Museum 2.0

AUGUST 5, 2016

When writing The Art of Relevance , I knew I wanted to share a bit of his story and the ways artists negotiate the relevance of their own work. But for the artists and objects involved, and for the people who care for them, these shifts can be dislocating. Here's that chapter. But we make those decisions and changes all the time.

Arts 20

Arts North America Music Hawaii 20

Museum 2.0

SEPTEMBER 18, 2013

I''ve seen this line of questioning almost completely disappear in the past two years due to many research studies and reports on the value and rise of participation, but in 2006-7, social media and participatory culture was still seen as nascent (and possibly a passing fad). In 2008, the conversation started shifting to "how" and "what."

Museum 45

Museum Question Participatory Evaluation 45

Museum 2.0

APRIL 25, 2011

I've seen this line of questioning almost completely disappear in the past two years due to many research studies and reports on the value and rise of participation, but in 2006-7, social media and participatory culture was still seen as nascent (and possibly a passing fad). In 2008, the conversation started shifting to "how" and "what."

Question 49

Question Participatory Museum Evaluation 49

Forum One

MAY 3, 2023

Forum One received 11 awards in seven categories in this year’s awards for excellence and distinction in website and app design, development, and digital strategy across the categories of non-profits, cultural institutions, science, health and wellness, and education. Department of Energy.

Award 80

Award Communication Colorado Museum 80

Museum 2.0

JUNE 16, 2020

For the last three years, I’ve had the pleasure of collaborating with the Smithsonian Latino Center as part of the Educators Advisory Council, in preparation for the forthcoming Molina Galleries , which will focus on celebrating the contributions of Latinos in the History of America. Swarupa Anila, and Ken Morris.

Museum 22

Museum Detroit Arts Leadership 22

Museum 2.0

JULY 24, 2012

They voted on the best plays in the days of Sophocles, stormed the symphony halls when confronted with artistic dischord, and talked and wrote about what they saw and what they thought. By the early twentieth century people of all social classes were expected to treat arts events as private experiences.

Greece 51

Greece Arts Industry Participatory 51

Have Fun - Do Good

APRIL 29, 2009

The first couple days in Cambodia we learned about the culture, which was very important, but also very challenging for the participants. As a result, you have a culture of post-traumatic stress disorder. We spent the first few days really understanding the culture. We brought in survivors of the genocide. It was so fun.

Interview 46

Interview Cambodia Children Uganda 46

Have Fun - Do Good

JUNE 30, 2007

I often tell people the story of how I used to think that I wanted to be a massage therapist, until I took a class and I realized you had to massage naked people you didn't know. Does anyone in the room identify as an artist, by any chance? I just want to dispel the myth that we are not activists and that we are not artists.

Podcast 40

Podcast Arts Oakland St. Louis 40

Have Fun - Do Good

JUNE 29, 2006

We'll be taking with arts activist Alli Chagi-Starr, the Cultural Arts Director for the Ella Baker Center for Human Rights ' Reclaim the Future Program. In addition to being an artist, performer and dancer, Alli is also a writer whose most recent piece can be found in the Code Pink anthology, Stop the Next War Now.

Arts 40

Arts Podcast Action Interview 40