Remove Conservancy Remove Experiment Remove Participatory Remove Structure
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Reimagining Museums with Latin America Leading the Way

Museum 2.0

Courageous speakers from dozens of countries described bold, participatory projects. I'm generalizing grossly here, but for the most part, I find European museums to be conservative. The whole experience was exhilarating and deeply human. I first sensed the difference at the front door. There wasn't one.

Museum 40
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Guest Post by Geoff Livingston: Creating Movements

Beth's Blog: How Nonprofits Can Use Social Media

Creating open communities with old siloed corporate structures. And yes nonprofits mimic their corporate brethren with siloed structures. My experience has informed me over and over again that you will fail. Ironically, if we have time, the last matter is the least difficult. And that is the crossroads. Don’t make that mistake.

Create 94
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Using Design Thinking for A Foundation’s Investment Strategy

Beth's Blog: How Nonprofits Can Use Social Media

In some ways, a design lab can be thought of as “participatory research and testing.”. What investments can the Brainerd Foundation make over the next five years to help build an effective infrastructure of advocacy that builds power for conservation that will endure beyond the foundation’s sunset?

Design 50
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AAM Recap: Slides, Observations, and Object Fetishism

Museum 2.0

I led two sessions, one on visitor co-created museum experiences, and the other on design inspirations from outside museums. Visitor Co-Created Museum Experiences This session was a dream for me, one that brought together instigators of three participatory exhibit projects: MN150 (Kate Roberts), Click!

Slides 20
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10 Steps to Extension Professional 2.0 Remix

Beth's Blog: How Nonprofits Can Use Social Media

This is an excellent "pre blogging experience." Nature Conservancy. Lessig presents this as a desirable ideal and argues, among other things, that the health, progress, and wealth creation of a culture is fundamentally tied to this participatory remix process. My experiment with user-generated content is here.

Remix 50
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Notes from the Future: Reflections on the IMLS Meeting on Museums and Libraries in the 21st Century

Museum 2.0

Who controls the experience? Some leaders are more conservative than I feared, and these people are alternately smug and desperate about maintaining their power. One of the most promising models for doing so (and a potential way to structure the NAS report) is scenario-based planning. Who controls the experience?

Library 20