Museum 2.0

DECEMBER 15, 2014

Gretchen Jennings convened a group of bloggers and colleagues online to develop a statement about museums'' responsibilities and opportunities in response to the events in Ferguson, Cleveland and Staten Island. Museums are a part of this educational and cultural network. Where do museums fit in? Here is our statement.

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Museum Blogger Cleveland Missouri 52

Forum One

FEBRUARY 19, 2024

This Black History Month, we reflect on the strategy work that our team does through our partnership with the Smithsonian National Museum of African American History and Culture —much of which centers around expanding access. The outcome was an immensely successful event that attracted audiences from all corners of the country.

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History Accessibility Museum Award 73

Museum 2.0

APRIL 14, 2020

It’s for this reason that I’ve found the Native community a particularly vital voice in this difficult period—after all, resistance and resilience are intrinsic elements of indigenous history and contemporary identity. Both pages have quickly amassed tens of thousands of followers and, curiously, few spammers and trolls.

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Digital Hunger Artist Museum 48

Saleforce Nonprofit

AUGUST 20, 2021

An organization, company, or other entity can have all of the diversity numbers in the world, but until everyone feels included and that there is a place and voice for them, it is all for naught. Yolanda is the first African American President in the more than 40-year history of WID.

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Strategy Fundraising Philanthropy Nonprofit 82

Museum 2.0

JUNE 24, 2010

Last week, I visited the Wing Luke Asian Museum in Seattle. I've long admired this museum for its all-encompassing commitment to community co-creation , and the visit was a kind of pilgrimage to their new site (opened in 2008). I'm always a bit nervous when I visit a museum I love from afar. What if it isn't what I expected?

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Museum Participatory Model Seattle 51

Museum 2.0

SEPTEMBER 3, 2014

They diversified the voice of immigration in the exhibition and encouraged people to share their own histories verbally. We created a "pastport" - a small booklet with evocative prompts related to identity and place. We created a simple wheel with open-ended questions about identity and place, setting it in a lounge area.

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Participatory Museum History Arts 45

Museum 2.0

JULY 20, 2016

When we say we want our museum to be "audience-centered," what do we mean? My career first got moving at a brilliant example of the customer-centered museum: the International Spy Museum. Many of my favorite museums, libraries, and zoos are customer-centered places. They care about visitor comfort.

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Museum Audience Music Arts 20

Nonprofit Tech for Good

AUGUST 24, 2011

Nonprofits can use Dipity to create timelines that highlight their organizational history, current events, and special campaigns. Additionally, the app serves as hub to all other Google Apps, such as Gmail, Calendar, Docs, Reader, Voice, Maps, etc. Museum of Me :: intel.com/museumofme. FrontlineSMS :: frontlinesms.com.

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Fun Resource Audio Stats 276

Museum 2.0

JUNE 12, 2013

TCG is the industry association for non-profit theaters, the way AAM is for museums. Given TCG''s multi-year Audience (R)evolution initiative, I took the opportunity to write a new talk about what revolution has looked like at our small museum in Santa Cruz. At the same time, our community relevance was limited.

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Museum Learning History Arts 55

ASU Lodestar Center

AUGUST 9, 2011

In a recent chapter on the history of the U.S. I can understand why somebody interested in museums wouldn't want to cover ground on health sector management. I also understand why somebody interested in health care wouldn't want to know the ins and outs of museums. As an industry, legal service charities are small. Overly broad?

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Museum Nonprofit Policy Professional 100

Museum 2.0

SEPTEMBER 25, 2013

North Carolina Museum of History 1988.39.4 I’m always amazed when my colleagues tell me that the biggest barrier they face to “opening up” the content at their museums is from registrars—the people who care for collection objects. Followers of Museum 2.0 To me, this seems both discouraging and ungenerous to visitors.

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Accessibility Open Museum North Carolina 44

Museum 2.0

APRIL 29, 2015

These are the slides and notes for the talk I gave at the American Alliance of Museums conference on Monday, April 27 about the Santa Cruz Museum of Art & History. When I became the director of the Santa Cruz Museum of Art & History four years ago, I took this work with me.

