. Let them show you how to create an organic net-roots movement that upends traditional power structures and galvanizes your community.". In fact, Karaoke is a core part of our reMix culture and this panel will show you how.

Conference 38

Conference Government Social Media Influence 38

Museum 2.0

MAY 16, 2007

By the standard set by a culture that judges MySpace as dangerous, perhaps these in-person interactions are even MORE dangerous. I think it's a good thing that librarything gives me a way to talk to strangers about books that feels safer than approaching the drooling guy at the public library. But are these potential interactions safe?

Museum 20

Museum Myspace Facilitation Social Network 20

Museum 2.0

MARCH 24, 2010

This is the third in a four-part series about writing The Participatory Museum. When I decided to write a book about visitor participation in cultural institutions, I knew I'd do it in a way that reflected the values behind the book itself--transparency, inclusion, and meaningful community participation.

Participatory 33

Participatory Museum Process Experiment 33

Beth's Blog: How Nonprofits Can Use Social Media

SEPTEMBER 29, 2010

My co-author, Allison Fine and I found many great examples of successful activism using these tools as part of multi-channel campaigns in our book The Networked Nonprofit. Gladwell’s assertion that social movements are based on tight ties and online efforts on, say, Facebook, are participatory efforts based on loose ties is simply not true.

Offline 116

Offline Social Media Network Org 116

Museum 2.0

FEBRUARY 23, 2010

Yesterday, I had the delightful opportunity to participate in the 3six5 project , a yearlong participatory project in which 365 people write 365 journal entries for every day of 2010. The reward for participants of having your contribution displayed is fairly and clearly structured. Could your institution make the change?

Participatory 34

Participatory Project Museum Journal 34

Beth's Blog: How Nonprofits Can Use Social Media

APRIL 18, 2007

Step 8: Understand The Power Remix Culture and User-Generated Content. Remix culture is a term used by the Creative Commons founder Larry Lessig to describe a society which allows and encourages derivative works. Such a culture would be, by default, permissive of efforts to improve upon, change, integrate, or otherwise remix.

Remix 50

Remix Professional Technorati Wiki 50

Bloomerang

SEPTEMBER 24, 2021

So then we’ll talk about what are some participatory planning methods. That facilitator has to be able to manage many different personalities, the different cultures, different experiences. And there was a lot of cultural misunderstandings, something very basic. Do we have a clear structure? How do we do this well?

Community 76

Community Video Slides Survey 76

Museum 2.0

JULY 24, 2012

When we talk about making museums or performing arts organizations more participatory and dynamic, those changes are often seen as threatening to the traditional arts experience. What if historic arts experiences were actually a lot more participatory? But what if the "traditional" arts experiences is a myth?

Greece 51

Greece Arts Industry Participatory 51

Museum 2.0

NOVEMBER 25, 2008

Much to my mom's relief, I stayed in school but remained deeply suspicious of the artificial structure of grades and gold stars. There are many parallels between free-choice learning and participatory design. No teacher is going to book a field trip to a place that is not tightly tied to school curriculum.

Museum 29

Museum Alternative Education University 29

Museum 2.0

JULY 14, 2008

One of the most promising models for doing so (and a potential way to structure the NAS report) is scenario-based planning. If it’s not open to the public, I don’t care if it’s a book or a fossil—the methods of interpretation and audience engagement are fundamentally different.

Library 20

Library Museum Reflection Alternative 20

Museum 2.0

JANUARY 25, 2010

For three years, I've been using a "hierarchy of participation" diagram to talk about the ways that cultural institutions and platforms can scaffold social experiences among users. No stage is better than another, and each has something to offer visitors in the context of a cultural institution. Ideas participatory museum.

Design 34

Design Museum Social Participatory 34