Museum 2.0

SEPTEMBER 4, 2013

This post is even more relevant today to the broader conversation about audience diversity in the arts than when it was published three years ago. Guards staring at black teens and grumbling about their clothes. What started with 15 students in 1997 has grown to support 200 students per year. blog posts from the past.

St. Louis 45

St. Louis Museum Audience Teen 45

Museum 2.0

MAY 8, 2013

At the Santa Cruz Museum of Art & History , we''re approaching this challenge through a different lens: social bridging. Family Art Workshops" suffer from anemic participation whereas multi-generational festivals are overrun with families. Museum of Art and History programs social bridging' And rarely the twain shall meet.

Museum 55

Museum Social Arts History 55

Care2

SEPTEMBER 14, 2007

Theres no question that such creative strategies will emerge in greater volume during 2007, and while some existing consultants are already helping groups make this work, theres plenty of room for some savvy specialists to get in the game. 60) Search « Would you like a share of $5 million?

Consultant 31

Consultant Myspace Social Media Advocacy 31

Museum 2.0

JULY 23, 2013

We are hiring for a School Programs Coordinator to wrangle the 3,500+ students and their teachers who come to the museum every year for a tour and hands-on experience in our art and history exhibitions. How can we develop programming that encourages students to make connections with kids of other ages or from other parts of our County?

Program 39

Program Museum Work History 39

Care2

NOVEMBER 16, 2006

Theres no question that such creative strategies will emerge in greater volume during 2007, and while some existing consultants are already helping groups make this work, theres plenty of room for some savvy specialists to get in the game. 60) Search « Would you like a share of $5 million?

Consultant 31

Consultant Social Media Myspace Advocacy 31

Museum 2.0

JUNE 12, 2012

It made me think in ways that I haven't before about the relation of art--as expressive culture--to democracy. Helene Moglen, professor of literature, UCSC After a year of tinkering, the Santa Cruz Museum of Art & History is now showing an exhibition, All You Need is Love , that embodies our new direction as an institution.

Participatory 51

Participatory Museum Blackboard Game 51

ASU Lodestar Center

FEBRUARY 28, 2011

Center Teen Addiction Anonymous Unlimited Potential I hope to see you at the presentation! I think this is a great opportunity for students! " In the future teachers should encourage Nonprofit Students to participate in events like this. How to Start a Nonprofit Organization: Questions t.

Philanthropy 40

Philanthropy Arizona Phoenix North America 40

Bloomerang

OCTOBER 22, 2021

So send in your questions and comments. It is now, and it’s mainly because it’s a quick way to answer three questions maybe, won’t take a ton of your time, but it will give the funder a very specific idea of what you’re applying for and it can tell them right away, “Is this a fit or isn’t it a fit?

Grant 104

Grant Video Donor Foundation 104

Museum 2.0

DECEMBER 19, 2008

But this isn't just a financial question--it's also a question of reach. There are three key questions museum decision-makers should ask themselves in evaluating the value of virtual visitors: How much do we value outreach in our educational programming and content delivery? So where do online initiatives fit in?

Virtual 20

Virtual Museum North Carolina Evaluation 20

Museum 2.0

OCTOBER 22, 2008

This is not to say that science centers are more censored than art or history museums—every kind of museum has its own hang-ups. Imagine an art museum that allowed patrons to bang on the exhibits the way you can in a science center. And so my question is, why are we keeping them away? Why aren't we developing our audiences?"

Museum 20

Museum Professional Teen Map 20