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What I Learned from Beck (the rock star) about Participatory Arts

Museum 2.0

In December of 2012, the rock musician Beck released his latest album, Song Reader. Beck''s project is unusual because he deliberately resurrected a mostly-defunct participatory platform: sheet music for popular songs. Participatory processes often (and sometimes unintentionally) restructure the product. That''s expected.

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The Outcome of Our Outcomes

Beth's Blog: How Nonprofits Can Use Social Media

Outcomes, indicators, metrics, logic models, flow charts galore – measurement and evaluation are in season these days. The goals need to be front and center through the entire process, particularly when the measurement approach is more new or participatory and is designed to evolve over time.

professionals

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Lean Impact Series: 10 Changemakers Using Lean Startup Methods For Greater Social Impact

Beth's Blog: How Nonprofits Can Use Social Media

The organization delivering services to people at risk and affected by trafficking, and integrates revenue streams into their service model. During the 2012 Obama Campaign, the online team continually tested and refined their communications efforts. Kyle Rush, Author and Technology Consultant.

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Vote Now: Ten Sessions We Want to See at NTC

Care2

Voting for the 2012 NTC (Nonprofit Technology Conference) is now open and the competition is fierce. In this workshop, we'll focus on all aspects of designing high-value, engaging, and participatory content that creates a partnership with your fans. As usual the nonprofit community has pitched some incredibly useful sessions.

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Taking Local Currency Digital: A New Experiment Emerges

Non Profit Quarterly

The experiment proved successful. Of course, this is an experiment, and the proof of concept remains in the execution. Given the lack of established models, there will undoubtedly be some unanticipated curves ahead. The user experience of the BerkShares app will resemble those of mobile payment services such as Venmo.

Local 104
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Make Great Art: Lessons in Co-Creation from the Performing Arts

Museum 2.0

In it, Louise argues that museum professionals need to focus more on pursuing audience participation not to promote audience development or provide educational opportunities, but to create superlative visitor experiences. When an institution becomes wholly participatory, those distinctions often erode.

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