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5 Interesting Facts from the Giving USA 2012 Report

sgEngage

The Giving USA 2012 report is out and it gives us a look at philanthropic trends from 2011. This figure is one percentage point higher than in 2010. Fundraising growth in the arts subsector was helped by an $800 million cash gift to Crystal Bridges Museum of American Art in Arkansas from the Walton Family Foundation.

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Ze Frank Takes Over (My) Museum

Museum 2.0

I get excited about a lot of things in my work at the Santa Cruz Museum of Art & History. That's how I felt when artist Ze Frank got in touch to talk about a potential museum exhibition to explore a physical site/substantiation for his current online video project, A Show (s ee minute 2:20, above).

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Upcoming Nonprofits Live: Storytelling and Collaborative Video

Tech Soup

As an independent filmmaker, Windy has produced and directed promotional videos, films, and documentaries, including “The Tillamook Burn” (2003), “The ‘D’ Word: Understanding Dyslexia” (Sundance 2012), and “The Eyes of Thailand” (2012). His forthcoming. employers in Brazil and the US.

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Why I Blog

Museum 2.0

I spent the weekend queuing up posts for my forthcoming blog-cation--nine weeks of guest posts and reruns from the Museum 2.0 I went to several big museum conferences in 2004-2006 where I identified and started admiring heroes in the field. As the readership for Museum 2.0 To me, Museum 2.0

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Participation in Storytelling: Collaborative Video on Nonprofits Live

Tech Soup

As an independent filmmaker, Windy has produced and directed promotional videos, films, and documentaries, including “The Tillamook Burn” (2003), “The ‘D’ Word: Understanding Dyslexia” (Sundance 2012), and “The Eyes of Thailand” (2012). Thomas Grasty - Stroome.

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The Art of the Steal: Access & Controversy at the Barnes Foundation

Museum 2.0

Last week, I finally watched The Art of the Steal , an arresting documentary on the controversy around the evolution of the Barnes Foundation from a suburban educational art facility to a major urban art museum (to open in May 2012). The art could not be sold, reproduced, loaned, or traveled.

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