Museum 2.0

JULY 23, 2019

In reflecting on the sample, I’ve made some broad reflections on museum workers and visitors. Today, I wanted to think about participatory elements, something so essential to this blog. We often use them to add in extra content we couldn’t get into the label or assess people’s learning.

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Museum Participatory Interaction Classroom 35

Museum 2.0

JULY 1, 2011

I've now been the Director of The Museum of Art & History in Santa Cruz for two months. It really reflects what we're trying to do here to transform our institution into as relevant, dynamic, and successful an organization as possible. Lots more on this in the months to come, but I thought you might like to read the article.

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Museum History Arts Work 31

Museum 2.0

OCTOBER 2, 2013

Proposals involve sculpture, performance, participatory-projects, videos, and installation that use and respond to the museum’s collection. It re-set the room’s contents of glass mirrors and significantly restored the tired tongue-and-groove floor. This past July, artist Guillermo Gómez proposed to restore a piece of art.

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Artist Museum Proposal Participatory 49

Museum 2.0

JANUARY 11, 2012

I can't say that any one experience--working on a collage with other visitors, swinging on a hammock, discovering a participatory display for pocket artifacts in the bathroom--directly contributed to increased attendance and giving. This community was ready for a museum that reflected the unique creative identity of Santa Cruz.

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Audience Museum Participatory History 47

Museum 2.0

SEPTEMBER 18, 2013

Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. In 2008 and 2009, there were many conference sessions and and documents presenting participatory case studies, most notably Wendy Pollock and Kathy McLean''s book Visitor Voices in Museum Exhibitions.

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Museum Question Participatory Evaluation 45

Museum 2.0

FEBRUARY 9, 2010

Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? History Museums OPPORTUNITIES - History museums are in many ways the best-suited for visitor participation.

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Museum Difference Participatory History 29

Museum 2.0

DECEMBER 19, 2012

We're looking for an Exhibitions Manager to join our team here at the Santa Cruz Museum of Art & History. Spurred partly by the most recent (and fabulous) issue of the Exhibitionist and conversations we're having at our museum, I'd like to hear your reflections on how you think about exhibition formats and schedules.

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Participatory Museum Blended History 32

Museum 2.0

APRIL 25, 2011

I've seen this line of questioning almost completely disappear in the past two years due to many research studies and reports on the value and rise of participation, but in 2006-7, social media and participatory culture was still seen as nascent (and possibly a passing fad). In 2008, the conversation started shifting to "how" and "what."

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Question Participatory Museum Evaluation 49

Museum 2.0

JULY 31, 2013

It feels like a real gift to myself (and hopefully, to you) to schedule all this content now and not have to worry about it when my baby is born. You''re in for a treat, with upcoming posts on creativity, collections management, elitism, science play, permanent participatory galleries, partnering with underserved teens, magic vests, and more.

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Museum Participatory Reflection Conference 35

Museum 2.0

DECEMBER 26, 2012

I have felt in the past that some of the MCA's holiday videos were a bit too pretentious, but this year's edition is full of joy and a message that really reflects what they do in Denver. I know I have a lot to learn from the content AND the format of this report. What happens to objects when they are no longer art?

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Denver Museum Arts Participatory 33

Museum 2.0

JUNE 12, 2012

--Helene Moglen, professor of literature, UCSC After a year of tinkering, the Santa Cruz Museum of Art & History is now showing an exhibition, All You Need is Love , that embodies our new direction as an institution. This post focuses on one aspect of the exhibition: its participatory and interactive elements.

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Participatory Museum Blackboard Game 51

Museum 2.0

DECEMBER 28, 2010

Every once in a while I come across a project I wish I could have included in The Participatory Museum. You can also watch some lovely footage of the children showing off their favorite objects along with staff reflecting on the process here. it's a Secret! , To me, the group most lacking from the report is the general audience.

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Children Museum Create Project 46

Museum 2.0

DECEMBER 14, 2009

What new projects might allow you to better reflect those aspirations? I used the example of two very different exhibitions that solicited visitor-contributed content: Playing with Science at the London Science Museum, and MN150 at the Minnesota History Center.

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Project Museum Teen North Carolina 22

Museum 2.0

AUGUST 18, 2008

This month brings three examples of museums hosting meetups for online communities: On 8.6.08, the Computer History Museum (Silicon Valley, CA) hosted a Yelp! Several libraries have started to offer gaming nights where you can drink soda and play Wii to your heart's content. event, the Computer History Museum had 15 reviews on Yelp!

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Museum Hosting Model Community 22

Museum 2.0

AUGUST 25, 2009

I'm not talking about guiding content; I'm talking about guiding form. If your goal is to encourage visitors to perceive themselves as partners in the content co-creation experience, make room for their thoughts sooner rather than later. If someone asks you a question on Twitter, you can only respond with 140 characters.

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Design Goal Difference Platform 31

Museum 2.0

NOVEMBER 2, 2008

static content delivery machines) to 2.0 dynamic content aggregation and network machines)." at the Brooklyn Museum , Tech Virtual at The Tech , and MN150 at the Minnesota History Center. (By But enough of these experiences have convinced me that the participatory museum is not a fringe concept. I started the Museum 2.0

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Museum Voice Minnesota Participatory 20

Beth's Blog: How Nonprofits Can Use Social Media

APRIL 18, 2007

A willingness to share information and content, also known as transparency ; planning is discussed and user participation is welcomed. Extension programs use wikis, flickr, blogs, tagging, and other tools to share information and content. Social Interaction - People can have conversations and create content together. It's messy.

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Remix Professional Technorati Wiki 50

Museum 2.0

NOVEMBER 5, 2013

Our museum in Santa Cruz has been slammed by those who believe participatory experiences have gone too far. We always knew that the inclusion of participatory and community-centered practices in arts institutions was controversial. To me, the backlash against participatory and community-centered experiences is not surprising.

Participatory 53

Participatory Museum Arts History 53

Museum 2.0

JANUARY 15, 2008

Most social networking sites give each user a unique user profile, along with a personal "home base" where you can always find your content, your contacts, and your interests. Most free social networks include advertising that may not reflect museum mission. Note that even the content of this exhibition is focused on 2.0-style

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Museum Social Network Case Study Discussion 20

Everyaction

OCTOBER 5, 2016

The Digital Media and Learning Conference is meant to be an inclusive, international and annual gathering of scholars and practitioners in the field, focused on fostering interdisciplinary and participatory dialogue and linking theory, empirical study, policy, and practice. It is our turn to make history. General / #NI16 / @netimpact.

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Conference Calendar DC Washington 111

Museum 2.0

OCTOBER 8, 2008

For hundreds of years, we've owned the content and the message. While we may grudgingly acknowledge the fact that visitors create their own versions of the message around subsets of the content, we don't consciously empower visitors to redistribute their own substandard, non-authoritative messages. Content expertise matters.

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Authoring Platform Museum YouTube 42

Museum 2.0

MAY 28, 2014

Now, NYSCI is experimenting in a new medium, with a very tough and adult content focus. I sat down with Eric Siegel, NYSCI’s Director and Chief Content Officer, to learn more about False Conviction. The result is False Conviction: Innocence, Guilt, and Science. This interview is not really about an ebook. So we had the key players.

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Help Museum eBook Project 45

Museum 2.0

MARCH 6, 2019

While I originally wrote this post to advocate for more participatory practice (i.e. For hundreds of years, we've owned the content and the message. Content expertise matters. Content control shouldn't. Museums should feel protective of the expertise reflected in their staff, exhibits, programs, and collections.

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Authoring Share Museum YouTube 44