DipJar

AUGUST 9, 2022

They’re so much more than book museums. The library’s physical art gallery was converted to a digital one that continued to present the work of area artists. In short, it was (and remains) an active and well-loved institution, but every one of its programs requires private funding. At DipJar, we love our customers.

Library 98

Library Local Support New York 98

Museum 2.0

SEPTEMBER 26, 2012

Writing my masters thesis for Gothenburg University’s International Museum Studies program while also working four days a week as the Director of Community Programs at the Santa Cruz Museum of Art & History this spring was certainly a challenge but also an incredible opportunity.

Museum 49

Museum Program Participatory Community 49

Museum 2.0

OCTOBER 1, 2014

Recently, we''ve been talking at our museum about techniques for capturing compelling audio/video content with visitors. It made me dig up this 2011 interview with Tina Olsen (then at the Portland Art Museum) about their extraordinary Object Stories project. We ended up with a gallery in the museum instead. That is more curated.

Museum 43

Museum Story Project Design 43

Museum 2.0

JANUARY 25, 2012

Stacey has been collaborating with local artists to produce a series of content-rich events that invite visitors to participate in a range of hands-on activities. Instead, Stacey thought, why not make the feedback experience an activity unto itself? Maybe this is good fodder for a future Museum 2.0 you tell me.

Activities 50

Activities Active Activism Participatory 50

Museum 2.0

JULY 23, 2014

But not enough people care about it anymore, and the museum is fading into disrepair. The Silk Mill is part of the Derby Museums , a public institution of art, history, and natural history. Many people would look at the world''s oldest mechanized silk mill and say that the core content of the museum is silk. What do you do?

Museum 53

Museum Product Participatory Community 53

Museum 2.0

DECEMBER 15, 2014

Gretchen Jennings convened a group of bloggers and colleagues online to develop a statement about museums'' responsibilities and opportunities in response to the events in Ferguson, Cleveland and Staten Island. Museums are a part of this educational and cultural network. Where do museums fit in? Here is our statement.

Museum 52

Museum Blogger Cleveland Missouri 52

Museum 2.0

JUNE 27, 2012

A year ago, I wrote a post speculating about whether events (institutionally-produced programs) might be a primary driver for people to attend museums, with exhibitions being secondary. Many museums, big and small, thrive on events. At our museum, about 68% of casual visitors (non-school tours) attended through events this year.

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Museum Arts Dallas History 53

Cloud 4 Good

SEPTEMBER 13, 2022

Pencils of Promise (PoP) was founded in October 2008 to help build safe and healthy learning environments for young children worldwide. Web3, the third generation of computing and a new iteration of the World Wide Web, is a rapidly emerging technology poised to help organizations connect, engage, and innovate at a higher rate.

Technology 83

Technology New York City Donor New York 83

Museum 2.0

MAY 21, 2014

I''ve now been the executive director of the Santa Cruz Museum of Art & History for three years. Over the past three years, we''ve tripled our attendance, doubled our budget, and, most importantly, established deep and diverse relationships with community members, artists, and organizations across Santa Cruz County.

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Museum Director History Teen 49

Museum 2.0

AUGUST 28, 2013

Earlier in 2013, I was amazed to visit one of the new “Studio” spaces at the Denver Art Museum. The Denver Art Museum is no stranger to community collaborations, but we’ve been dipping in our toe a little more deeply when it comes to developing permanent participatory installations. Some community artists even helped install the space.

Denver 35

Denver Museum Arts Collaboration 35

Museum 2.0

APRIL 14, 2011

Dear Museum 2.0 As of May 2, I will be the executive director of the Museum of Art & History at McPherson Center in Santa Cruz, CA (here's the press release ). I am closing down my consulting business at the end of April, but the Museum 2.0 Here are a few things that make the MAH an exciting museum to me: It's small.

History 55

History Museum Arts Consultant 55

Museum 2.0

APRIL 26, 2018

The Washington Post covered the MAH's transformation as part of an article about museums engaging new audiences. The whole second half of the article was dedicated to our work: Smaller museums can be especially scrappy in finding ways to connect with the community. It’s something that any museum, of any size, can work toward.

Audience 49

Audience Washington Museum Intergenerational 49

Beth's Blog: How Nonprofits Can Use Social Media

FEBRUARY 24, 2016

Nina Simon, a long time colleague and author of the Museum 2.0 blog and executive director, Santa Cruz Museum of Art and History , told me about this amazing and fun co-created card game to help you think about self-care activities called the The Space Deck. How have you made them a habit or regular part of your life?

