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12 Ways We Made our Santa Cruz Collects Exhibition Participatory

Museum 2.0

This exhibition represents a few big shifts for us: We used a more participatory design process. Our previous big exhibition, All You Need is Love, was highly participatory for visitors but minimally participatory in the development process. Without further ado, here's what we did to make the exhibition participatory.

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17 Ways We Made our Exhibition Participatory

Museum 2.0

It is multi-disciplinary, incorporates diverse voices from our community, and provides interactive and participatory opportunities for visitor involvement. This post focuses on one aspect of the exhibition: its participatory and interactive elements. So many museum exhibitions relegate the participatory bits in at the end.

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New Models for Community Partnerships: Museums Hosting Meetups

Museum 2.0

I was amazed by the number of conversations I had when I arrived at FreelanceCamp that went something like this: Me: Have you lived in Santa Cruz for a long time? Look at the number of views (how many times each has been accessed). How to Make it Great Hosting a meetup can cost you time and money. Other person: Oh yeah.

Museum 22
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Building Community Bridges: A "So What" Behind Social Participation

Museum 2.0

A group in their late teens/early 20s were wandering through the museumwide exhibition on love. When I walked by the first time, the teens were collaging and Kyle and Stacey were talking. Next time, everyone was talking. I don't know what formed the bridge between the artists and the teens in this circumstance.

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Using Social Bridging to Be "For Everyone" in a New Way

Museum 2.0

Single-speaker lectures languish while lightning talks featuring teen photographers, phD anthropologists, and professional dancers are packed. And so, while we continue to acknowledge that specific communities have particular assets and needs, we spend more time thinking about how to connect them than how to serve each on its own.

Museum 55