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The Participatory Nonprofit?

Beth's Blog: How Nonprofits Can Use Social Media

gThe above video is one of the many social networking strategies that The Genocide Intervention Network used to transform itself from a small student group to national non-profit. Social networking requires commitment -- you can't set up a MySpace profile and then walk away. Go read it. each of various qualities. More here ). *

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10 Steps to Extension Professional 2.0 Remix

Beth's Blog: How Nonprofits Can Use Social Media

Next week I'm doing a Webinar for Extension Professionals , a remix of 10 Steps to Association 2.0 which was a remix of Marnie Webb 's Ten Ways Nonprofits Can Change the World. My initial remix thought (wrong) was to look for examples that were related to agriculture, but the extension is so much more. I'm nervous. It's messy.

Remix 50
professionals

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And the winner is. and some reflections on user-generated content

Beth's Blog: How Nonprofits Can Use Social Media

To celebrate, I concocted an action learning experience in user generated content, the Beth 5.0 Flickr Photo Birthday Remix Contest. Ultimately, 22 remix photos were posted, slightly less than half of the people who joined. Click here to view the video. As many of you know, I celebrated a milestone birthday this month.

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Fashion and Passion for Your Cause: Wear it on Your Blog or Profile!

Beth's Blog: How Nonprofits Can Use Social Media

I recently read an article about fundraising on social networking sites. I have a strong interest in the future of my work and participatory culture. That's why I also remixed the fundraising widget. two came to mind and rhyme: Fashion and Passion.

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Take a Side Trip to the Denver Art Museum

Museum 2.0

This week, the Denver Art Museum (DAM) opened a new temporary exhibition called The Psychedelic Experience , featuring rock posters from San Francisco in the heyday of Bill Graham and electric kool-aid. I happened to be at DAM for work and got to experience this amazing exhibit. It is an incredible museum experience.

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Museum Photo Policies Should Be as Open as Possible

Museum 2.0

I'm working on a section of my book about sharing social objects and am writing about the most common way that visitors share their object experiences in museums: through photographs. Aesthetics of Experience: Photo-taking is distracting for other visitors. And I think the fourth and fifth are bizarre and ungenerous to visitors.

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Notes from the Future: Reflections on the IMLS Meeting on Museums and Libraries in the 21st Century

Museum 2.0

Who controls the experience? Who controls the experience? If museum and library content is licensed, not owned, how can we work within those licenses to allow visitors to use and remix to their heart’s content? I came out of this experience feeling like we spent too little time talking about change. Who owns the stuff?

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