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Museum 2.0 Rerun: Inside the Design of an Amazing Museum Project to Capture People's Stories

Museum 2.0

Recently, we''ve been talking at our museum about techniques for capturing compelling audio/video content with visitors. It made me dig up this 2011 interview with Tina Olsen (then at the Portland Art Museum) about their extraordinary Object Stories project. We ended up with a gallery in the museum instead.

Museum 43
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The Participatory Museum, Five Years Later

Museum 2.0

This week marks five years since the book The Participatory Museum was first released. Across the museum field, the questions about visitor participation have gone from "what?" HUMANS ARE THE BEST AGENTS OF PARTICIPATION When I wrote the book, I was coming from the perspective of an exhibit designer. and "why?"

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Making Museum Tours Participatory: A Model from the Wing Luke Asian Museum

Museum 2.0

Last week, I visited the Wing Luke Asian Museum in Seattle. I've long admired this museum for its all-encompassing commitment to community co-creation , and the visit was a kind of pilgrimage to their new site (opened in 2008). I'm always a bit nervous when I visit a museum I love from afar. What if it isn't what I expected?

Museum 51
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Great Participatory Processes are Open, Discoverable, and Unequal

Museum 2.0

A few years and a few hundred open mics into that experience, it became obvious that some venues fostered amazing poetry communities, others, not so much. The whole experience welcomed newcomers while helping them understand what "value" constituted in that community. One of my favorite open mics was at the Cantab in Cambridge, MA.

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How Museum Hack Transforms Museum Tours: Interview with Dustin Growick

Museum 2.0

A new company in New York, Museum Hack , is reinventing the museum tour from the outside in. They give high-energy, interactive tours of the Metropolitan Museum and the American Museum of Natural History (AMNH). The tours are pricey, personalized, NOT affiliated with the museums involved… and very, very popular.

Museum 55
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Adventures in Evaluating Participatory Exhibits: An In-Depth Look at the Memory Jar Project

Museum 2.0

A man walks into a museum. How do you measure the value of that experience? Two years ago, we mounted one of our most successful participatory exhibits ever at the Santa Cruz Museum of Art & History: Memory Jars. From the beginning, we observed pretty amazing experiences happening with the Memory Jars.

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Participatory Moment of Zen: Diverse Visitor Contributions Add Up to Empathy

Museum 2.0

This person is writing about a participatory element (the "pastport") that we included in the exhibition Crossing Cultures. Crossing Cultures features paintings by Belle Yang that relate to her family''s immigration experiences. In my experience, offering many different forms of participation garners more quality interactions.