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Build Community Museum Artist 20

Museum 2.0

JULY 9, 2014

What if there was a place where we could learn more about the experiences of people who are totally different from us? There is that place. At our museum, we''re making a big effort to increase our engagement with local Latino families. I''m neck-deep in a redevelopment of our permanent history gallery about Santa Cruz County.

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Culture Social Media Learning Media 45

Museum 2.0

MARCH 26, 2019

I was a small fry at a big museum, volunteering for a project I had no business taking on. And when I went too far over the edge, she’d give me a well-placed kick. It’s about the leader creating the conditions for new ideas and projects to keep bubbling up from many voices and perspectives.

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Reflection Change Museum Mentoring 44

Museum 2.0

NOVEMBER 4, 2015

Ravon Ruffin and Amanda Figuero - Claiming Space for Brown Women in the Digital Museum Landscape Based in Washington DC, Brown Girls Museum Blog is a new-ish site led by graduate students Ravon Ruffin and Amanda Figueroa. The Museum of Impact is a pop-up project of short-term exhibitions on urgent topics of social justice.

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Culture Work Museum New York City 20

Museum 2.0

JANUARY 16, 2013

It's not every day that a visitor buys pizza for everyone in the museum. Then again, Saturday was hardly normal at the Santa Cruz Museum of Art & History. Again and again, we tried to balance the wackiness and spontaneity of the event with the surety that people were in the right place, that we could help them, etc.

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Reflection Community Museum Participatory 43

Museum 2.0

JUNE 6, 2012

This post is the third and final in a series of reactions to Blueprint , a book chronicling the rise and fall of the Dutch Museum of National History (INNL) in 2008-2011. How is the exhibit living on at the museum and what is it like to take over someone else’s project?

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National Netherlands Museum History 27

Museum 2.0

MARCH 11, 2015

I''m not sure how well this is working for us in museum-land. As our culture explodes in embracing creativity across the professional/amateur spectrum, museums have two choices: we can sharpen the line. and his voice getting lost in the waves. Being included in a museum exhibition used to be a sign of real achievement.

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Professional Artist Museum Arts 20

Beth's Blog: How Nonprofits Can Use Social Media

MAY 7, 2010

Nina has written a fantastic book engagement called The Participatory Museum. A third argues that the project won’t be truly participatory unless users get to define what content is sought in the first place. Despite its long history, few researchers studied the use and impact of citizen science until the 1980s.

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Model Activities Active Activism 98

Museum 2.0

APRIL 18, 2008

Thanks to Bryan Kennedy from the Science Museum of Minnesota for providing this overview/reflection on the Museums and the Web conference that recently concluded in Montreal. Museums and the Web 2008 guest blogger Bryan Kennedy here. This multi-museum collaborative is undertaking a thoughtful process to tackle these issues.

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Museum Web Teen Flickr 20

Museum 2.0

SEPTEMBER 29, 2008

And that got me thinking about how bad museums are at doing the same thing--using passion to promote visitor engagement in new content. Museums shy away from presenting passionate views. Museums don't have a cheering section. Museums do a decent job addressing the first two questions, but we rarely tackle the third.

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Museum Storytelling Teach New York 20

Museum 2.0

MARCH 27, 2009

This week, the Denver Art Museum (DAM) opened a new temporary exhibition called The Psychedelic Experience , featuring rock posters from San Francisco in the heyday of Bill Graham and electric kool-aid. It is an incredible museum experience. The visitor is given a copy of her poster and the museum keeps a copy as well.

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Denver Museum Arts Remix 21

Museum 2.0

APRIL 2, 2014

In his thoughtful preface to this project, I reconnected with five lessons I''ve learned from participatory projects in museums and cultural sites. If there are museum objects and visitors'' objects on display together, all should be afforded the same level of exhibit design, labels, etc. Constrain the input, free the output.

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Participatory Arts Music Learning 52

Museum 2.0

MARCH 25, 2015

This is the first in a two-part series about the Santa Cruz Museum of Art & History’s new theory of change. This week, Ian David Moss and I are each writing blog posts about our collaborative process to develop a theory of change at the Santa Cruz Museum of Art & History. We had tripled our attendance.

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Process Change Develop Museum 20

Museum 2.0

MAY 24, 2011

When I worked briefly with the Balboa Park Online Collaborative to conceptualize a mobile phone-based game to connect visitors to the park to its cultural institutions and history, I knew Ken would be the perfect person to make it happen. Lessons Learned 3: This is not a museum talking (what a relief!)

