Museum 2.0

JANUARY 24, 2011

This post features an interview with Sarah Schultz, a museum staffer at one of the institutions Light profiled in the book (the Walker Art Center). Guard staff who are willing to let an artist step between two panes of glass to perform. A crew that has the capacity to build a sign at the last minute. It's inherent in what we do.

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Arts Interview Teen Artist 46

Beth's Blog: How Nonprofits Can Use Social Media

JULY 1, 2009

Submitted by Nina Simon, publisher of Museum 2.0. I’ve had it with museums’ obsession with open-ended self-expression. The point, in the context of this conversation, is that a minority of social media users are creators—people who write blog posts, upload photos onto Flickr, or share homemade videos on YouTube.

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Participatory Experiment Museum Teen 50

Museum 2.0

SEPTEMBER 20, 2011

Last Friday night, my museum hosted a fabulous (in my biased opinion) event called Race Through Time. It was a local history urban scavenger hunt that sent teams of 2-5 people out into the city to track down as many historic checkpoints as they could over the course of an evening. Performances just for teens.

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Audience Develop Museum History 52

Museum 2.0

AUGUST 19, 2015

One of my favorite comments on the first post in this series came from Lyndall Linaker, an Australian museum worker, who asked: " Who decides what is relevant? When you say you want to be relevant, that usually means "we want to matter to more people." Or different people. My answer: neither. The market decides what's relevant.

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Teen Museum Voice Collaboration 20

Beth's Blog: How Nonprofits Can Use Social Media

JUNE 3, 2005

Some of the entries of what you can read on the Walker Blog, may appear at first glance to be mundane details of cube life , but then you remember that it is a museum blog and it makes the institution seem more human. people at the Walker who may be represented by official websites but. audiences via the internet. week to writing.

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Artist Arts Process Remix 50

Museum 2.0

MARCH 3, 2007

But I’d been scribbling notes for an art museum label post for awhile, and then yesterday, the NY Times had a review of a new show at MOMA, Comic Abstraction. The collection is disaggregated, grouped by floor (Painting and Sculpture 1) rather than artist, movement, time period, or geography. MOMA has standard art museum labels.

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Arts Museum Artist Audio 30

Museum 2.0

MARCH 16, 2009

I’ve had it with museums’ obsession with open-ended self-expression. The point, in the context of this conversation, is that a minority of social media users are creators—people who write blog posts, upload photos onto Flickr, or share homemade videos on YouTube. And yet many museums are fixated on creators. Consider a mural.

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Participatory Experiment Museum Teen 44

NTEN

JUNE 21, 2011

The speakers for this panel include: Tracy Fullerton - Electronics Arts Game Innovation Lab Ruth Cohen - American Museum of natural History Elaine Charnov - The NY Public Library Jason Eppink - Museum of the Moving Image Syed Salahuddin - Babycastles Elaine Cohen: The New York Public Library 100 Years of the flagship library in New York.

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Game Culture Change Museum 52

Connection Cafe

OCTOBER 19, 2015

After jumping in, you swam across the short length of the hole (about 10 yards), and emerge, wet and freezing, only to get to race through temps in the teens to try to warm up in a lukewarm hot tub. Museums, zoos, and aquariums are finding that crowdfundraising can be a strategic tool to add to their fundraising playbook. Denver Zoo.

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Arts Wisconsin Los Angeles Denver 20

Museum 2.0

NOVEMBER 7, 2010

Last week marked four years for the Museum 2.0 People--especially young folks looking to break into the museum business--often ask me how I got here. Ed Rodley recently wrote a blog post about museum jobs entitled "Getting Hired: It's Who You Know and Who Knows You." This seems like an appropriate time to share the story.

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Museum Boston Participatory Job 52

Museum 2.0

SEPTEMBER 21, 2016

The chairs were cast-off art, reclaimed as art, available for people to take off the hooks and use. They were there for artist talks. Every other year, they convene TUPAC, a group of 35 outside advisors, including teens, college students, Temple University professors, artists, philanthropists, and community leaders.

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Process Share Philadelphia Arts 20

Museum 2.0

APRIL 22, 2015

Communities are made of people, not rhetoric. You can define a community by the shared attributes of the people in it, and/or by the strength of the connections among them. It is made up of the people attached to a given location: a city, a district, a neighborhood, a country. People who go to midnight movies.

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Community Minnesota Teen Movie 20

Museum 2.0

MAY 5, 2009

I just returned from the American Association of Museums (AAM) annual meeting in Philadelphia. I led two sessions, one on visitor co-created museum experiences, and the other on design inspirations from outside museums. what is the value of the exhibition experience to non-participants, that is, regular museum visitors?

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Slides Participatory Museum Children 20

Beth's Blog: How Nonprofits Can Use Social Media

NOVEMBER 10, 2006

It will be interesting to see if this advice holds true for the voters of the future based on Dannah Boyd's post " What i mean when i say "email is dead" in reference to teens. "Do young people have email accounts? " These are examples of vlog or blog raising - raising money from people via your blog.

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Wiki Vlog Machinima Bookmarking 50

EveryAction

MARCH 16, 2017

American Edmonia "Wildfire" Lewis is considered the first woman of Native American and African descent to achieve international fame as a sculptor at a time when artists of color were hardly celebrated and slavery was still legal. Gentileschi is remembered, however, as an accomplished Baroque artist whose trials did not define her art.

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Story Angola Sierra Leone History 133

Museum 2.0

APRIL 18, 2012

Last Friday, I witnessed something beautiful at my museum. A group in their late teens/early 20s were wandering through the museumwide exhibition on love. At the adjacent table, my colleague Stacey Garcia was meeting with a local artist, Kyle Lane-McKinley, to talk about an upcoming project. Kyle had brought his baby with him.

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Community Teen Build Social 42

Museum 2.0

MAY 8, 2013

Like a lot of organizations, my museum struggles with two conflicting goals: The museum should be for everyone in our community. And while it may be effective when it comes to marketing, it''s limiting if your mission is to reach and engage with a wide range of people. But ultimately, that''s still targeting. Why fight it?

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Museum Social Arts History 55

Museum 2.0

JUNE 12, 2012

It was fascinating to see people--across social differences--responding to representations of love in the paintings, images, objects and narratives that were part of the installation. The inclusion and prominence of amateur art in the museum makes a complicated statement that is worth a whole other blog post.

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Participatory Museum Blackboard Game 51

Beth's Blog: How Nonprofits Can Use Social Media

MAY 20, 2015

Later, when were chatting with a small group of people in the lobby, we noticed a group of teens walking by looking a little sad. Virtuous Cycle of Engagement: The goal for the Met’s digital strategy is to show great content and to engage with people online, so much so that they will want to get on a plane and visit.

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Digital Learning Artist Miami 50

Museum 2.0

OCTOBER 22, 2008

There are lots of things visitors can’t do in museums. But what about the things that museum professionals can’t (or feel they can’t) do? This week at the ASTC conference, Kathy McLean, Tom Rockwell, Eric Siegel and I presented a session called “You Can’t Do That in Museums!” And so my question is, why are we keeping them away?

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Museum Professional Teen Map 20

Museum 2.0

FEBRUARY 27, 2013

It does everything a great documentary story can do: it takes you into another world, introduces you to unforgettable people, defies expectations, and delivers tough realities instead of fairy tales. All this delightful non-fiction makes me wonder: why aren't museums great at telling these same kinds of deep, intense stories?

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Museum Story Captivate Artist 53