Museum 2.0

JULY 23, 2014

Yesterday, I learned about the Silk Mill, a British historic site that is going through a dramatic community-driven reinvention. In the fall of 2013, they launched Re:Make , an ambitious project to redevelop the museum, live, on the floor, with a mix of staff, guest artists, and community members. What do you do?

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Museum Product Participatory Community 53

Museum 2.0

OCTOBER 23, 2018

We partnered with foster youth, former foster youth, artists, and community advocates to create an exhibition that used art to spark action on issues facing foster youth. This project wove together many different participatory threads. We co-created it from start to finish with community partners. What did we learn?

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Issue Childhood Community Create 45

Museum 2.0

AUGUST 25, 2016

They wanted to help museums and galleries across the UK make significant, sustained changes in the ways they engage community partners and visitors as participants in their work. The result, Our Museum , is an extraordinary funding program with a focus on community participation. didn't mince words. Here are my three top takeaways.

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Museum Participatory Resource Place 20

Museum 2.0

MARCH 4, 2015

This week marks five years since the book The Participatory Museum was first released. I thought the pinnacle of participatory practice was an exhibit that could inspire collective visitor action without facilitation. If participation was my mantra from 2007-2011, community has been my mantra since then. Build community.

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Participatory Museum Empowerment Facilitation 20

Museum 2.0

OCTOBER 29, 2010

This question is a byproduct of the reality that most participatory projects have poorly articulated value. If you don't have a sense of an outcome--whether that be internal research, community conversation, or something else--you can't decide how or whether contributions should be documented or archived. That's hardly revolutionary.

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Participatory Music Project Video 48

Museum 2.0

JUNE 24, 2010

I've long admired this museum for its all-encompassing commitment to community co-creation , and the visit was a kind of pilgrimage to their new site (opened in 2008). The institution is community-funded, staffed, and designed. a "wedding worthy" community hall). a "wedding worthy" community hall). 5'11", 6'1", etc.

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Museum Participatory Model Seattle 51

Beth's Blog: How Nonprofits Can Use Social Media

OCTOBER 26, 2006

"There's a mentality shift required to fully engage with social networking and community content sites: sometimes, you have to let go." Another point of intersection here for me is Henry Jenkins recently published 72-page white paper " Confronting the Challenges of Participatory Culture: Media Education for the 21st Century."

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Participatory Teen Vlog Mashup 50

Museum 2.0

AUGUST 28, 2013

The Denver Art Museum is no stranger to community collaborations, but we’ve been dipping in our toe a little more deeply when it comes to developing permanent participatory installations. Part of our approach to community involvement in planning Spun had to do with necessity; we needed help to pull this off.

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Denver Museum Arts Collaboration 35

Museum 2.0

JANUARY 25, 2012

A few weeks ago, the MAH Director of Community Programs, Stacey Garcia, came to me with an idea. Stacey has been collaborating with local artists to produce a series of content-rich events that invite visitors to participate in a range of hands-on activities. full description here , photos from the event here ). you tell me.

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Activities Active Activism Participatory 50

Museum 2.0

OCTOBER 2, 2013

In this post, George grapples with the challenges of balancing the care for a museum collection with that of contemporary artists-in-residence who are constantly reinterpreting it. Every Saturday, the curatorial team at Elsewhere , a living museum in downtown Greensboro, NC, reviews the project proposals of its artists-in-residence.

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Artist Museum Proposal Participatory 49

Museum 2.0

OCTOBER 15, 2009

Over the past year, I've noticed a strange trend in the calls I receive about upcoming participatory museum projects: the majority of them are being planned for teen audiences. Why are teens over-represented in participatory projects?

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Teen Participatory Experiment Museum 24

Museum 2.0

FEBRUARY 11, 2015

Do you dream of a summer filled with learning, community engagement, and sea lions? We''re offering internships this summer in: Participatory Exhibition Design. Help take the participatory elements of this permanent gallery to the finish line. Community Engagement. Community Programs. Video/Photo. Youth Programs.

