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12 Ways We Made our Santa Cruz Collects Exhibition Participatory

Museum 2.0

This exhibition represents a few big shifts for us: We used a more participatory design process. Our previous big exhibition, All You Need is Love, was highly participatory for visitors but minimally participatory in the development process. Without further ado, here's what we did to make the exhibition participatory.

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Museum 2.0 Rerun: Answers to the Ten Questions I Am Most Commonly Asked

Museum 2.0

This post shares some of the most interesting questions I''ve heard throughout these experiences. In 2008 and 2009, there were many conference sessions and and documents presenting participatory case studies, most notably Wendy Pollock and Kathy McLean''s book Visitor Voices in Museum Exhibitions. Yes and no.

Museum 45
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Answers to the Ten Questions I am Most Often Asked

Museum 2.0

This post shares some of the most interesting questions I've heard throughout these experiences. In 2008 and 2009, there were many conference sessions and and documents presenting participatory case studies, most notably Wendy Pollock and Kathy McLean's book Visitor Voices in Museum Exhibitions. Yes and no.

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Techniques for Identifying and Amplifying Social Objects in Museums

Museum 2.0

Among other things, I led a workshop on "social objects" --artifacts and exhibits that inspire people to point, discuss, snap photos, and generally share their experience both with friends and strangers. When I tell people this in a presentation, it can sound vague or dubious. Tags: design participatory museum.

Museum 41
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Everyone's Smithsonian: Video, Slides, and an Open Strategic Planning Process

Museum 2.0

Two weeks ago, I conducted a participatory exhibit design workshop with staff at the Smithsonian National Museum of Natural History. Between the giant squid brainstorming and experimentation, I gave a talk to the larger Smithsonian Institution about multi-platform museum experiences. I am an impatient person.

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The Participatory Museum Process Part 2: Participants' Experiences

Museum 2.0

This is the second in a four-part series about writing The Participatory Museum. Several hundred people contributed their opinions, stories, suggestions, and edits to The Participatory Museum as it was written. Several said things like, "I was curious to see how this kind of participatory, collaborative approach would work in practice."

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Curate Your Own Membership: An Interview with the Whitney's Director of Membership

Museum 2.0

We wanted to find a way to really connect with our members and understand what experiences they value most at the Whitney. We started with focus groups with current and prospective members, asking about their interests and what kinds of experiences they would really value as part of membership. And we confirmed that hypothesis.