2008 Artist Experiment Reflection 
Beth's Blog: How Nonprofits Can Use Social Media
SEPTEMBER 25, 2008
" I have to caution people that when I share the results of my experiments and learnings - that it is a culmination of 6 plus years of daily exploration of Web 2.0. I tell folks that my recent experiences are like playing a Paganini Violin piece. As Phil Morris noted in his blo g, it feels like home to be with this crowd.).
Beth's Blog: How Nonprofits Can Use Social Media
MARCH 13, 2013
What did we learn from the experience? The failure bow is what trapeze artists, acrobats, and other athletics do after a fall so they let got the fear of making a mistake. This week I was in Austin, TX for SXSW Interactive Festival where I presented or facilitated at several social good sessions or events. Was it anticipated?
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Museum 2.0
FEBRUARY 1, 2012
Last week, Douglas McLellan of artsJournal ran a multi-vocal forum on the relationship between arts organizations and audiences, asking: In this age of self expression and information overload, do our artists and arts organizations need to lead more or learn to follow their communities more?
Beth's Blog: How Nonprofits Can Use Social Media
DECEMBER 22, 2007
We'll be back before 2008 with a roundup of 2007. It all started when Susan Reynolds , a social media maven and artist, was diagnosed with breast cancer and started a blog to write about her experience and used twitter to fight her cancer. It is authentic, it is caring, and it is beautiful.
Museum 2.0
SEPTEMBER 18, 2013
This post shares some of the most interesting questions I''ve heard throughout these experiences. In 2008, the conversation started shifting to "how" and "what." In my experience, staff members are more sensitive to this issue than visitors and members are. Feel free to add your own questions and answers in the comments!
Museum 2.0
APRIL 25, 2011
This post shares some of the most interesting questions I've heard throughout these experiences. In 2008, the conversation started shifting to "how" and "what." In my experience, staff members are more sensitive to this issue than visitors and members are. Feel free to add your own questions and answers in the comments!
Museum 2.0
SEPTEMBER 20, 2010
Second, in 2008 and 2009, when the economy dipped and membership renewal rates started to soften, we started to think more seriously about the emotional factor of supporting the arts in the community. We wanted to find a way to really connect with our members and understand what experiences they value most at the Whitney.
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