Candid

OCTOBER 1, 2021

households with a net worth of at least $1 million (excluding the value of their primary home) and/or annual household income of at least $200,000, The 2021 Bank of America Study of Philanthropy: Charitable Giving by Affluent Households (123 pages, PDF) found that 88.1 Based on a survey of 1,626 U.S. September 29, 2021 The John D.

Ohio 52

Ohio Massachusetts Indiana Minnesota 52

Museum 2.0

APRIL 23, 2014

Some serious parallels to curating exhibitions and performances, especially with living artists. Speaking of contemporary artists, one of my favorite recent blog posts was this thoughtful essay by artist Brian Fernandes-Halloran about navigating the compromises between artistic ambition and the marketplace.

Belarus 29

Belarus Boston Sweden Ukraine 29

Beth's Blog: How Nonprofits Can Use Social Media

MAY 9, 2005

I found that while trying to remember the author of " When Pigcasso Met Mootise ," a children's book that is often requested in our house at bedtime. and you get a PDF version that you can download. There are some things I don't like only because as an artist-type, I want more control over the design. Nina Laden.

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PDF Blogger Typepad Images 50

Bloomerang

NOVEMBER 13, 2021

The great thing is is that Bloomerang is going to make this available for you as recording, and anything you see on the screen will show up in your inbox in the form of a PDF. Are they wanting to fund children’s programs? If the experience of those children is not positive, then is it really a celebration?

Report 80

Report Measure Process Impact 80

Bloomerang

JULY 5, 2023

While this type of nonprofit annual report is designed to be physically mailed, it’s also a good idea to send a PDF version via email to gain the attention of those who might have missed it in their mailbox. The report is populated with drawings created by children of Habitat homeowners.

Template 82

Template Report Rhode Island Guide 82

Museum 2.0

JULY 24, 2012

In In and Out of the Dark [pdf] , Colby College professor Lynne Conner argues convincingly that the current refinement of the Western fine arts experience is an aberrant blip in a long history of participatory audience engagement. Proper audiences were like docile children, seen and not heard.

Greece 51

Greece Arts Industry Participatory 51