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Meet the EveryAction Team 2018

Everyaction

A: There is a relaxed and flexible work culture here that can be tough to find in D.C. Essentially, I sell to Enterprise Social Service organizations and manage the team that sells to Mid-Market Nonprofits. A: My roommate and I are going on a backpacking trip through Greece next week! Q: What’s your go-to coffee order?

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40+ Unforgettable Live Auction Items that Sell Well

Bloomerang

Choose intriguing warm-weather locations like Belize, Jamaica, Australia, or Greece. Museum passes Offer a local museum bundle for those looking to explore more of the cultural and historical opportunities your city has to offer. Offer a spa day package at a local spa for a lucky winner to unwind and receive some pampering.

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Diversify Your Year-End Campaigns: How To Be Mindful And Inclusive Of Cultural Traditions

Bloomerang

By better understanding the wide cultural roots of this season of generosity we can fine-tune the means to communicate with all who make up our communities. We all know that in Western Culture, Christmas typically dominates the holiday season. In parts of Europe Christmas falls on different days.

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The Best Nonprofit Social Media Campaigns of 2017

NonProfit Hub

When three Swiss organizations, The Voice of Thousands, Borderfree and Schwizerchruz, wanted to come together to raise awareness and support for these refugees, they created Project Life Jacket, one of this year’s most creative campaigns. Donations to one of several humanitarian organizations could be initiated from the same page.

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Changing the World: TechSoup's Newest Global Partner

Tech Soup

Serving as a geographical and cultural bridge between Europe and the Middle East, Turkey is a country that shares borders with both Syria and Iraq (not to mention another six * countries). In addition to Syria and Iraq, these are Bulgaria, Greece, Georgia, Armenia, Iran, and the Azerbaijani exclave: Nakhchivan. (If

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Ancient Greece 2.0: Arts Participation before the Industrial Age

Museum 2.0

When we talk about making museums or performing arts organizations more participatory and dynamic, those changes are often seen as threatening to the traditional arts experience. In a time of intense socio-economic division, the concept of cultural hierarchy smacks of elitism. What exactly constructed the passive arts audience?

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