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Dangerous/Ridiculous: Reflections on AAM

Museum 2.0

Kathleen McLean led a terrific session called "Dangerous Ridiculous" about risk-taking in museums. While I'm always inspired by stories of how we take risks to make programming more relevant and dynamic (thanks, Lisa Lee and the Jane Addams Hull-House Museum ), I was particularly struck by Kathy's thoughtful framing of the session.

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Invest in the 3 Cs for Strong Fundraising Results: Capacity, Cultivation and Communication

Connection Cafe

International aid groups also have focused more attention on post-disaster recovery and rebuilding, and turned increasingly to social media to help educate donors about disaster needs, he said. Schools are using data to better understand donors based on factors such as gender and race, segmenting their base of donors and prospects.

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Memo from the Revolution: Six Things I've Learned from our Institutional Transformation

Museum 2.0

TCG is the industry association for non-profit theaters, the way AAM is for museums. Given TCG''s multi-year Audience (R)evolution initiative, I took the opportunity to write a new talk about what revolution has looked like at our small museum in Santa Cruz. You just get bigger. More audience. More money.

Museum 55
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Year One as a Museum Director. Survived!

Museum 2.0

We have new support from foundations and individuals who care about innovation in audience engagement—and even more importantly, participants who are excited to experiment with us. People are showing up, getting involved, and sharing their enthusiasm in droves. It is incredibly rewarding work. I feel lucky.

Museum 55
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The Next Generation of Major Donors to Museums: Interview with David Gelles

Museum 2.0

I was curious to learn more about what was behind the article. He is the son of Bonnie Pitman , an extraordinary museum leader and educator who has served as director of the Dallas Museum of Art, the Bay Area Discovery Museum, and as a board member for AAM. I knew something about this world. I’ve known Bob for 15 years now.

Museum 54
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Guest Post: Collections Access - Open the Door Wider

Museum 2.0

Recently, several subscribers to the RCAAM (Registrar’sCommittee of AAM) listserv posted concerns about professional photographers and museum visitors taking photographs of objects on exhibition. But what about the potential creator who happens into an exhibit, gets an idea, and takes a picture? Followers of Museum 2.0

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Instead of Selling Objects, Build Public Trust

Museum 2.0

The Berkshire Museum has been unwilling to sell or transfer the paintings to another regional institution, presumably assuming they will get the highest price at auction. It's taken me that long to figure out how I feel about the whole thing. You run a regional museum. It's been struggling financially for years. Here's what happened.

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