Beth's Blog: How Nonprofits Can Use Social Media

OCTOBER 26, 2006

Another point of intersection here for me is Henry Jenkins recently published 72-page white paper " Confronting the Challenges of Participatory Culture: Media Education for the 21st Century." Expressions (media creation, mashups, etc). " He describes what Ian observed what happened with his youth audience.

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Beth's Blog: How Nonprofits Can Use Social Media

APRIL 1, 2010

In addition, the Museum has taken those tips and created a mashup with the YELP api. Incorporating the use of a location-based social networks seems a natural for museums, given the move towards more participatory institutions and how museums have embraced mobile.

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Beth's Blog: How Nonprofits Can Use Social Media

MAY 7, 2010

Nina has written a fantastic book engagement called The Participatory Museum. A third argues that the project won’t be truly participatory unless users get to define what content is sought in the first place. I’ve been using these participatory categories to talk about how we’d like users to participate in different projects.

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Beth's Blog: How Nonprofits Can Use Social Media

APRIL 25, 2007

I would love to develop more indepth training workshop or webinar on this topic, geared more for nonprofits and participatory campaigns, perhaps incorporating the Creative Commons Open Content Game. While browsing RSS reader today, I noticed someone had favorited my recursive mashup photo that I have on the cover the presentation.

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Beth's Blog: How Nonprofits Can Use Social Media

APRIL 18, 2007

Lessig presents this as a desirable ideal and argues, among other things, that the health, progress, and wealth creation of a culture is fundamentally tied to this participatory remix process. Examples of Mashups. Chicago Crime Maps; Another googlemap mashup with crime statistics. Netsquared Conference Mashup Panel.

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Beth's Blog: How Nonprofits Can Use Social Media

APRIL 23, 2008

But as Nina notes, they are doing research from this experiment about the role of independence and influence in a participatory experience. The Collection of photographs found on the site are pulled in from Flickr using a Flash-base mashup. They are sensitive to the artists who are being judged. Another theme of web2.o

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