Museum 2.0

JUNE 12, 2012

--Helene Moglen, professor of literature, UCSC After a year of tinkering, the Santa Cruz Museum of Art & History is now showing an exhibition, All You Need is Love , that embodies our new direction as an institution. This post focuses on one aspect of the exhibition: its participatory and interactive elements.

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Participatory Museum Blackboard Game 51

Museum 2.0

DECEMBER 3, 2019

I love alternative history novels. I was thinking I’d do a few alternative histories of museums for the first post of the last month of the decade. As I imagined a world without Nina Simon ’s Participatory Museum , I felt sad about all the visitors whose voices (and post-it note comments) weren’t honored.

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Museum Work Social Media History 21

Museum 2.0

MAY 29, 2009

Two weeks ago, I conducted a participatory exhibit design workshop with staff at the Smithsonian National Museum of Natural History. While most of the voices represented are positive about a "Smithsonian 2.0" Tags: participatory museum professional development.

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Slides Process Video Open 20

Museum 2.0

AUGUST 20, 2009

While the majority of experience-based museums like children's and science museums have unrestricted noncommercial photography policies, many collections-based art and history museums continue to maintain highly restrictive photo policies. Aesthetics of Experience: Photo-taking is distracting for other visitors.

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Museum Photo Policy Open 54

Museum 2.0

AUGUST 25, 2009

I'm not talking about guiding content; I'm talking about guiding form. If your goal is to encourage visitors to perceive themselves as partners in the content co-creation experience, make room for their thoughts sooner rather than later. If someone asks you a question on Twitter, you can only respond with 140 characters.

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Design Goal Difference Platform 31

Museum 2.0

MAY 5, 2009

Visitor Co-Created Museum Experiences This session was a dream for me, one that brought together instigators of three participatory exhibit projects: MN150 (Kate Roberts), Click! Some of the most interesting questions included: how do you verify the accuracy and authenticity of visitor-contributed content?

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Slides Participatory Museum Children 20

Museum 2.0

MARCH 27, 2009

There is no dissonance between the museum’s formal voice and laminate and the visitors’ pens and paper. But the design of Side Trip really allows those stories to flourish, both through creative acts like the poster-making and light show and through participatory expression on the rolodexes and the Youtube-a-phone.

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Denver Museum Arts Remix 21

Museum 2.0

NOVEMBER 2, 2008

static content delivery machines) to 2.0 dynamic content aggregation and network machines)." at the Brooklyn Museum , Tech Virtual at The Tech , and MN150 at the Minnesota History Center. (By But enough of these experiences have convinced me that the participatory museum is not a fringe concept. I started the Museum 2.0

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Museum Voice Minnesota Participatory 20

Museum 2.0

NOVEMBER 5, 2013

Our museum in Santa Cruz has been slammed by those who believe participatory experiences have gone too far. We always knew that the inclusion of participatory and community-centered practices in arts institutions was controversial. To me, the backlash against participatory and community-centered experiences is not surprising.

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Participatory Museum Arts History 53

Museum 2.0

NOVEMBER 5, 2014

We don''t involve people in content development to "boost ticket sales." There are many curator and museum director voices in the article, but not a single quote from a visitor who engaged in one of these community projects. What is the metaphor for participatory arts? Ideas Museum of Art and History Museums Engaging in 2.0

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Journal Participatory Museum Community 54

Museum 2.0

FEBRUARY 23, 2010

Yesterday, I had the delightful opportunity to participate in the 3six5 project , a yearlong participatory project in which 365 people write 365 journal entries for every day of 2010. It showcases diverse voices. The reasons to do so are many, particularly for a history-focused institution.

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Participatory Project Museum Journal 34

Museum 2.0

MARCH 10, 2010

This is the first of a four-part series on the behind-the-scenes experience of writing The Participatory Museum. Overview: Stages of Development and Participation Types The Participatory Museum was written over a 15 month period that began in December of 2008. Participants were engaged in the following ways: Content review (open).

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Participatory Museum Statistics Process 21

Museum 2.0

JULY 18, 2017

This month, we opened a new exhibition at the MAH, Lost Childhoods: Voices of Santa Cruz County Foster Youth and Foster Youth Museum (brief video clip from opening night here ). it uses art, history, artifacts, and storytelling to illuminate a big human story and an urgent social issue. This big idea excited us all.

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Action Childhood Artist Info 44

Everyaction

OCTOBER 5, 2016

The Digital Media and Learning Conference is meant to be an inclusive, international and annual gathering of scholars and practitioners in the field, focused on fostering interdisciplinary and participatory dialogue and linking theory, empirical study, policy, and practice. It is our turn to make history. General / #NI16 / @netimpact.

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Conference Calendar DC Washington 111

Museum 2.0

OCTOBER 8, 2008

For hundreds of years, we've owned the content and the message. While we may grudgingly acknowledge the fact that visitors create their own versions of the message around subsets of the content, we don't consciously empower visitors to redistribute their own substandard, non-authoritative messages. Content expertise matters.

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Authoring Platform Museum YouTube 42

Museum 2.0

MAY 15, 2008

We have a show coming up right now about synthetic biology, where engineers are building life forms that are new to existence, new to the history of life. They articulate the basic questions and knee-jerk reactions in our own minds, carrying us deep into the content from a common starting place. And they're doing it quite.

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Conversation Arts Museum Voice 20

Museum 2.0

NOVEMBER 25, 2008

I didn't grow up staring open-mouthed at natural history dioramas or wandering through art galleries. There are many parallels between free-choice learning and participatory design. BUT we won't acknowledge their voices and their meaning. They are active and awesome. My story is about radical educational philosophy.

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Museum Alternative Education University 29

Museum 2.0

MARCH 6, 2019

While I originally wrote this post to advocate for more participatory practice (i.e. For hundreds of years, we've owned the content and the message. In these conversations, people often say, "don't expert voices matter?" Content expertise matters. Content control shouldn't. and my emphatic response is YES.

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Authoring Share Museum YouTube 44

Museum 2.0

JULY 17, 2008

But there are other times when the message isn't simple, and in those cases, visitor voices can help strategically shape multi-dimensional exhibitions. It can be uncomfortable or downright limiting to declare yourself and your single voice the authority on a complex or multi-faceted topic. So we got down to roughly 400.

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Interview Minnesota Museum History 21