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Why Are So Many Participatory Experiences Focused on Teens?

Museum 2.0

Over the past year, I've noticed a strange trend in the calls I receive about upcoming participatory museum projects: the majority of them are being planned for teen audiences. Why are teens over-represented in participatory projects? The first of these reasons is practical.

Teen 24
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Feelings and Participation

Museum 2.0

Today, I wanted to think about participatory elements, something so essential to this blog. We should see ourselves like those board games, where all the players have to work together to win. We often use them to add in extra content we couldn’t get into the label or assess people’s learning.

Museum 35
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Museum 2.0 Rerun: Answers to the Ten Questions I Am Most Commonly Asked

Museum 2.0

I''ve seen this line of questioning almost completely disappear in the past two years due to many research studies and reports on the value and rise of participation, but in 2006-7, social media and participatory culture was still seen as nascent (and possibly a passing fad). In 2008, the conversation started shifting to "how" and "what."

Museum 45
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Answers to the Ten Questions I am Most Often Asked

Museum 2.0

I've seen this line of questioning almost completely disappear in the past two years due to many research studies and reports on the value and rise of participation, but in 2006-7, social media and participatory culture was still seen as nascent (and possibly a passing fad). In 2008, the conversation started shifting to "how" and "what."

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Dangerous/Ridiculous: Reflections on AAM

Museum 2.0

I host dating games. Creating her own versions of classic board games like Guess Who? In particular, we had a great group of 15 talking about participatory history experiences on Sunday. Participatory art and co-creation on the rise. I found this idea really powerful. Our curator writes labels about licking the art.

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17 Ways We Made our Exhibition Participatory

Museum 2.0

It is multi-disciplinary, incorporates diverse voices from our community, and provides interactive and participatory opportunities for visitor involvement. This post focuses on one aspect of the exhibition: its participatory and interactive elements. So many museum exhibitions relegate the participatory bits in at the end.

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Quick Hit: My Work with the Santa Cruz Museum of Art & History

Museum 2.0

But the point is that the MAH, like just about every other museum in the known universe, was content to define the museum experience as something removed from the outside world, a rarefied church-like space of refined artistic reflection. OK, so we made up the last couple of those prohibitions.

Museum 31