Museum 2.0

JANUARY 15, 2008

The presumed answer is "yes" your museum needs a blog, a pony, or a set of comfy couches. In this case, it's debatable. Does your museum need a custom online social network? The Brooklyn Museum of Art is a great example of a museum really embracing these environments for community-building purposes. exclusivity.

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Museum Social Network Case Study Discussion 20

Museum 2.0

JULY 15, 2010

Dear Museum 2.0 My book, The Participatory Museum , has done incredibly well so far, but there's a problem: the interactive components aren't working. I wrote the book with thoughts, case studies, and stories contributed by many of you. Tags: Book: The Participatory Museum. Thanks in advance.

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Participatory Chapter Museum Case Study 32

Museum 2.0

JULY 31, 2013

I spent the weekend queuing up posts for my forthcoming blog-cation--nine weeks of guest posts and reruns from the Museum 2.0 You''re in for a treat, with upcoming posts on creativity, collections management, elitism, science play, permanent participatory galleries, partnering with underserved teens, magic vests, and more.

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Museum Participatory Reflection Conference 35

Museum 2.0

SEPTEMBER 22, 2009

What does the word "participatory" mean to you? The various definitions of participatory projects can lead to confusion and misunderstandings. They provide detailed case studies of projects in each area, including project descriptions, informal science education goals, participant training techniques, and evaluation outcomes.

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Public Research Participatory Report 36

Museum 2.0

JUNE 1, 2016

It's packed with practical theories, rags-to-relevance case studies, and inspiring stories from museums and libraries, theaters and parks, dance companies and orchestras, afterschool programs and activists, churches and synagogues. My last book, The Participatory Museum , did well. and then do a little bit more.

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Arts Advocacy Team Dallas 20

Museum 2.0

MARCH 24, 2010

This is the third in a four-part series about writing The Participatory Museum. This post covers my personal process of encouraging--and harnessing--participation in the creation of The Participatory Museum. As the participatory content review progressed well, I started looking for other ways for people to help.

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Participatory Museum Process Experiment 33

Museum 2.0

AUGUST 7, 2008

For many museums, visitor research--how people use the museum, navigate exhibits, and understand content--may be an equally important arena in which to adopt groundswell listening techniques. I spent an hour this morning "brand listening" to what the online world says about one of my favorite museums, the Exploratorium.

Museum 20

Museum Teen Second Life Discussion 20

Museum 2.0

MARCH 10, 2010

This is the first of a four-part series on the behind-the-scenes experience of writing The Participatory Museum. Overview: Stages of Development and Participation Types The Participatory Museum was written over a 15 month period that began in December of 2008. Many of the book sections started as blog posts on Museum 2.0.

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Participatory Museum Statistics Process 21

Museum 2.0

JULY 30, 2014

Our work to transform the Santa Cruz Museum of Art & History into a participatory and community-centered place has been heavily supported by the James Irvine Foundation. Nor is it packed with juicy examples and case studies. Core Museum 2.0 I''ve learned a lot from Irvine Foundation staff and partners directly.

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Report Malaysia Memphis Museum 52

Museum 2.0

OCTOBER 8, 2008

I have a lot of conversations with people that go like this: Other person: "So, you think that museums should let visitors control the museum experience?" Other person: "But doesn't that erode museums' authority?" If the museum isn't in control, how can it thrive? Me: "Sort of." and my emphatic response is YES.

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Authoring Platform Museum YouTube 42

Museum 2.0

SEPTEMBER 4, 2008

How many museums have stacks of comment books that are only culled for the gushing quotes that belong on annual reports? Many staff react against this, saying that curation is the museum's job and shouldn't be reduced to a popularity contest. Many museums claim to be (or desire to be) accountable to their local communities.

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Museum Participatory Evaluation Chapter 20

Beth's Blog: How Nonprofits Can Use Social Media

FEBRUARY 13, 2007

I personally want to move away from the metaphor of making movies of the computer screen to more shoulder-to-shoulder instructional media and perhaps something that is more participatory or for lack of a better word, social. For additional project designs and ideas, see the following case studies: Craft Emergency Resources.

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Screencast Instruction Instructional Tag 50

Museum 2.0

FEBRUARY 23, 2009

As many of you know, I’m writing a book about participatory design for museums. The book is intended to be a practical guide to participatory museum experiences focused on design strategies, case studies, and activities. The WHY of participatory design is really important. And there’s a third reason.

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Participatory Design Museum Wiki 26

Museum 2.0

MARCH 6, 2019

While I originally wrote this post to advocate for more participatory practice (i.e. letting museum visitors contribute and collaborate in museums), I now see this as a crucial issue also for more democratic and inclusive practice (i.e. Other person: "But doesn't that erode museums' authority?" Me: "Sort of."

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Authoring Share Museum YouTube 44

Museum 2.0

APRIL 19, 2010

"How often do we hear colleagues from museums and galleries stating as their fundamental reason for working co-creatively with audiences that they want to make a great piece of museum work, rather than primarily for reasons of social inclusion or democracy?"

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Arts Participatory Museum Artist 22