Museum 2.0

MAY 9, 2008

There's a tag applied to many Museum 2.0 posts called "Unusual Projects and Influences." Posts under that tag tend to examine non-museum things, from malls to games to ad campaigns , and draw some design lessons for museums from their foreignness. The voices are recorded, the doors perpetually closing.

Participatory 20

Participatory Design Museum Childhood 20

Museum 2.0

SEPTEMBER 7, 2010

For years, I've been fascinated and a bit perplexed by the Elsewhere Collaborative , a thrift store turned artists' studio/living museum in Greensboro, North Carolina. Our archeology did not aim to uncover the hidden voice of my grandmother, but instead to begin an ongoing practice of recreation.

Collaboration 36

Collaboration North Carolina Museum Artist 36

Beth's Blog: How Nonprofits Can Use Social Media

APRIL 23, 2008

One of the best projects that illustrates the basic idea of Web2.0 - listening and conversation and stakeholders creating their own experience with your organization - comes from the Brooklyn Museum of Art. o is Transparency - and the best example of that is what the Indianapolis Art Museum has done with its pubic metrics on its web site.

Arts 74

Arts Social Media Examples Artist 74

Museum 2.0

AUGUST 25, 2009

Answers will differ depending on who's asking, but they are also influenced by the designed environment in which questions are asked. Rabinowitz commented that "as a 40-year veteran of history museum interpretation, I can say that I never learned so much from and about visitors." "Where were you last night?"

Design 31

Design Goal Difference Platform 31

Museum 2.0

JULY 27, 2009

I’ve long admired Improv Everywhere , the NYC-based participatory public art group. For about half an hour, hundreds of people play together, silently, as directed by disembodied voices inside their headphones. The voice tells you what to do –stand up, shake hands, play Twister, make silly shapes—and you do it.

Instruction 21

Instruction Instructional Nicaragua Experiment 21

Museum 2.0

MARCH 17, 2010

This is the second in a four-part series about writing The Participatory Museum. Several hundred people contributed their opinions, stories, suggestions, and edits to The Participatory Museum as it was written. Check out the other parts here. What did they do? Why did they do it? What did they get out of it?

Participatory 32

Participatory Museum Process Experiment 32

Museum 2.0

AUGUST 7, 2008

For many museums, visitor research--how people use the museum, navigate exhibits, and understand content--may be an equally important arena in which to adopt groundswell listening techniques. I spent an hour this morning "brand listening" to what the online world says about one of my favorite museums, the Exploratorium.

Museum 20

Museum Teen Second Life Discussion 20

Museum 2.0

MARCH 10, 2010

This is the first of a four-part series on the behind-the-scenes experience of writing The Participatory Museum. Overview: Stages of Development and Participation Types The Participatory Museum was written over a 15 month period that began in December of 2008. Many of the book sections started as blog posts on Museum 2.0.

Participatory 21

Participatory Museum Statistics Process 21

Museum 2.0

FEBRUARY 23, 2010

Yesterday, I had the delightful opportunity to participate in the 3six5 project , a yearlong participatory project in which 365 people write 365 journal entries for every day of 2010. It showcases diverse voices. Participating in this made me wonder: could a museum or library run a project like 3six5?

Participatory 34

Participatory Project Museum Journal 34

Museum 2.0

OCTOBER 8, 2008

I have a lot of conversations with people that go like this: Other person: "So, you think that museums should let visitors control the museum experience?" Other person: "But doesn't that erode museums' authority?" If the museum isn't in control, how can it thrive? It lets you be the only expert with a voice.

Authoring 42

Authoring Platform Museum YouTube 42

Museum 2.0

MAY 15, 2008

Radiolab does what I hope all great museum exhibitions can do--take a deep topic and make it compelling on many levels. Which brings me to museums and how we present content. Could you imagine a curator, designer, or museum educator speaking this way about an exhibition? So maybe it isn't just about novice voice.

Conversation 20

Conversation Arts Museum Voice 20

Museum 2.0

MARCH 6, 2019

While I originally wrote this post to advocate for more participatory practice (i.e. letting museum visitors contribute and collaborate in museums), I now see this as a crucial issue also for more democratic and inclusive practice (i.e. Other person: "But doesn't that erode museums' authority?" Me: "Sort of."

Authoring 44

Authoring Share Museum YouTube 44