Museum 2.0

SEPTEMBER 20, 2011

Performances just for teens. But it was more like 60%--enough for all those young people to feel like they were in the right place, but not enough to feel like it was "their" event alone. I've started realizing that at First Fridays, when our museum swells with people out on the town for an art experience. There were families.

Audience 52

Audience Develop Museum History 52

Museum 2.0

FEBRUARY 9, 2010

Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? Aren't art museums less open to participation than other kinds of museums?" I was surprised by her question. In Your Face ).

Museum 29

Museum Difference Participatory History 29

NTEN

JUNE 21, 2011

The speakers for this panel include: Tracy Fullerton - Electronics Arts Game Innovation Lab Ruth Cohen - American Museum of natural History Elaine Charnov - The NY Public Library Jason Eppink - Museum of the Moving Image Syed Salahuddin - Babycastles Elaine Cohen: The New York Public Library 100 Years of the flagship library in New York.

Game 52

Game Culture Change Museum 52

Museum 2.0

MARCH 4, 2015

Over the past four years, I''ve been running a small regional art and history museum in Santa Cruz, CA. Our museum is highly participatory: plenty of opportunities for visitors to contribute, for artists to collaborate, for community members to co-create. But almost ALL of those opportunities are facilitated by people.

Participatory 20

Participatory Museum Empowerment Facilitation 20

EveryAction

MARCH 16, 2017

Sheroes in the Arts. American Edmonia "Wildfire" Lewis is considered the first woman of Native American and African descent to achieve international fame as a sculptor at a time when artists of color were hardly celebrated and slavery was still legal. Are you inspired by women in the arts? Thought Leaders. Revolutionaries.

Story 133

Story Angola Sierra Leone Artist 133

Museum 2.0

NOVEMBER 7, 2010

I had a healthy second life as a slam poet, and I loved the world of artists and performance. At the big one, I worked on a small project with teens to design science exhibits for community centers in their own neighborhoods. I also learned that the best money in museums for someone who's starting out is in art modeling.

Museum 52

Museum Boston Participatory Job 52

Museum 2.0

APRIL 18, 2012

A group in their late teens/early 20s were wandering through the museumwide exhibition on love. At the adjacent table, my colleague Stacey Garcia was meeting with a local artist, Kyle Lane-McKinley, to talk about an upcoming project. When I walked by the first time, the teens were collaging and Kyle and Stacey were talking.

Community 42

Community Teen Build Social 42

Museum 2.0

JUNE 12, 2012

It made me think in ways that I haven't before about the relation of art--as expressive culture--to democracy. Helene Moglen, professor of literature, UCSC After a year of tinkering, the Santa Cruz Museum of Art & History is now showing an exhibition, All You Need is Love , that embodies our new direction as an institution.

Participatory 51

Participatory Museum Blackboard Game 51

Museum 2.0

OCTOBER 22, 2008

This is not to say that science centers are more censored than art or history museums—every kind of museum has its own hang-ups. Imagine an art museum that allowed patrons to bang on the exhibits the way you can in a science center. Focusing on youth audiences can lead to heavy and sometimes inappropriate self-censorship.

Museum 20

Museum Professional Teen Map 20

DipJar

AUGUST 24, 2022

Are there any more wonderful places? There’s an extensive LGBTQ+ community archive, one associated with a local arts organization, and the library is in the process of developing a local Covid archive as well. . Ah, public libraries! A recent conversation with Erica Busillo Adams of Providence Public Library is a perfect case in point!

Library 105

Library Public Local Reflection 105