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What I Learned from Beck (the rock star) about Participatory Arts

Museum 2.0

There are many artistic projects that offer a template for participation, whether a printed play, an orchestral score, or a visual artwork that involves an instructional set (from community murals to Sol LeWitt). One of the things I always focus on in participatory exhibit design is ensuring that everyone has the same tools to work with.

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Museum 2.0 Rerun: Inside the Design of an Amazing Museum Project to Capture People's Stories

Museum 2.0

They designed a participatory project that delivers a compelling end product for onsite and online visitors… and they learned some unexpected lessons along the way. We invited a cross-section of artists, filmmakers, and advertisers to join us for a think tank. Projects participatory museum storytelling usercontent'

Museum 43
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Using Design Thinking for A Foundation’s Investment Strategy

Beth's Blog: How Nonprofits Can Use Social Media

In some ways, a design lab can be thought of as “participatory research and testing.”. Participants voted on the questions that would be most important for the Brainerd Foundation to consider in its strategy: How might we adopt a hybrid model of new and old power? How do we leverage the “rain” of culture change?3.

Design 50
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How Do You Capture Compelling Visitor Stories? Interview with Christina Olsen

Museum 2.0

They designed a participatory project that delivers a compelling end product for onsite and online visitors… and they made some unexpected decisions along the way. We invited a cross-section of artists, filmmakers, and advertisers to join us for a think tank. How and why did Object Stories come to be? So what did you do next?

Story 53
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Community Exhibit Development: Lessons Learned from The Tech Virtual

Museum 2.0

Our job was to provide a structured environment in which to develop ideas and the expertise to build the best of them. People who work with non-professionals on participatory projects often talk about finding "neutral" sites for meetings or meeting on their (the non-professionals') territory.

Virtual 21
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The World Beach Project: A Creative Contributory Project that Shines

Museum 2.0

The World Beach Project is managed by the Victoria and Albert Museum in London with artist-in-residence Sue Lawty. Many museums do not provide participants with clear terms surrounding their submissions, and for savvy people (especially artists!) In their personal statements, beach artists wrote about profound connections to nature.

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Make Great Art: Lessons in Co-Creation from the Performing Arts

Museum 2.0

When asked why these artistic directors were pursuing co-creative processes, "to make great art!" Respondents also talked about growing as artists through the process and the incredible things they learned from working with non-professionals. When an institution becomes wholly participatory, those distinctions often erode.

Arts 22