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Remix This Power Point!

Beth's Blog: How Nonprofits Can Use Social Media

Yesterday, I presented this seminar to University Extension Professionals. " I'm trying to walk the walk and talk the talk of Remixing Content for nonprofits. One thing you'll notice is that the presentation itself is a remix of a remix. I remixed it from an earlier prsentation called Associations 2.0

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10 Steps to Extension Professional 2.0 Remix

Beth's Blog: How Nonprofits Can Use Social Media

Next week I'm doing a Webinar for Extension Professionals , a remix of 10 Steps to Association 2.0 which was a remix of Marnie Webb 's Ten Ways Nonprofits Can Change the World. My initial remix thought (wrong) was to look for examples that were related to agriculture, but the extension is so much more. I'm nervous.

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Good Curation VS Bad Curation

Beth's Blog: How Nonprofits Can Use Social Media

What is good curation versus bad curation? The image is a remix of a presentation entitled ” Link Building by Imitation ” and authored by link building expert Ross Hudgens — and explains the skill set pretty well. ” He says that copyright infringement is not theft.

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LACMA's Magritte Exhibition: This is not fair use

Beth's Blog: How Nonprofits Can Use Social Media

The pro remix message: Culture is well-served by liberal rules that let one person remix another's creation. The anti remix message: The exhibition policy on photos: no photos are allowed in the exhibit. Does it want to inspire us to remix Magritte, or warn us off the idea of reproduction without permission?

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The Participatory Museum Process Part 4: Adventures in Self-Publishing

Museum 2.0

VALUE: There are just a few small publishers who serve museum professionals. There are four tiers of restriction possible with Creative Commons licenses: attribution (must credit author), noncommercial (can't make $$ off of reuse), no derivatives (can't cut, remix, adapt), and share alike (must redistribute with same license).

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Guest Friday: Jessica Harden's Notes from AAM

Museum 2.0

It was clear that this group of senior museum professionals was not ready for the implications of user-generated content invading the establishments that they had worked so hard to build. The Museum Remixed panelists presented projects and concepts that invited visitors to participate in interpreting collections.

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