Life 50

Life Professional Create Work 50

Museum 2.0

FEBRUARY 23, 2017

Dear friends, We're about a month from the deadline to apply for MuseumCamp 2017 at the Santa Cruz Museum of Art & History (MAH). A month before MuseumCamp, the MAH is opening a new exhibition, Lost Childhoods , co-developed with foster youth, youth advocates, and artists in our community. Sleep in a museum. All optional.

Childhood 26

Childhood Museum Artist History 26

Museum 2.0

SEPTEMBER 18, 2013

This August/September, I am "rerunning" popular Museum 2.0 Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. I''ve spent much of the past three years on the road giving workshops and talks about audience participation in museums.

Museum 45

Museum Question Participatory Evaluation 45

CauseVox

JUNE 9, 2021

With the majority of daily activities taking place over the web, it’s no surprise that we’ve also observed a rise in virtual fundraising. Choose a day and actively encourage donations and sharing through all your social media channels, such as Twitter, Facebook, Instagram, LinkedIn, and Snapchat. Zoom to the rescue!

Ideas 98

Ideas Online Fundraising Charity 98

Qgiv

JUNE 29, 2021

Need help deciding what type of online auction your nonprofit should host? We’ve compiled a list of various online auction ideas divided into the following categories: Simple Themed Online Auctions Online Auctions For the Whole Family Online Auctions with an At-home Activity. You’ve come to the right place! Ready to dive in?

Ideas 59

Ideas Online Virtual Hosting 59

Museum 2.0

AUGUST 6, 2014

MuseumCamp is an annual professional development event at the Santa Cruz Museum of Art & History in which teams of diverse, creative people work on quick and dirty projects on a big theme. We encouraged teams to think like artists, not researchers. Every active research method is an intervention. How do you measure that?

Experiment 52

Experiment Impact Social Museum 52

Museum 2.0

JANUARY 27, 2011

His foundation supports a private museum that is rarely open to the public. While there are many ways for museums to reach new audiences, when it comes to specialized knowledge, it's often a question of reaching the niche who care deeply about German watches from 1822 or the evolutionary shift in raccoon striping over time.

Wikipedia 54

Wikipedia Content Museum Artist 54

Museum 2.0

MARCH 21, 2012

How do you help visitors know what they can and cannot do in your museum? Most museums have this figured out: they have signs, they have guards, they have cases over the objects. And this works pretty well in science museums, where designers talk about "hardening" exhibits to withstand the more aggressive touchers among us.

Museum 49

Museum Denver Artist Milwaukee 49

Museum 2.0

OCTOBER 15, 2014

At the Inclusive Museum conference this summer, Dr. Rick West introduced this question through a tale of two museums. He described the National Museum of the American Indian--where he was founding director--as a multicultural institution, celebrating the diversity of Native peoples throughout the Americas.

Museum 50

Museum Sweden Culture Celebrate 50

Museum 2.0

JUNE 12, 2013

TCG is the industry association for non-profit theaters, the way AAM is for museums. Given TCG''s multi-year Audience (R)evolution initiative, I took the opportunity to write a new talk about what revolution has looked like at our small museum in Santa Cruz. We heard again and again that the museum was cold and uncomfortable.

Museum 55

Museum Learning History Arts 55

Museum 2.0

FEBRUARY 4, 2016

Photo by CLoé Zarifian, MAH Photo Intern We're working with a guest curator, Wes Modes , on an upcoming experimental project at our museum. Wes is an artist, and this is his first time running a museum exhibition development process. How can people--staff, volunteers, community members--help make this project better?

Participatory 20

Participatory Question Work Artist 20

Connection Cafe

FEBRUARY 14, 2020

But innovative membership ideas aren’t just about being clever — effective membership programs create lifelong patrons who are actively engaged with your organization. S hortly after I joined the Blanton Museum in Austin, I got an invitation to hear an artist talk. Special Member Access . Special Renewal O ffers .

Arts 28

Arts Culture Organization Austin 28

Beth's Blog: How Nonprofits Can Use Social Media

APRIL 23, 2008

One of the best projects that illustrates the basic idea of Web2.0 - listening and conversation and stakeholders creating their own experience with your organization - comes from the Brooklyn Museum of Art. All evaluations are private; all artists are unnamed. They are sensitive to the artists who are being judged. Artist Blogs.

