ASU Lodestar Center

APRIL 10, 2017

posted by Christopher Haines Artistic Director & Co-Founder, iTheatre Collaborative. Using different terms to mean the same thing confuses the story. As artists, we can be very insecure about our work. Christopher Haines is the founder and Artistic Director of iTheatre Collaborative, a 501(c)(3) nonprofit theater company.

Evaluation 56

Evaluation Arts Story Impact 56

Nonprofit Tech for Good

DECEMBER 2, 2009

Young, old, poor, rich, conservative, liberal, urban, rural, black, white, brown, red, yellow, gay, straight, preps, goths, rappers, artists, hippies, yuppies… you name it. Beauty is on the eye of the beholder and some people just like the chaos and artistic freedom of MySpace, while some like the neat clean, linear look of Facebook.

Myspace 190

Myspace Teen Facebook Social Network 190

Have Fun - Do Good

FEBRUARY 1, 2007

From the perspective of our work, it really means that the more we amplify different voices, the more we are doing our job. Joan of the Stockyards", by Bertolt Brecht, directed by Lear DeBessonet, the founder and Artistic Director of Stillpoint Productions. Greer recently returned from the 2007 World Social Forum in Nairobi.

Arts 40

Arts Activities Active Activism 40

Museum 2.0

JULY 1, 2011

It really reflects what we're trying to do here to transform our institution into as relevant, dynamic, and successful an organization as possible. What do we have to do differently?" She came to Santa Cruz County in 2007, not for the sake of the MAH, but because she and her husband decided to leave Washington, D.C.,

Museum 31

Museum History Arts Work 31

Museum 2.0

SEPTEMBER 18, 2013

Note: the title of this post pays homage to Elaine Heumann Gurian''s excellent and quite different 1981 essay of the same title. It looks different in different types of institutions. For more on the differences among different types of museums (with examples), check out this post. The Museum 2.0

Museum 45

Museum Question Participatory Evaluation 45

Museum 2.0

NOVEMBER 7, 2010

I had a healthy second life as a slam poet, and I loved the world of artists and performance. I believe that setting that expectation at the outset made a big difference both in my eventual pay and the responsibilities offered to me. By summer of 2007, when I left the Spy Museum to move to California, the blog was a big deal.

Museum 52

Museum Boston Participatory Job 52

Museum 2.0

APRIL 25, 2011

Note: the title of this post pays homage to Elaine Heumann Gurian's excellent and quite different 1981 essay of the same title. It looks different in different types of institutions. For more on the differences among different types of museums (with examples), check out this post. The Museum 2.0

Question 49

Question Participatory Museum Evaluation 49