Amy Sample Ward

JUNE 21, 2011

Trying to engaged the teen-to-twenty-something who normally may not use the research library. There are a lot of places online where people can meet up, have game jams, etc. Tracy : When we speak about cultureal spaces, we are really talking about caging and preserving culture. Syed Salahuddin – Babycastles.

Game 140

Game Culture Museum Change 140

Museum 2.0

JULY 26, 2010

I've been spending time recently interviewing people who run unusual cultural and learning venues. I'm fascinated by these places because of their ability to attract diverse audiences to idiosyncratic experiences, and I'm curious how they stay afloat. One of my favorite places for a long time now. Skill-sharing free schools.

Culture 49

Culture Alternative St. Louis Los Angeles 49

NTEN

JUNE 21, 2011

Trying to engaged the teen-to-twenty-something who normally may not use the research library. There are a lot of places online where people can meet up, have game jams, etc. Questions and Discussion Tracy : When we speak about cultureal spaces, we are really talking about caging and preserving culture.

Game 52

Game Culture Change Museum 52

Museum 2.0

JANUARY 24, 2011

Guard staff who are willing to let an artist step between two panes of glass to perform. The Walker is also a place where everyone is committed to supporting artists and new work, so every time we bring in an artist, staff are enthusiastic about the idea of coming together to create something. That's how we build trust.

Arts 46

Arts Interview Teen Artist 46

Museum 2.0

MAY 21, 2014

Over the past three years, we''ve tripled our attendance, doubled our budget, and, most importantly, established deep and diverse relationships with community members, artists, and organizations across Santa Cruz County. We work hard to name and build our culture in many ways. Naming our goals and our culture.

Museum 49

Museum Director History Teen 49

Have Fun - Do Good

FEBRUARY 22, 2012

By slowing down and making a piece of art for someone, we provide a personal connection to the issues and to individuals and create opportunities to see our commonalities despite geographic or cultural borders. Yet, I wanted to be that artist and still do. I watched as the girls carefully placed just a few stickers on their cards.

Costa Rica 60

Costa Rica Interview Afghanistan Artist 60

Museum 2.0

SEPTEMBER 20, 2011

And from my perspective, it was this diversity that made the event unique--and made me rethink the way that cultural professionals typically approach audience development. Performances just for teens. As Elaine Heumann Gurian has often noted, the magic comes when cultural institutions bring together people who don't typically mix.

Audience 52

Audience Develop Museum History 52