Arts 74

Arts Social Media Examples Artist 74

Museum 2.0

JULY 23, 2019

Me with a friend As I keep saying, I’ve been to a few museums of late. In reflecting on the sample, I’ve made some broad reflections on museum workers and visitors. Our visitors often see museums as a genre, not unlike hospitals or libraries. But, while adjacent, museums differ from formal classrooms in numerous ways.

Museum 35

Museum Participatory Interaction Classroom 35

Museum 2.0

FEBRUARY 29, 2012

Last month, MAH curator Susan Hillhouse and I sat down and wrote an exhibition philosophy for our museum. In particular, we want exhibition collaborators--artists, researchers, historians, collectors--to understand our goals and how we intend to steer the exhibition development process.

Museum 38

Museum Artist Participatory History 38

Museum 2.0

MARCH 20, 2013

This week, the Santa Cruz Weekly's cover story is about my museum (the Santa Cruz Museum of Art & History ) and the work we have done to make it a more participatory, community-centered place over the past two years. I love this image--not controlling everything, just helping steer the way and keep us moving forward.

Story 31

Story Georgia Participatory Museum 31

Museum 2.0

APRIL 29, 2015

These are the slides and notes for the talk I gave at the American Alliance of Museums conference on Monday, April 27 about the Santa Cruz Museum of Art & History. When I became the director of the Santa Cruz Museum of Art & History four years ago, I took this work with me. They talked about community building.

Build 20

Build Community Museum Artist 20

Museum 2.0

FEBRUARY 20, 2013

It started as a handout for a session that Stacey and I are doing at the California Association of Museums, and then I realized it was so darn useful that it was worth sharing with all of you. The majority of our public programs at the Santa Cruz Museum of Art & History are created and produced through community collaborations.

Collaboration 55

Collaboration Community Tools Museum 55

Museum 2.0

JULY 9, 2009

Seb Chan has a lovely, long interview up at Fresh+New with Helen Whitty about the Powerhouse Museum's new mini-exhibition, the Odditoreum. The Odditoreum is another wrinkle in the study of visitors' understanding and interpretation of authenticity in museums. I enjoyed listening to it (virtually, not at the museum).

Museum 22

Museum Alternative Portland Artist 22

Museum 2.0

FEBRUARY 12, 2009

The conventional wisdom on museum memberships is that they are "one size fits many" programs whose primary benefits are free entrance to the museum and insider access to exhibition openings. But what about all the other people who love your museum? Want to know how the Brooklyn Museum is answering this question?

Museum 24

Museum Audience Program Artist 24

Museum 2.0

DECEMBER 14, 2011

It was Friday, a few hours before the drawing activity, and my colleagues were worried that it would be too challenging for people to draw the icons and landmarks selected. We often avoid drawing as a community art activity because visitors can get really judgmental of their own abilities, and our staff just felt that this might be too hard.

Participatory 43

Participatory Classroom Help Artist 43

Museum 2.0

MAY 10, 2011

It's my second week as the Executive Director at The Museum of Art & History in Santa Cruz, CA, and boy is my everything tired. And despite the fact that I've enjoyed being at the museum for 12 hours plus for ten days in a row, I'm quickly realizing that if I want to really get some fun participatory projects going, I need some help.

Museum 53

Museum History Participatory Arts 53

Museum 2.0

NOVEMBER 18, 2014

I''ve mostly seen museums employ one of two methods for formal community advisors: Create special "spots" on the board of trustees for certain kinds of community representatives. CON: can feel disconnected from the primary governance of the museum or can feel like a second-class board overall. I struggle with both these options.

Community 39

Community Story Museum Map 39

Nonprofit Tech for Good

DECEMBER 14, 2022

For example, if you join a modern art museum, there is a good chance you won’t have to pay admission to other modern art museums. As you create or adapt your donor benefits, you may find the list compiled below helpful. How can you grow your email list to activate and build your organization’s power?

Donor 337

Donor Sponsor Accessibility Music 337

Museum 2.0

DECEMBER 28, 2011

We've been offering a host of participatory and interactive experiences at the Museum of Art & History this season. Different activities need different levels of materials to appear "open for business." For crafting activities, putting out a small number of materials encourages people to use sparingly and respectfully.

Design 45

Design Participatory Learning Instruction 45