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The Participatory Museum Process Part 4: Adventures in Self-Publishing

Museum 2.0

This is the final segment in a four-part series about writing The Participatory Museum. This posts explains why and how I self-published The Participatory Museum. Few publishers was open to Creative Commons licensing and to giving away the content for free online. I chose the Attribution Noncommercial license.

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How grant makers and nonprofit grant recipients can do great things together with data and evaluation

Deborah Elizabeth Finn

Studying (and implementing) community-based participatory research methods. __. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. __. Not all programs and outcomes are identical, but very few are entirely sui generis. Sharing responsibility for building the relationship.

professionals

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10 Steps to Extension Professional 2.0 Remix

Beth's Blog: How Nonprofits Can Use Social Media

Next week I'm doing a Webinar for Extension Professionals , a remix of 10 Steps to Association 2.0 Point out each area of disagreement and why in a brief, non-rantish, professional manner. Professional development - reflect and learn about your work. which was a remix of Marnie Webb 's Ten Ways Nonprofits Can Change the World.

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Remix This Power Point!

Beth's Blog: How Nonprofits Can Use Social Media

Yesterday, I presented this seminar to University Extension Professionals. It also incorporates cc licensed materials from others, including videos and flickr photos. The CC licensed work on Flickr and CCmixter are wonderful resources. transparent open licensing, such as Creative Commons. to Change The World.

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Museum Photo Policies Should Be as Open as Possible

Museum 2.0

To me, an open photo policy is a cornerstone of any institution that sees itself as a visitor-centered platform for participatory engagement. and yet many museum professionals look benevolently upon that activity as a positive meaning-making visitor experience. And I think the fourth and fifth are bizarre and ungenerous to visitors.

Museum 54
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The World Beach Project: A Creative Contributory Project that Shines

Museum 2.0

Beach art is democratic, and while Lawty, a professional artist, modeled the activity by making beach sculptures of her own, the artistic endeavor required to be successful is attainable by anyone, and participants didn't need encouragements or instructions to know how to make beach sculptures. design participatory museum usercontent.

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Notes from the Future: Reflections on the IMLS Meeting on Museums and Libraries in the 21st Century

Museum 2.0

The goal, from IMLS’s standpoint, is for NAS to create a report that can address the fundamental issues facing museums and libraries in the 21st century, with an intended audience of industry professionals, trustees, funding sources, and government representatives. Tags: professional development. Let’s change that.

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