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Participatory Community Museum History 20

Museum 2.0

OCTOBER 10, 2012

Let's look at the statistics from three big participatory projects that wrapped up recently. This citywide festival showcased work by 1,517 artists competing for a $200,000 top cash prize awarded by public vote. The Brooklyn Museum just finished the public stage of GO , a "community-curated open studio project." Full stats here.

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Arts Artist Museum Award 47

Museum 2.0

MARCH 28, 2012

How do you develop programs that are responsive to your community in a meaningful way? How do you find out what's important to different communities, and how do you change your plans based on their needs? So we've started a new committee called C3--the Creative Community Committee. Six goals for MAH community programs.

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Program Community Design Museum 49

Media Cause

AUGUST 9, 2021

While much of the branding and design inspiration we run across is either from consumer brands or individual artists, it all provides us with the opportunity to discover new principles, practices, and approaches that we can incorporate into our nuanced nonprofit world. Community is key: working with, not for.

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Design Experiment Nonprofit Collaboration 52

Museum 2.0

MARCH 20, 2013

This week, the Santa Cruz Weekly's cover story is about my museum (the Santa Cruz Museum of Art & History ) and the work we have done to make it a more participatory, community-centered place over the past two years. Perry describes me as the "conductor" of a community-programmed orchestra.

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Story Georgia Participatory Museum 31

Museum 2.0

APRIL 10, 2013

We have five open positions in Community Programs and one in Exhibitions. These are unpaid, part-time internships in which you will make a significant contribution to our work, and at the same time, learn a heck of a lot about participatory design and community engagement. Participatory Performing Artist-in-Residence program.

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San Francisco Participatory Artist Museum 23

Beth's Blog: How Nonprofits Can Use Social Media

OCTOBER 25, 2011

They also created a website that serves up clips from the film, plus a wealth of supporting information backing up the provocative claims contained in the movie and myriad ways for citizens to get involved in their own communities.

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Guatemala Movie Artist Award 93

Museum 2.0

JULY 11, 2012

That's how I felt when artist Ze Frank got in touch to talk about a potential museum exhibition to explore a physical site/substantiation for his current online video project, A Show (s ee minute 2:20, above). He is an authoritative artist of the social web with a slew of accolades and a suite of diverse projects under his belt.

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Museum Participatory Artist History 45

Museum 2.0

APRIL 29, 2015

We invited community members in, to be active contributors, collaborators, and co-creators in our museum space. They talked about community building. I don’t think there is a way to directly build community. I don’t think there is a way to directly build community. WHO (slides 3-23) "Community” is not an abstraction.

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Build Community Museum Artist 20

Museum 2.0

FEBRUARY 29, 2012

In particular, we want exhibition collaborators--artists, researchers, historians, collectors--to understand our goals and how we intend to steer the exhibition development process. We knew internally that we wanted our exhibitions to become more interdisciplinary, more participatory, and more responsive to audience needs.

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Museum Artist Participatory History 38

Museum 2.0

FEBRUARY 20, 2013

The majority of our public programs at the Santa Cruz Museum of Art & History are created and produced through community collaborations. Each month we work with 50-100 individuals to co-produce our community programs. Every time we collaborate, we learn new ways to improve our process, organization and communication.

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Collaboration Community Tools Museum 55

Museum 2.0

APRIL 26, 2018

The whole second half of the article was dedicated to our work: Smaller museums can be especially scrappy in finding ways to connect with the community. We changed our museum by reorienting on our community and really saying we exist to be of, by and for you, and to help build a stronger community.” The impact was dramatic.

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Audience Washington Museum Intergenerational 49

Museum 2.0

DECEMBER 14, 2011

As part of our monthly First Friday community event, they would invite visitors to draw some of the icons, and then the drawings would be the basis for what would be painted on the mural. These are both busy people, and while they are very artistic, neither is a crack drawer. The problem? They wanted to drop the activity.

