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Protecting Wild Lands Through Art

Tech Soup

Braided River, a Seattle-based nonprofit publishing company, has undertaken 16 conservation projects to date with just three staff people. Braided River combines the arts of photography and literature to create books, media campaigns, and museum exhibits about preserving North America's wild places. Environmental Impact.

Arts 36
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Protecting Wild Lands Through Art

Tech Soup

Braided River, a Seattle-based nonprofit publishing company, has undertaken 16 conservation projects to date with just three staff people. Braided River combines the arts of photography and literature to create books, media campaigns, and museum exhibits about preserving North America's wild places. Environmental Impact.

Arts 36
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How To: Put Technology to Use (October 2008)

NTEN

It may be easy for big groups, with photogenic interests -- like the National Wildlife Federation's Wildlife Habitat program or The Nature Conservancy's nature picture contest -- to use something like Flickr, but you're too small? Or the Women's Museum. Balderdash! Take a look at what the Learning Community is doing.

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Invest in the 3 Cs for Strong Fundraising Results: Capacity, Cultivation and Communication

Connection Cafe

2013 was a strong year for fundraising, with charities posting their best increase since before the economy plunged in 2008, according to the 2013 Charitable Giving Report. Schools are using data to better understand donors based on factors such as gender and race, segmenting their base of donors and prospects.

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Spirituality, Religion and Activism: What's the Connection?

Have Fun - Do Good

In May 2008, the Chronicle of Philanthropy reported that six groups (Fetzer Institute, Ford Foundation, Hidden Leaf Foundation, Jewish Funds for Justice, W.K. In spring 2008 the Stanford Innovation Review article, "Praise the Lord, but Dim the Lights," featured the Regeneration Project's Interfaith Power and Light Campaign.

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Guest Post: Shaking up the Ecological Landscape

Museum 2.0

Elizabeth Merritt is the director of the Center for the Future of Museums , a new project of the American Association of Museums (AAM). When I was given the opportunity to found the Center for the Future of Museums (CFM) I had been working for nearly 10 years with Museum Assessment and Accreditation at AAM.

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