Beth's Blog: How Nonprofits Can Use Social Media
MARCH 3, 2009
People can add and embellish your content and if you have access to the remix, it can give you new ideas. I use the " BY Attribution " creative commons license. I've used this license. I still sometimes see rather blank expressions when I ask about turning to CC licensed resources to find photos. Remix This Powerpoint.
Beth's Blog: How Nonprofits Can Use Social Media
APRIL 18, 2007
Next week I'm doing a Webinar for Extension Professionals , a remix of 10 Steps to Association 2.0 which was a remix of Marnie Webb 's Ten Ways Nonprofits Can Change the World. My initial remix thought (wrong) was to look for examples that were related to agriculture, but the extension is so much more. I'm nervous.
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Beth's Blog: How Nonprofits Can Use Social Media
APRIL 25, 2007
Yesterday, I presented this seminar to University Extension Professionals. " I'm trying to walk the walk and talk the talk of Remixing Content for nonprofits. One thing you'll notice is that the presentation itself is a remix of a remix. I remixed it from an earlier prsentation called Associations 2.0
Beth's Blog: How Nonprofits Can Use Social Media
JUNE 5, 2012
What is good curation versus bad curation? The image is a remix of a presentation entitled ” Link Building by Imitation ” and authored by link building expert Ross Hudgens — and explains the skill set pretty well. The list of skills might, at first blush, feel like a lot of extra work.
Beth's Blog: How Nonprofits Can Use Social Media
NOVEMBER 4, 2009
One important design concept for this project is creative commons licensing - which allowed the community to remix, reuse, or repurpose the content. We've been able to track some of the remixes - that is those who kindly let us know about it and gave us attribution. What are the best emerging examples and early lessons learned?
Museum 2.0
APRIL 1, 2010
I decided to self-publish The Participatory Museum for four reasons: OPENNESS: I wanted the flexibility to license and distribute the book using an open structure to promote sharing. Few publishers was open to Creative Commons licensing and to giving away the content for free online. I chose the Attribution Noncommercial license.
Museum 2.0
AUGUST 20, 2009
and yet many museum professionals look benevolently upon that activity as a positive meaning-making visitor experience. Would staff members who hate photography be comparably disturbed by visitors sketching in the galleries? This is prejudicial treatment. There are two parts to this.
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