Whole Whale

MARCH 22, 2023

For example, you can start your prompt with “Write a heartfelt story for an 8-yr old about…” or “Provide a never-heard-before solution for boomers about…” Add personality : Don’t be afraid to give the AI an attitude or tone.

Ideas 52

Ideas Model API Language 52

NTEN

OCTOBER 8, 2010

The parts of The Social Network closest to the truth are the most engrossing: glimpses of things like the super-elite social structure of Harvard’s final clubs; selective, male only organizations, each of which has existed for at least a century (all female versions of final clubs have existed since 1991).

Social Network 79

Social Network Attention Network Movie 79

Museum 2.0

FEBRUARY 15, 2012

This could be a serious research opportunity for someone interested in impact assessment, community attitudes towards the arts, and the role museums can play in transforming communities. Our internships have generally gotten more structured. Special Projects interns, who will do, well, whatever you want.

Museum 34

Museum Participatory Arts Attitude 34

Museum 2.0

MARCH 17, 2007

The Turner Prize was launched in 1984 by the Tate Britain to reward young British artists, and has had controversial effects on both public perception of contemporary art--and the artists themselves. First, the competition's structure. British artists under 50 can be nominated by, well, anyone (even you).

Artist 20

Artist Arts Museum Celebrate 20

Museum 2.0

SEPTEMBER 18, 2013

Have you seen attitudes in our field about visitor participation shifting over time? Art museums are the least likely to empower their own staff to initiate participatory projects but the most likely to work with artists whose approach to participation might be quite extreme. BROAD QUESTIONS ABOUT AUDIENCE PARTICIPATION 1.

Museum 45

Museum Question Participatory Evaluation 45

Museum 2.0

APRIL 25, 2011

Have you seen attitudes in our field about visitor participation shifting over time? Art museums are the least likely to empower their own staff to initiate participatory projects but the most likely to work with artists whose approach to participation might be quite extreme. BROAD QUESTIONS ABOUT AUDIENCE PARTICIPATION 1.

Question 49

Question Participatory Museum Evaluation 49

Museum 2.0

MAY 8, 2009

allows artists and inventors to supply their work directly to users rather than going through time-consuming and copyright-swallowing middlemen. This already happens in the case of standalone shows, theaters, and programmatic experiences, but I don't know of any museums that apply atomized fee structures to physical exhibits.

Content 20

Content Ideas Museum Model 20