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Month at the Museum, Part 1: A Video Contest that Delivers

Museum 2.0

Why the Video Contest Worked Video contests are one of the most challenging kinds of participatory projects to pull off. It's great that you'll blog for the museum and have fun learning with kids. I'm biased, because she's demonstrating a participatory project, but she was able to "show, not tell" her interest in engaging with people.

Museum 34
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Six Steps to Making Risky Projects Possible

Museum 2.0

I used the example of the Yerba Buena Center for the Arts, which has a mission statement that includes unusual words like “bold” and “fearless.” If you say, “we need a blog,” others in your organization won’t know how to contextualize that within the programs and mission of the institution.

Project 22
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Two Years Later

Museum 2.0

And when I think back on the last year and how it compared to year one of blogging, the shining difference is you--your interest, your comments, and most of all, your extraordinary example. blog in 2006 as a personal learning exercise about "the ways that museums do and can evolve from 1.0 Today, Museum 2.0 I started the Museum 2.0

Museum 20
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AAM Recap: Slides, Observations, and Object Fetishism

Museum 2.0

Visitor Co-Created Museum Experiences This session was a dream for me, one that brought together instigators of three participatory exhibit projects: MN150 (Kate Roberts), Click! So far, most participatory museum design projects are heavily guided by the institution. MN150 will have formal summative evaulation, which is wonderful.

Slides 20
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Foot in the Door: A Powerful Participatory Exhibit

Museum 2.0

I spent last week working with staff at the Minneapolis Institute of Art (MIA) on ways to make this encyclopedic art museum more open to visitor participation across programs, exhibitions, and events. While there, I was lucky to get to experience a highly participatory exhibition that the MIA mounts once a decade: Foot in the Door.

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AAM 2010 Recap: Slides, Surprises, and a Banjo

Museum 2.0

Kathleen McLean (Independent Exhibitions), Dan Spock (Minnesota History Center), and Kris Morrissey (University of Washington) all shared thought-provoking and useful insights on visitor participation in museums, but Mark Allen and Emily Lacy brought down the house with their bluegrass rendering of the Machine Project and its engaging, quirky work.

Slides 22
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Sharing Power, Holding Expertise: The Future of Authority Revisited

Museum 2.0

This week, I've had multiple conversations with colleagues in the arts, symphonies, and urban planning about the fear professionals have about "losing control" when opening up new opportunities for people to participate. Their questions made me think about a blog post I wrote in 2008, The Future of Authority.