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Lesson Game San Diego Design 49

Museum 2.0

JULY 7, 2010

It requires trading a certain history for an uncertain future--a nerve-wracking prospect no matter the situation. Most museums that offer interactive exhibits, media elements, or participatory activities offer them alongside traditional labels and interpretative tools. This is incredibly scary. You can't always do "and."

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Audience Museum Oakland Participatory 40

Museum 2.0

JANUARY 22, 2008

Frequently, we discuss projects and ideas on this blog that fit into the theme of "can't do that in museums." They let Stephen Colbert put his portrait in the museum, where it will hang for 6 weeks. but I'd argue that this is more than just a media ploy, and it's a long way from cheapening the museum experience.

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Museum Voice National Director 20

Qgiv

OCTOBER 27, 2021

They take care of your facility, give tours of your museum, welcome attendees to your annual gala, and pass out medals at fundraising races. There are likely a number of interested parties in your community that want to make the world a better place. Volunteers are the backbone of any nonprofit organization.

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Volunteer Strategy Guide Local 98

Museum 2.0

AUGUST 25, 2009

Rabinowitz commented that "as a 40-year veteran of history museum interpretation, I can say that I never learned so much from and about visitors." This is the opposite situation of the previous design goal, one typical in science and children's museums. A lone "What do you think?"

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Design Goal Difference Platform 31

EveryAction

MARCH 16, 2017

Whether quietly spearheading some of the world's most groundbreaking scientific and medical research or not-so-quietly leading revolutions on the battlefield, our history is ripe with stories of ferocious, adventurous, enlightened, and persistent women. Gabriela Mistral. Katherine Johnson, Dorothy Vaughan, and Mary Jackson. Roxane Gay.

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Story Angola Sierra Leone Artist 133

Nonprofit Tech for Good

JANUARY 30, 2012

Ideal for activist organizations, CrowdVoice allows organizers to create “Voices” of protest where users can monitor and contribute links, photos, and videos of protests worldwide. Nonprofits can use Dipity to create timelines that highlight their organizational history, current events, and special campaigns.

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Fun Resource Mobile Social Media 264

Museum 2.0

JUNE 12, 2012

--Helene Moglen, professor of literature, UCSC After a year of tinkering, the Santa Cruz Museum of Art & History is now showing an exhibition, All You Need is Love , that embodies our new direction as an institution. So many museum exhibitions relegate the participatory bits in at the end. The Love Lounge I LOVE.

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Participatory Museum Blackboard Game 51

Museum 2.0

JUNE 16, 2020

Each week, I’ve been ceding the blog to others as a chance to hear many voices share their thoughts about our field, where we are, and where we are going. This field is varied, and each voice adds to our collective understanding of the situation. Andrea has been a leader in the museum technology field.

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Museum Detroit Arts Leadership 22

Museum 2.0

NOVEMBER 5, 2013

"The words we use in attempting to change museum directions matter. Our museum in Santa Cruz has been slammed by those who believe participatory experiences have gone too far. I am glad this conversation is happening and that both museum professionals and local Santa Cruzans are engaged. But we do have ''and.''

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Participatory Museum Arts History 53

Museum 2.0

NOVEMBER 16, 2011

When I started at The Museum of Art & History (MAH) in May, one of my priorities was redesigning our website. And he did it all from afar--I've never met Marty in person and have only corresponded with him by voice a couple of times. You can see the site circa February 2011 here , and the current site here.

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Museum Websites History Arts 43

Media Cause

JUNE 16, 2022

Whether you’re looking for educational resources or want to get involved, these organizations are a great place to start. African American History: From Emancipation to the Present (Free online Yale) —The purpose of this course is to examine the African American experience in the United States from 1863 to the present (2010). .

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Resource United States Movie Louisville 52

ASU Lodestar Center

JANUARY 17, 2015

posted by Maureen O'Brien Development Director Musical Instrument Museum. As the development director at the Musical Instrument Museum (MIM), which celebrates the music of every country in the world, my team has a platform to fundraise internationally. The conference took place November 26 & 27 (yes, Thanksgiving!)

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Professional Global Develop France 40