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Participatory Classroom Help Artist 43

Museum 2.0

SEPTEMBER 18, 2013

I''ve seen this line of questioning almost completely disappear in the past two years due to many research studies and reports on the value and rise of participation, but in 2006-7, social media and participatory culture was still seen as nascent (and possibly a passing fad). In 2008, the conversation started shifting to "how" and "what."

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Museum Question Participatory Evaluation 45

Museum 2.0

OCTOBER 24, 2012

How do community members make your institution better? Yes, we have the standard ways--volunteer programs, board service, and community partnerships--but I strongly believe that if we are doing our jobs right, every visitor who walks through our doors should be able to make a meaningful impact.

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Platform Open Museum Participatory 41

Museum 2.0

FEBRUARY 15, 2012

I'm personally most excited about the two types of interns who will be reporting to me: Community Research interns, who will start developing a methodology for us to use to understand how people in Santa Cruz connect with arts and culture experiences and what role the museum can play in satisfying their interests.

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Museum Participatory Arts Attitude 34

Museum 2.0

APRIL 25, 2011

I've seen this line of questioning almost completely disappear in the past two years due to many research studies and reports on the value and rise of participation, but in 2006-7, social media and participatory culture was still seen as nascent (and possibly a passing fad). In 2008, the conversation started shifting to "how" and "what."

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Question Participatory Museum Evaluation 49

Museum 2.0

MAY 19, 2010

How, he asked, could a large museum that serves hundreds of thousands of people per year foster the same sense of personal connection and community that a small one can achieve? I think small museums are generally better than large ones at fostering local communities of visitors and members. Complicity makes big places feel intimate.

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Community Museum Participatory Relationship 21

Museum 2.0

OCTOBER 1, 2014

They designed a participatory project that delivers a compelling end product for onsite and online visitors… and they learned some unexpected lessons along the way. The project arose from a grant announcement from MetLife Foundation around community engagement and outreach. Lots of inspiring and practical tips below - enjoy!

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Museum Story Project Design 43

Museum 2.0

MAY 10, 2011

I'm also making the 2011-2012 budget, getting to know our terrific staff and volunteers, and starting up a few small participatory projects to launch us into being a more community-driven institution. When we have events, it's fabulous, but other times it can feel a bit cavernous and dead.

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Museum History Participatory Arts 53

Museum 2.0

JULY 17, 2012

The busiest day in both 2011 and 2012 is our longtime community program, Free First Friday. Of the 37,361 visitors who attended, 63% came for a community program/event. You can see here that 86% of our growth in attendance from 2011 to 2012 is due to community programs. actively sought out community needs to respond to.

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Museum History Arts Artist 47

Museum 2.0

DECEMBER 15, 2014

Artists and arts organizations are contributing their spaces and their creative energies. Some might say that only museums with specific African American collections have a role, or perhaps only museums situated in the communities where these events have occurred. There is hardly a community in the U.S. inclusion'

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Museum Blogger Cleveland Missouri 52

Museum 2.0

MAY 29, 2013

People use it to share surprises in the archives, inspiring meetings with artists, dead birds in the lobby, and free food in the fridge. Here are a few things I''m learning from this experiment: Promoting openness and participation on staff takes just as much work as it does in the community. Connectedness builds staff culture.

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Facebook Museum Participatory Adopt 55

Museum 2.0

MAY 3, 2017

This is the ninth in a series of posts on the Santa Cruz Museum of Art & History ( MAH )'s development of Abbott Square , a new creative community plaza in downtown Santa Cruz. Working with creative people taught me to think like an artist: observe, explore, dive in, look out. We develop the ideas. We explore the possible programs.

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Develop Artist Participatory Blended 20

Museum 2.0

APRIL 15, 2015

We were discussing the potential for cultural organizations to have significant impact across communities: on planning, health, education, and quality of life. Over three days, 52 artist teams erected experimental projects along San Francisco''s biggest thoroughfare. Thousands more conversations during the festival.

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San Francisco Arts Design Marketing 20

Museum 2.0

FEBRUARY 9, 2010

Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? For this reason, I see history museums as best-suited for participatory projects that involve story-sharing and crowdsourced collecting (e.g.

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Museum Difference Participatory History 29