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Hack Your Hellos: the Unofficial Way to Meet Someone New at AAM This Year

Museum 2.0

Last year, my colleague Elise Granata and I set up a very simple LinkedIn group to help people make productive connections at AAM. Here''s how it works: Join the LinkedIn group (if you are searching, it''s called "Hack Your Hello''s at AAM"). Go to at least one session on something you know nothing about. That''s it.

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Dangerous/Ridiculous: Reflections on AAM

Museum 2.0

Kathleen McLean led a terrific session called "Dangerous Ridiculous" about risk-taking in museums. While I'm always inspired by stories of how we take risks to make programming more relevant and dynamic (thanks, Lisa Lee and the Jane Addams Hull-House Museum ), I was particularly struck by Kathy's thoughtful framing of the session.

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AAM 2013: Let's Talk in Baltimore

Museum 2.0

Wednesday, May 22, 10:15AM in Room 322 - On the Edge: A Talk Show about Risk and Reward Kathleen McLean and I are back again to host a freewheeling talk show in which we chat with unusual guests and terrific audience members--this year, on the topic of risk-taking and its attendant rewards and perils. Hybridizing programs and exhibitions.

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Guest Post: A Shared Ethics for Museum Internships

Museum 2.0

In this guest post, CUNY lecturer and former manager of the Guggenheim Internship program Michelle Millar Fisher makes a passionate argument for the end of unpaid internships. It is a strong, museum-focused complement to an excellent three-parter on Createquity about the ethics and future of unpaid arts internships.

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Open Thread: Is the Gender Imbalance in the Arts a Problem?

Museum 2.0

Note: This is a post about gender diversity. I was an electrical engineering student (1% women), then worked at NASA (10% women), and then slowly slid from science museums (about 50% women) to history and art museums (60-80%, depending on who you ask). Education and programs were female central. That's why I wrote this.

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Invest in the 3 Cs for Strong Fundraising Results: Capacity, Cultivation and Communication

Connection Cafe

International aid groups also have focused more attention on post-disaster recovery and rebuilding, and turned increasingly to social media to help educate donors about disaster needs, he said. Still, while the number of new peer-to-peer programs has grown, fundraising revenue that big proprietary programs generate has remained flat, he said.

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Equity in Arts Funding: We're Not There Yet. We're Not Even Close.

Museum 2.0

This is one of those important problems we were talking about last week. We may say that we want to support programming and cultural opportunities for low-income and non-white people, but that's not where the money is going. When I met him at AAM, Rick told the story of the beginnings of Project Row Houses in the following way.

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