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A Reflection on Networked Professional Learning

Beth's Blog: How Nonprofits Can Use Social Media

Many years ago before the digital cameras and children, my husband used to spend many hours combining two past times: birding and photography. There was a slowness to it that we don’t have with digital photography (perhaps because the slide film was expensive and we didn’t want to waste film).

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How Many Hours Per Week Should Your Nonprofit Invest in Social Media?

Nonprofit Tech for Good

To follow up on Monday’s post about why nonprofits should consider hiring a social media manger , below is an excerpt from Social Media for Social Good: A How-To Guide for Nonprofits that helps further explore the time commitment necessary to create and sustain a comprehensive social media stategy for your nonprofit.

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Nature Conservancy Instagram Contest and Other Examples

Beth's Blog: How Nonprofits Can Use Social Media

Here’s how it works, according to their recent Facebook and Tumblr posts: The Nature Conservancy has used photo contests to crowdsource photos from its network through social media in the post, as far back as 2008 when it ran a contest on Flickr. There are some obvious benefits: Engaging its network beyond the like on Facebook.

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Protecting Wild Lands Through Art

Tech Soup

Braided River combines the arts of photography and literature to create books, media campaigns, and museum exhibits about preserving North America's wild places. Large-Format Photography. Large-format photography books are at the center of each Braided River campaign. Environmental Impact.

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Protecting Wild Lands Through Art

Tech Soup

Braided River combines the arts of photography and literature to create books, media campaigns, and museum exhibits about preserving North America's wild places. Large-Format Photography. Large-format photography books are at the center of each Braided River campaign. Environmental Impact.

Arts 36
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Museum Photo Policies Should Be as Open as Possible

Museum 2.0

While the majority of experience-based museums like children's and science museums have unrestricted noncommercial photography policies, many collections-based art and history museums continue to maintain highly restrictive photo policies. Conservation: Objects may be damaged by flash photography. But what about visitors?

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Frameworks and Lessons from the Public Participation in Science Research Report

Museum 2.0

Visitors co-opt institutional facilities every day for their own agendas, whether to impress a date, bond with family, or work on their photography skills. Contribution, collaboration, co-creation, and co-option. The PPSR rubric is a great starting point for this conversation. One last thought on evaluation.

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