Content History Participatory Remix 
Beth's Blog: How Nonprofits Can Use Social Media
APRIL 18, 2007
Next week I'm doing a Webinar for Extension Professionals , a remix of 10 Steps to Association 2.0 which was a remix of Marnie Webb 's Ten Ways Nonprofits Can Change the World. My initial remix thought (wrong) was to look for examples that were related to agriculture, but the extension is so much more. I'm nervous. It's messy.
Museum 2.0
MARCH 27, 2009
There are stacks of graphics, cut-out reproductions from the real rock posters on display next door, which visitors can place under the transparencies to arrange and remix into poster designs of their own choosing. The results of this physical “remix” activity are beautiful, intricate posters. Projects design participatory museum.
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Museum 2.0
AUGUST 20, 2009
While the majority of experience-based museums like children's and science museums have unrestricted noncommercial photography policies, many collections-based art and history museums continue to maintain highly restrictive photo policies. Aesthetics of Experience: Photo-taking is distracting for other visitors. There are two parts to this.
Museum 2.0
OCTOBER 8, 2008
For hundreds of years, we've owned the content and the message. While we may grudgingly acknowledge the fact that visitors create their own versions of the message around subsets of the content, we don't consciously empower visitors to redistribute their own substandard, non-authoritative messages. Content expertise matters.
Museum 2.0
MARCH 6, 2019
While I originally wrote this post to advocate for more participatory practice (i.e. For hundreds of years, we've owned the content and the message. Content expertise matters. Content control shouldn't. But if our expertise is real, then we don't need to rule content messages with an iron fist. Power is attractive.
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