2013 Artist Difference University 
ASU Lodestar Center
APRIL 10, 2017
posted by Christopher Haines Artistic Director & Co-Founder, iTheatre Collaborative. Only within the last decade has research on the efficacy of evaluating the effects of art on audiences been realized (Brown & Novak, 2013). Using different terms to mean the same thing confuses the story. Art is also very subjective.
Beth's Blog: How Nonprofits Can Use Social Media
OCTOBER 10, 2013
Betsey Russell captured the highlights of the content in this blog post, “ Boosting Nonprofit Communication Capacity.”.
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Beth's Blog: How Nonprofits Can Use Social Media
MARCH 13, 2013
I was only there for 48 hours, but I did two workshops on two different topics ( nonprofit social media managers workshop and measurement ), a discussion on impact measurement in the Beacon Lounge , and lighting talk failure Good By Global (the Social Good Summit at SXSW). Do the failure bow.
Museum 2.0
OCTOBER 31, 2012
You Can't Do That in Museums Camp - July 10-12, 2013. In July of 2013, the MAH will host our first You Can't Do That in Museums Camp (or better name to be suggested by you), inviting 80 creative people to collaborate on an experimental exhibition. Ze Frank Weekend - Jan 12-13, 2013. Loyalty Lab workshop - Jan 29, 2013.
Museum 2.0
OCTOBER 8, 2014
At the 2013 American Alliance of Museums annual conference, a group of exhibition designers explored authenticity in a session called Is it Real? Many artists work with assistants and reproducing processes. They conducted a simple experiment: People read a story about a painting called "Dawn" created by an artist.
Museum 2.0
JULY 11, 2012
That's how I felt when artist Ze Frank got in touch to talk about a potential museum exhibition to explore a physical site/substantiation for his current online video project, A Show (s ee minute 2:20, above). He is an authoritative artist of the social web with a slew of accolades and a suite of diverse projects under his belt.
Museum 2.0
FEBRUARY 6, 2013
While the phrase "gamification" has been overexposed and can lead to inane design choices, the underlying elements that make games powerful--narrative, a sense of purpose, opportunity to attain mastery--are universal. At the end of October, we started handing visitors business cards with all the Fridays through the end of 2012 listed on it.
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